Leni Klum ersetzt ihre erkrankte Mutter. Jennifer Lawrence nimmt sich vor, eine verlässliche Mutter zu sein. Und Alice Schwarzer fragt sich: Was, wenn auch ich Mutter geworden wäre?

Lady Lawrence tells high court she is ‘a victim all over again’ owing to alleged unlawful information gathering

The mother of the murdered teenager Stephen Lawrence has said she felt she had been “taken for a fool” by the publisher of the Daily Mail, after she was told about allegations it had targeted her with unlawful information gathering techniques.

Appearing at the high court in London, Doreen Lawrence said she felt angry because of the trust she had placed in the Daily Mail, owing to its coverage of her son’s case.

Duke of Sussex and six other high-profile figures say media company used unlawful information gathering

Lawyers representing Prince Harry and six other prominent figures have accused the publisher of the Daily Mail of “clear, systematic and sustained use of unlawful information gathering” to secure stories about them.

In a witness statement submitted to the court, the Duke of Sussex accused the newspaper group of subjecting him to “intrusion [that] was terrifying” for loved ones, creating a “massive strain” on his personal relationships. He said it had the effect of “driv[ing] me paranoid beyond belief, isolating me”.

Royal will join a group of notable figures in his action against the tabloid and its stablemate, the Mail on Sunday, in a trial expected to last nine weeks

On Monday morning, Prince Harry’s legal war with the Daily Mail, one of the British media’s most formidable forces, will finally come to trial in court 76 of the high court in London.

The prince is joined in his action by some of the most recognisable figures in British life: the singer and songwriter Elton John and his husband, David Furnish; actors Liz Hurley and Sadie Frost; Doreen Lawrence, a Labour peer whose son Stephen was murdered in a racist attack; and former politician Simon Hughes, who once ran to lead the Liberal Democrats.

Jennifer Lawrence erklärt ihr durchgetaktetes Familienleben, Keanu Reeves organisiert ein filmreifes Date, und Simone Ballack überlegt noch, ob sie die Asche ihres Sohnes mit ins Dschungelcamp nimmt.

Specialists in choreographing sex scenes have come under fire from the likes of Gwyneth Paltrow and Mikey Madison – is there any weight to their complaints?

When intimacy coordinator Adelaide Waldrop gets asked about her job at parties, she contemplates lying. “I’ve considered saying I’m an accountant,” she says. When she reveals the truth, the response is almost always seedy. There are questions about erections, merkins, and inappropriate celebrities. “Or it’s a lot of, ‘Oh we could use one of you at home with me and the missus’, and questions about my sex life,” Waldrop adds. “We’re a hot button topic.”

Lately, the heat has been on high. To some, intimacy coordinators are an auspicious part of a post-#MeToo industry, one that protects cast and crew while providing crucial creative input – Michelle Williams, Alexander Skarsgård, and Emma Stone are among those to have gushed about their experiences. To others, they’re the sex police, impeding artistry for the sake of avoiding an HR headache. Mikey Madison didn’t want an intimacy coordinator for her Oscar-winning sex worker film Anora. Gwyneth Paltrow asked hers to “step back a little bit” while making Marty Supreme. Jennifer Lawrence couldn’t even remember if she had one while filming Die My Love (she did), but said it wouldn’t have been necessary because her co-star, Robert Pattinson, “is not pervy”.

Jennifer Lawrence dreht Sex-Szenen lieber mit Fremden. Donald Trump will P. Diddy nicht begnadigen. Und Sebastian Hotz bereut sein Untreue-Geständnis.

The novelist on how The Rainbow made him want to write, the strange genius of Penelope Fitzgerald and finding comfort in Tintin

My earliest reading memory
Sitting on the sofa with my mum reading Mabel the Whale by Patricia King, with beautiful colour illustrations by Katherine Evans. I think it was pre-school. My mother was not always a patient teacher, and I was often a slow learner, but the scene, the tableaux, in memory, has the serenity of an icon.

My favourite book growing up
Rosemary Sutcliff’s The Eagle of the Ninth. It’s a story set in Roman Britain; the Eagle is the lost standard of the ninth legion. I was a boy already obsessed by all things Ancient Roman (the alternative to the kind of boy obsessed with dinosaurs). One of the places I remember reading it is in bed with my dad. On Sunday mornings my brother and I would climb into the big bed. My parents had long since split up. There was a picture on the wall, a modest reproduction of Velázquez’s Rokeby Venus. To me, this voluptuous woman gazing at herself in a mirror was my mother. It’s interesting to me how the setting in which you read is such an integral part of the reading experience.

Currently in production the second prequel in the series, Sunrise on the Reaping, will likely feature the married couple ‘in a flash-forward’

Jennifer Lawrence and Josh Hutcherson are to appear in the new Hunger Games movie, The Hunger Games: Sunrise on the Reaping, which is in production.

The Hollywood Reporter said it confirmed the pair’s return to the Hunger Games series, in what is the sixth film in the franchise. Both will play the same characters as in the original set of films – Lawrence as Katniss Everdeen and Hutcherson as Peeta Mellark – with the Hollywood Reporter suggesting they will “likely appear in a flash-forward”. At the close of The Hunger Games: Mockingjay – Part 2 (released in 2015), Everdeen and Mellark are married with children.

She burst on to the scene with Ratcatcher and terrified audiences with We Need to Talk About Kevin. The Scottish film-maker’s latest stars Hollywood darling Lawrence, but it doesn’t flinch from the dark side of family life

Several years ago, Martin Scorsese read Die, My Love in his book club. The novel, by Argentinian author Ariana Harwicz, follows an unnamed woman who moves with her husband to the middle of nowhere in France. Isolated and frustrated, she battles the confines of marriage and motherhood. She introduces herself to the reader as “a nutcase”, as “someone beyond repair”. She sets fire to ants, swears at her child, complains of its “constant clucking and grousing”. She speaks the unspeakable: “I’m a mother, full stop. And I regret it, but I can’t even say that.”

Scorsese subsequently sent the novel to Jennifer Lawrence’s production company. He was convinced that Lawrence could – should, must – play the mother. In turn, Lawrence and her producing partner, Justine Ciarrocchi, only ever had one film-maker in mind: Lynne Ramsay, the Scottish director who has exhibited a preoccupation with the dark side of parental responsibility and family dynamics throughout her career.