It contains enough steel to go round the world twice – and even has a fake breeze to flutter the stars-and-stripes flag in its lobby. If this colossus is just the first of a new breed of bulky supertalls, is Britain next?

Among the slender needles and elegant spires of the Manhattan skyline, a mountainous lump has reared into view. It galumphs its way up above the others, climbing in bulky steps with the look of several towers strapped together, forming a dark, looming mass. From some angles it forms the silhouette of a hulking bar chart. From others, it glowers like a coffin, ready to swallow the dainty Chrysler building that trembles in its shadow. It is New York’s final boss, a brawny, bronzed behemoth that now lords it over the city with a brutish swagger.

Fittingly, this is the new global headquarters of JP Morgan, the world’s biggest bank. The firm enjoys a market capitalisation of $855bn (£645bn), more than Bank of America, Wells Fargo and Citigroup’s combined, and it looks as if it might have swallowed all three inside its tinted glass envelope. Last year, for the first time, it made more than $1bn a week in profits. Chairman and chief executive Jamie Dimon likes to boast of its “fortress balance sheet”, and he now has an actual fortress to go with it – built at a cost, he revealed at the opening, of around $4bn. He has certainly made his mark. It would be hard to design a more menacing building if you tried.

They wrestled steel beams, hung off giant hooks and tossed red hot rivets – all while ‘strolling on the thin edge of nothingness’. Now the 3,000 unsung heroes who raised the famous skyscraper are finally being celebrated

Poised on a steel cable a quarter of a mile above Manhattan, a weather-beaten man in work dungarees reaches up to tighten a bolt. Below, though you hardly dare to look down, lies the Hudson River, the sprawling cityscape of New York and the US itself, rolling out on to the far horizon. If you fell from this rarefied spot, it would take about 11 seconds to hit the ground.

Captured by photographer Lewis Hine, The Sky Boy, as the image became known, encapsulated the daring and vigour of the men who built the Empire State Building, then the world’s tallest structure at 102 storeys and 1,250ft (381m) high. Like astronauts, they were going to places no man had gone before, testing the limits of human endurance, giving physical form to ideals of American puissance, “a land which reached for the sky with its feet on the ground”, according to John Jakob Raskob, then one of the country’s richest men, who helped bankroll the building.

Stern, credited with designing 15 Central Park West, sought to design buildings that invoked pre-war splendor

Robert AM Stern, an architect who fashioned the New York City skyline with buildings that sought to invoke pre-war splendor but with modern luxury fit for billionaires and movie stars, has died at the age of 86.

Dubbed “The King of Central Park West” by Vanity Fair, Stern was credited with designing 15 Central Park West that, in 2008, was credited as being the highest-priced new apartment building in the history of New York.

The number of rental properties without a lounge is surging, and people are having to eat and socialise in kitchens, bedrooms and stairwells. How can you relax and build community without a communal area?

‘Without a living room, your world becomes quite small,” says Georgie, a 27-year-old climbing and outdoor instructor. When she moved into a house-share with four strangers in 2023, she wasn’t worried about the lack of a living room. “I kind of thought it would be fine – I didn’t have that many options, and the house was by far the cheapest.”

The property she rented was in Leeds, and what had once been a lounge had gradually been turned into an inaccessible storage space. To make things worse, the kitchen was tiny: “By the time you put a table against the wall, you couldn’t sit or stand without getting in the way of the sink or the oven.”

A RIBA report says “stark displays of sexism” are driving women from the profession. If we don’t fight this systemic misogyny, we won’t just lose dazzling designs – we’ll have a world only fit for 6ft tall policemen

If one were to think “Brazilian 20th-century modernist genius”, one might alight on Oscar Niemeyer, but see also the Italian émigré Lina Bo Bardi, who developed an Italian-style modernism with a Brazilian accent in her adopted homeland. Her Teatro Oficina, in São Paulo, was named by this paper as the best theatre in the world.

Five hundred miles away is one of my favourite residential buildings, A la Ronde; an eccentric 16-sided home in Exmouth, Devon. It was designed in 1796 by Jane and Mary Parminter (two “spinster” cousins, in the words of the National Trust) and relative John Lowder. The cousins, who were not professionals, had been inspired by their Grand Tour of Europe (an unusual undertaking for women at the time) and, in particular, the Basilica of San Vitale in Ravenna, Italy. The critic Lucinda Lambton described the cottage orné with Byzantine inflection as embodying “a magical strangeness that one might dream of only as a child”.

Home perched in Hollywood Hills, constructed for $37,500 and made famous by Julius Shulman photo, listed for $25m

The Stahl house – a paragon of Los Angeles mid-century modern architectural design – is for sale for the first time in the home’s history.

The cantilevered home, perched in the Hollywood Hills, hit the listings market this week. The asking price: $25m.