In the 1980s ‘the Antwerp Six’ put Flanders on the fashion map. Now a major new exhibition celebrates the designers’ legacy and provides the perfect excuse to visit Belgium’s vibrant second city

You know you’re in a city that takes its fashion seriously when even the Virgin Mary is dressed head to toe in couture. A short walk from Antwerp’s old town, with its ornate medieval guild houses and cobblestone streets, is the baroque church of St Andrews. Like many of the city’s Catholic churches, it has beautiful stained glass windows, an exuberantly carved wooden pulpit and more artworks by Flemish masters than you can shake an incense stick at. But we’re here to pay homage to an art form of a different kind.

In a quiet chapel, an elegant 16th-century wooden statue of the Madonna is clothed not in her usual blue cloak, but a dress of pale gauzy fabric, trimmed with a collar of white pigeon feathers, custom made by renowned Belgian fashion designer Ann Demeulemeester. It’s a bold statement but one that’s entirely in-keeping with a city where a love of fashion seems woven into the fabric of everyday life.

Beyond the Belgian capital’s more obvious sights lies a thriving district known for its classic Belgian cuisine, alternative art scene and gigantic flea market

The Brusseleir dialect that’s still spoken in much of the Marolles dates back to the middle ages, a symbol of the independence of this proudly working-class neighbourhood in central Brussels. Located between the Palace of Justice and Halle Gate, it’s always been an inclusive refuge for immigrants from Europe and north Africa. The must-see Brussels tourist attractions of the Grand-Place central square and Mannekin-Pis statue are within walking distance, but the Marolles offers a very different experience: fashion, antiques and bric-a-brac shopping; alternative creative centres and provocative graffiti; characteristic estaminets (hybrid pub, cafe, bistros) specialising in hearty local dishes; and artisan breweries.