By failing to remove John Davidson’s tic from the broadcast, editors let down both black and disabled people

I attended the Bafta awards on Sunday. And I arrived early enough to hear the Tourette syndrome (TS) campaigner John Davidson, on whom the biographical film I Swear is based, be introduced. He stood up to wave and take in the applause, and we were told that due to his TS, we might expect to hear involuntary vocal outbursts, known as tics, and that we should understand that the Baftas are an inclusive space in which all people are welcome.

Perhaps half the people were listening, others would have been on their phones or engaged in mild chatter. But the tics were instantly audible. When the host, Alan Cumming, was on stage we heard “boring” and there was laughter. When the outgoing chair of Bafta, Sara Putt, was speaking, we heard “shut the fuck up” and there was a mix of knowing silence and confusion. But, as you all now know, it was when Sinners actors Michael B Jordan and Delroy Lindo presented an award that the tics transmuted from things that would be read as benignly antisocial to more outright offensive, as we heard the N-word. There were gasps and whispers of “did he just say … ?”

Jason Okundaye is an assistant Opinion editor at the Guardian

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Chief content officer Kate Phillips tells staff she is ‘so sorry’ racial slur by Tourette campaigner was not edited from recorded broadcast

Peter Bradshaw: why the dust has not yet settled on the Baftas N-word row

A senior BBC executive has apologised to staff for the corporation’s failure to edit a racial slur from Sunday’s Bafta film awards telecast. In a note sent on Tuesday and seen by the Press Association, chief content officer Kate Phillips told staff she was “so sorry that a racial slur was not edited out of our broadcast” and that she understood “how distressing this was”.

Tourette syndrome campaigner John Davidson could be heard shouting the N-word as Sinners stars Michael B Jordan and Delroy Lindo presented the award for special visual effects at the Royal Festival Hall in London.

Film-maker Jonte Richardson cites ‘harm inflicted on both the black and disabled communities’, while New Black Film Collective and MP Dawn Butler criticise BBC’s failure to edit

• BBC apologises to staff over N-word inclusion as Bafta announces comprehensive review

• Sinners studio say they raised N-word use with Bafta immediately as Google ‘deeply sorry’ for offensive notification

• Peter Bradshaw: the dust has not yet settled on the Baftas N-word row. This is why

A black British film-maker has said he will step down as a Bafta judge over the organisation’s handling of the incident during Sunday’s ceremony during which a Tourette syndrome campaigner shouted a racial slur while two black actors were on stage.

Sinners stars Delroy Lindo and Michael B Jordan were presenting the award for special visual effects when John Davidson, whose life story was adapted into the acclaimed film I Swear, shouted the N-word from the stalls. The actors continued with their presenting duties but appeared shocked.

A source close to Warner Bros has said that executives were assured the slur would be removed before broadcast, while search engine remove AI-generated prompt

• BBC apologises to staff over N-word inclusion as Bafta announces comprehensive review
• Bafta judge quits over ‘utterly unforgivable’ handling of N-word incident
• The dust has not yet settled on the Baftas N-word row. This is why

Warner Bros reacted immediately after the N-word was yelled while two of the black stars of their film, Sinners, were on stage at the Baftas on Sunday night, yet saw their concerns ignored after the moment was not edited out of the TV broadcast.

A source close to the studio has told the Guardian that executives immediately raised the issue with Bafta after Tourette syndrome campaigner John Davidson’s verbal tic while Michael B Jordan and Delroy Lindo were presenting the award for best visual effects.

This year’s Baftas were a chaotic mix of wild praise and inadvertent insults as the best actor prize was won by an unknown – and one of the nominees seemingly slurred from a man in the stalls

• How the night unfolded

• Peter Bradshaw’s verdict on the Baftas’ winners and losers

• News: One Battle After Another defeats Hamnet and Sinners as Robert Aramayo takes best actor

Going into Bafta night, everybody’s secret hopes for a little British movies that could were pinned on folkie comedy The Ballad of Wallis Island. In the event though, Ballad wound up with nothing and I Swear, about Tourettes activist John Davidson stormed the show, capped by a jawdropping win for Robert Aramayo in the best actor category. As the man himself said, it was not to be believed that he’d be heading to the podium ahead of the likes of DiCaprio, Chalamet and Ethan Hawke. You probably have to go back to the mid-1980s and Haing S Ngor’s win for The Killing Fields for someone so unheralded to take the prize.

Few UK nominations this year as industry tries to balance attracting global attention and celebrating homegrown projects

It may be billed as Britain’s premier film awards, but when nominations for the Baftas were announced last month, the lack of British representation in the top categories was hard to ignore. Just one British actor, Robert Aramayo, appeared in the leading actor category, while there were no British nominees at all for leading actress (the UK-based Irish actor Jessie Buckley notwithstanding).

Peter Mullan was the only Briton in the supporting actor category, while representation for best supporting actress fared better, with Emily Watson, Carey Mulligan and Wunmi Mosaku nominated.

Coogler’s vampire thriller swept the Oscar nominations over Chloé Zhao’s tearjerker and Paul Thomas Anderson’s counterculture thriller. This genre-defying drama about the black experience could now rule awards season
• Full list of nominees
• Sinners becomes first film in history to earn 16 Oscar nominations

Agree with them or not, these Oscar nominations deliver a pert slap to the accepted assumptions of awards season. The industry had been expecting landslides for classy upmarket fare such as Chloé Zhao’s Hamnet, Paul Thomas Anderson’s One Battle After Another and Guillermo del Toro’s Frankenstein, and also for Josh Safdie’s delirious comedy Marty Supreme. And that’s what they got.

But perhaps no one expected these titles to get quite as colossal a smackdown as they got from Ryan Coogler’s vampire drama thriller Sinners: a violent, high-energy fantasia about racism, music and the black experience, which has soared ahead with 16 nominations – the most for any film in 97 years of the Academy Awards. Whatever happens on the night itself, Ryan Coogler has made Oscar history.

From amused texts to awkward introductions, the run-up to the release of awards-tipped Shaker biopic The Testament of Ann Lee has been a strange experience

The messages started over a year ago. “The title cracked me up,” my film-loving friend Matt texted me, along with a tweet announcing a new musical called Ann Lee, starring Amanda Seyfried and directed by Mona Fastvold, about an 18th-century leader of the Shaker movement. Why would such innocuous film news delight him so much? Well, because my name is Ann Lee too.

“Yes! Fame at last!” I replied. I’ve answered in a similar vein to all the messages since then from other friends eager to break the news to me that my name was getting top billing in a prestigious Hollywood film. And I was genuinely amused and excited; for most of my life Ann Lee had seemed the beigest of names. Lee, or Li as it’s also spelled, is one of the most common surnames in the world and shared by more than 100 million people in Asia. I was sure there were many many Ann Lees out there. But when you get a film title dedicated to it? Now that’s when you start to feel your name might be special after all.

Big names from Leonardo DiCaprio to Timothée Chalamet are aiming for a win at Hollywood’s most important Oscars precursor

Hollywood’s A-list will assemble this weekend for the 83rd Golden Globes ceremony, a night that will reveal where this year’s Oscars race is headed.

Stars including Leonardo DiCaprio, Timothée Chalamet, Jennifer Lawrence, Emma Stone, Michael B Jordan and Ariana Grande are among those nominated for film awards while small-screen nominees include Helen Mirren, Jenna Ortega, Jude Law and Glen Powell.

Ryan Coogler’s critically acclaimed horror blockbuster had people talking all year, proving industry naysayers wrong and breaking various records

It was the film that was supposed to destroy Hollywood: a vampire horror about life and times in the Jim Crow south peopled by a majority Black cast, and shot on Imax 70mm. Ryan Coogler, the acclaimed director who rose to prominence steering Marvel’s colossal Black Panther franchise, was thought to be out of his depth for trying to midwife a script he himself said he cobbled together in two months. Warner Bros, the studio fronting the film’s near $100m budget, was supposedly out of its mind for not only throwing that much money behind the project, but further agreeing to singularly favorable authorship deal terms that gave him control over the film’ final cut and full rights over the film after 25 years. Hollywood machers were convinced the film would never make money and that Warner Bros’ big gamble “could be the end of the studio system”. But Sinners never let that cynicism in.

Sinners landed in theaters on Easter weekend and delivered its own miracle resurrection, racing to a $368m gate on the way to becoming the highest grossing original film in the past 15 years, and the 10th-highest domestic-grossing R-rated film of all time. (That’s right: higher than Terminator 2 and the Hangovers.) At a time when Black heritage and culture are once again under intense political assault, Sinners provoked zeitgeist-y discourse around Black history, cultural erasure and entertainment industry politics. And the online memes poking fun at juke-joint scenes hit as hard as the thinkpieces unpacking the venue’s under-appreciated contributions to the American musical canon.

Sinners, Hamnet and Sentimental Value also key contenders for first major awards ceremony of the season, while Bradley Cooper, Sydney Sweeney and Brendan Fraser among those snubbed
• Full list of nominations
• Peter Bradshaw’s take
• The best films of 2025

At present, the mantelpiece of Paul Thomas Anderson remains strikingly light on major trophies. Despite being responsible for some of the films widely acknowledged to be the best of the century so far, including There Will Be Blood, The Master and Phantom Thread, the writer-director is yet to win an Oscar, Golden Globe or more than one Bafta (original screenplay for 2021’s Licorice Pizza).

This year’s Golden Globe nominations suggest this is about to change, with his counterculture epic One Battle After Another leading the pack of nominees with nine mentions on the shortlist, including for best comedy or musical, best director, best original screenplay, leading actor for Leonardo DiCaprio, leading actor for Chase Infiniti, supporting actress for Teyana Taylor and two chances to scoop supporting actor – for Sean Penn and Benicio del Toro. Jonny Greenwood’s score was also recognised.