It’s recently been accused of turning ‘woke’ – but the institution has been gay since the beginning, argues this deeply researched book

When it emerged that the National Trust had put vegan scones on the menu, it was seized on by some newspapers as a marmalade dropper – or strawberry jam dropper, perhaps – proof that the institution was woke. Wait until they hear about all the queer men and women who helped to make the Trust what it is today. The charity’s 5.4 million members and others visit its grand piles for a nice day out and a tea towel, unaware that they are surrounded by the ghosts of these figures. They are brought to life by Michael Hall, a former architecture editorof Country Life and author of books on Waddesdon Manor and the gothic revival in Britain.

Some of them, such as the buttoned-up Henry James, who lived at Lamb House, Rye, merely lent their lustre to properties that were later taken over by the trust. Others introduced features to the estates that continue to delight trippers to this day. They include Vita Sackville-West and Harold Nicolson, partners in a lavender marriage, who created the gardens at Sissinghurst, appropriately enough.

A deep dive into the creation of eight buildings from the 1700s to the 1900s tells some very human stories

History used to be about wars and dates, but to the architecture writer and TV presenter Dan Cruickshank, it’s more about floors and grates. In his new book, he takes a keen-eyed tour of eight English houses, from Northumberland to Sussex, dating from the early 1700s to exactly 100 years ago, and ranging from an outlandish gothic pile to one of the first council flats. In Cruickshank’s pages, classical influences from Rome and Greece give way to a revival of medieval English gothic and the emergence of modernism.

He is particularly interested in who commissioned and built his chosen dwellings, and how they got the job done. It’s a new spin on the recent fashion for historians to explore the homes of commoners, as opposed to royalty and aristocrats, in order to tell the life stories of their occupants. This probably began with the late Gillian Tindall, who wrote a highly original book about the various tenants of an old house by the Thames next to the rebuilt Globe theatre. That was followed by several series of A House Through Time, fronted by Traitors star David Olosuga.

He may now live in Germany, but he loves returning to Britain, not just to put on a show, but to enjoy the weather, the food, the humour – and the selfie-takers in galleries

Let’s suppose that you are a Turner prize-winning sculptor, with more than 50 years in the game. One restless night, an idea comes to you. You work it up in your studio and send it off to the foundry, to be cast in bronze. Finally, you’re ready to show it to the world, but the first person through the gallery doors barely glances at it before taking a selfie with it. What do you do? Bear in mind that you are Tony Cragg, Royal Academician, and you are on record bemoaning the preference of many art-lovers for listening to audio guides as they tour exhibitions.

The perhaps unlikely answer is that you welcome the selfie-taker with outstretched arms, or at least give a convincing impression of doing so. “No, I don’t have problem with that,” says Cragg, albeit faintly, as if he’s thinking about the people who might be crossing the threshold of his latest show, which just opened in London. “People are bound to respond in different ways.”