Manual for building design aims to encourage low-carbon construction as alternative to steel and concrete

An airport made of bamboo? A tower reaching 20 metres high? For many years, bamboo has been mostly known as the favourite food of giant pandas, but a group of engineers say it’s time we took it seriously as a building material, too.

This week the Institution of Structural Engineers called for architects to be “bamboo-ready” as they published a manual for designing permanent buildings made of the material, in an effort to encourage low-carbon construction and position bamboo as a proper alternative to steel and concrete.

Quake Brutalist Jam began as a celebration of old-fashioned shooter level design, but its latest version is one step away from being a game in its own right

A lone concrete spire stands in a shallow bowl of rock, sheltering a rusted trapdoor from the elements. Standing on the trapdoor causes it to yawn open like iron jaws, dropping you through a vertical shaft into a subterranean museum. Here, dozens of doors line the walls of three vaulted grey galleries, each leading to a pocket dimension of dizzying virtual architecture and fierce gladiatorial combat.

Welcome to Quake Brutalist Jam, the hottest community event for lovers of id Software’s classic first-person shooter from 1996. First run in 2022, the Jam started out as a celebration of old-school 3D level design, where veteran game developers, aspiring level designers and enthusiast modders gather to construct new maps and missions themed around the austere minimalism of brutalist architecture.

A deep dive into the creation of eight buildings from the 1700s to the 1900s tells some very human stories

History used to be about wars and dates, but to the architecture writer and TV presenter Dan Cruickshank, it’s more about floors and grates. In his new book, he takes a keen-eyed tour of eight English houses, from Northumberland to Sussex, dating from the early 1700s to exactly 100 years ago, and ranging from an outlandish gothic pile to one of the first council flats. In Cruickshank’s pages, classical influences from Rome and Greece give way to a revival of medieval English gothic and the emergence of modernism.

He is particularly interested in who commissioned and built his chosen dwellings, and how they got the job done. It’s a new spin on the recent fashion for historians to explore the homes of commoners, as opposed to royalty and aristocrats, in order to tell the life stories of their occupants. This probably began with the late Gillian Tindall, who wrote a highly original book about the various tenants of an old house by the Thames next to the rebuilt Globe theatre. That was followed by several series of A House Through Time, fronted by Traitors star David Olosuga.

Volunteers and neighbours are restoring the century-old homes as an act of defiance against Russia’s assault

Lesia Danylenko proudly showed off her new front door. Volunteers had nicknamed its elegant transom window the “croissant”, a nod to its curved shape. “I think it’s more of a peacock,” she said, admiring its branch-like details. The restoration project at one of Kyiv’s early 20th-century art nouveau houses was supported by residents, who celebrated with two pavement parties.

It was also an act of resistance against Russia, she explained: “We are trying to live like normal people despite the war. It’s about arranging our life in the best possible way. We’re not afraid of staying in Ukraine. I could have left the country and moved away to Italy or Germany. Instead, I’m here. The new entrance shows our commitment to our homeland.”

West Somerset Lagoon would harness renewable energy for UK’s AI boom – and create ‘iconic’ arc around Bristol Channel

The architect of the London Eye wants to build a vast tidal power station in a 14-mile arc off the coast of Somerset that could help Britain meet surging electricity demand to power artificial intelligence – and create a new race track to let cyclists skim over the Bristol Channel.

Julia Barfield, who designed the Eye and the i360 observation tower in Brighton, is part of a team that has drawn up the £11bn proposal. It would curve from Minehead to Watchet and use 125 underwater turbines to harness the power of the second-highest tidal range in the world.

This year’s highlights include the remodelling of a Richard Seifert brutalist ‘corncob’ tower, a celebration of Japanese carpentry and a wearable hot-water bottle
• The best art and photography of 2025
• More on the best culture of 2025

In a case of contents outshining the container, the V&A’s national museum of everything takes the public up close and personal to a gallimaufry of precious things, from porcelain to poison darts, textiles to tiaras. Elegantly shoehorned into the gargantuan hangar that was originally the broadcasting centre for the 2012 Olympics, it’s an Amazon warehouse crammed with global treasures, setting visitors off on an odyssey of “curated transgression” through an immersive cabinet of curiosities.

Canadian Centre for Architecture, Montreal
The birth of the People’s Republic is seen as a time of drab buildings. But this dazzling show, featuring a factory in a cave and a denounced roof, tells a wildly different story

In 1954, an issue of Manhua, a state-sponsored satirical magazine in China, declared: “Some architects blindly worship the formalist styles of western bourgeois design. As a result, grotesque and reactionary buildings have appeared.”

Beneath the headline Ugly Architecture, humorous cartoons of weird buildings fill the page. There is a modernist cylinder with a neoclassical portico bolted on to the front. Another blobby building is framed by an arc of ice-cream cone-shaped columns. An experimental bus stop features a bench beneath an impractical cuboid canopy, “unable to protect you from wind, rain or sun”, as a passerby observes. “Why don’t these buildings adopt the Chinese national style?” asks another bewildered figure, as he cowers beneath a looming glass tower that bears all the hallmarks of the corrupt, capitalist west.

Trump praises Vince Haley, his ex-speechwriter tasked with creating Arc de Triomphe knockoff amid affordability crisis

Amid concerns that he has failed to address a worsening affordability crisis, with health insurance premiums about to spike dramatically for over 20 million Americans, Donald Trump revealed on Sunday that his domestic policy chief’s main priority is building a triumphal arch for Washington DC.

Speaking at a White House holiday party, the president praised Vince Haley, his former speechwriter and a longtime aide to Newt Gingrich who now leads the White House Domestic Policy Council.

The brutalist arts-and-towers complex, where even great explorers get lost, is showing its age. Let’s hope the 50th anniversary upgrade is better than the ‘pointillist stippling’ tried in the 1990s

The Barbican is aptly named. From the Old French barbacane, it historically means a fortified gateway forming the outer line of defence to a city or castle. London’s Barbican marks the site of a medieval structure that would have defended an important access point. Its architecture was designed to repel. Some might argue, as they stumble out of Barbican tube station and gaze upwards, not much has changed in the interim.

The use of the word “barbican” was in decline in this country until the opening in 1982 of the Barbican Arts Centre. Taking 20 years to build, it completed the modernist megastructure of the Barbican Estate, grafted on to a huge tract of land devastated by wartime bombing. The aim was to bring life back to the City through swish new housing, energised by the presence of culture. Nonetheless, the arts centre, the elusive minotaur at the heart of the concrete labyrinth, was always farcically difficult to locate. To this day, visitors are obliged to trundle along the Ariadne’s thread of the famous yellow line, inscribed in what seemed like an act of institutional desperation, across concrete hill and dale.

With its soaring ceilings, meandering pathways and mesh-like walls, Taichung Art Museum, designed by Sanaa, sweeps visitors from library to gallery to rooftop garden for rousing views

Walking through the brand new Taichung Art Museum in central Taiwan, directions are kind of an abstract concept. Designed by powerhouse Japanese architecture firm Sanaa, the complex is a collection of eight askew buildings, melding an art museum and municipal library, encased in silver mesh-like walls, with soaring ceilings and meandering pathways.

Past the lobby – a breezy open space that is neither inside nor out – the visitor wanders around paths and ramps, finding themselves in the library one minute and a world-class art exhibition the next. A door might suddenly step through to a skybridge over a rooftop garden, with sweeping views across Taichung’s Central Park, or into a cosy teenage reading room. Staircases float on the outside of buildings, floor levels are disparate, complementing a particular space’s purpose and vibe rather than having an overall consistency.

National Trust looks to halt construction, claiming Trump tore down historic East Wing without needed permission

Donald Trump is facing a federal lawsuit seeking to halt construction on his $300m White House ballroom, with historic preservationists accusing the president of violating multiple federal laws by tearing down part of the iconic building without required reviews or congressional approval.

The legal challenge, filed on Friday by the National Trust for Historic Preservation in the US district court for the District of Columbia, represents the most significant attempt yet to stop Trump’s 90,000-sq-ft addition to the White House complex. The organization is seeking a temporary restraining order to freeze all construction activities until proper federal oversight procedures are completed.

From his home town of Los Angeles, the architect designed a career around defying what was predictable

In Frank Gehry’s world, no building was left untilted, unexposed or untouched by unconventional material. The Canadian-American architect, who died in his Los Angeles home at 96, designed a career around defying what was predictable and pulling in materials that were uncommon and, as such, relatively inexpensive.

Gehry collaborated with artists to turn giant binoculars into an entryway of a commercial campus, and paid homage to a writer’s past as a lifeguard by creating a livable lifeguard tower. And while dreaming this up, he transformed American architecture along the way.

The architect, whose work included the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in LA, died after a brief illness

• From Bilbao to Las Vegas: Frank Gehry’s incredible architecture – in pictures

Frank Gehry, one of the most influential and distinctive talents in American architecture, died on Friday at his home in Los Angeles following a brief respiratory illness, his chief of staff confirmed. He was 96.

Gehry, the most recognizable American architect since Frank Lloyd Wright, was one of the first to embrace the potential of computer design, and pioneered a distinctively exuberant style of bravura power, whimsical and arresting collisions of form. His most famous work remains the Guggenheim Museumin Bilbao, a fantastical, titanium-clad composition on the Nervión River which received international acclaim upon its opening in 1997, heralding a new era of emotive architecture.

The award-winning designer and architect leaves behind unique buildings all across the world from Dundee to Düsseldorf. He died after a brief respiratory illness at the age of 96

Frank Gehry, legendary Canadian-American architect, dies aged 96

The imposing concrete buildings that defined British postwar architecture held a vision of the future – but many fell into disrepair. A new book finds the finest examples

It contains enough steel to go round the world twice – and even has a fake breeze to flutter the stars-and-stripes flag in its lobby. If this colossus is just the first of a new breed of bulky supertalls, is Britain next?

Among the slender needles and elegant spires of the Manhattan skyline, a mountainous lump has reared into view. It galumphs its way up above the others, climbing in bulky steps with the look of several towers strapped together, forming a dark, looming mass. From some angles it forms the silhouette of a hulking bar chart. From others, it glowers like a coffin, ready to swallow the dainty Chrysler building that trembles in its shadow. It is New York’s final boss, a brawny, bronzed behemoth that now lords it over the city with a brutish swagger.

Fittingly, this is the new global headquarters of JP Morgan, the world’s biggest bank. The firm enjoys a market capitalisation of $855bn (£645bn), more than Bank of America, Wells Fargo and Citigroup’s combined, and it looks as if it might have swallowed all three inside its tinted glass envelope. Last year, for the first time, it made more than $1bn a week in profits. Chairman and chief executive Jamie Dimon likes to boast of its “fortress balance sheet”, and he now has an actual fortress to go with it – built at a cost, he revealed at the opening, of around $4bn. He has certainly made his mark. It would be hard to design a more menacing building if you tried.