Writer looked to topics such as computer engineering and life in a nursing home to produce richly researched books

Tracy Kidder, an award-winning narrative nonfiction writer who turned everything from computer engineering to life in a nursing home into unexpected bestsellers, has died. He was 80.

Kidder’s longtime publisher Random House confirmed his death in a statement on Wednesday: “Tracy’s gifts for storytelling and tireless reporting are an enduring reflection of the empathy, integrity, and endless curiosity he brought to everything he did.”

Olivia Dean, Wolf Alice’s Ellie Rowsell, Jacob Alon, Self Esteem and Kae Tempest lead this year’s Ivors, with two nominations each

Olivia Dean, Ellie Rowsell of Wolf Alice, Jacob Alon, Self Esteem and Kae Tempest lead this year’s Ivor Novello awards for excellence in British and Irish songwriting, with two nominations apiece. Self Esteem’s cowriter Johan Hugo, and Tempest’s Fraser T Smith, are also credited among the leading acts.

Tempest will go up against himself in the best contemporary song category, with two nominations: one for I Stand on the Line, written with Smith, and one for Know Yourself, written with Smith and Tom Rowlands of the Chemical Brothers. Both songs come from Tempest’s fifth album, Self Titled.

Two musicals dominate nominations while Tom Hiddleston and Bryan Cranston vie for best actor, with Cate Blanchett and Rosamund Pike up for best actress
• Olivier awards 2026: full list of nominations

Michael Bond’s marmalade-loving bear will go up against a band of fairytale characters at the Olivier awards next month, as two musicals dominated the nominations announced on Thursday.

The frontrunners for London’s biggest theatre awards are Paddington: The Musical and Into the Woods, which each received 11 nominations. Paddington, which opened to five-star reviews at the Savoy theatre, is up for best new musical, best director (Luke Sheppard), best theatre choreographer (Ellen Kane) and best actor in a musical for the duo who play the lovable ursine hero. James Hameed provides the bear’s voice and is the remote puppeteer while Arti Shah dons the furry costume. Their co-stars Tom Edden, Amy Booth-Steel and Victoria Hamilton-Barritt are also nominated for their supporting roles. Gabriella Slade’s costumes, Tahra Zafar’s puppet designs, Tom Pye’s set, Ash J Woodward’s video, Gareth Owen’s sound and Matt Brind’s orchestrations and arrangements were all recognised.

Into the Woods and Paddington the Musical are this year’s most-nominated shows with 11 nods each. See who else is in the running at this year’s awards

Best new musical
Here We Are, book by David Ives, music and lyrics by Stephen Sondheim at National Theatre – Lyttelton

Paddington The Musical, music and lyrics by Tom Fletcher and book by Jessica Swale at Savoy theatre

The £30,000 award went to novel A Family Matter, about a lesbian affair and a custody battle

A debut novel exploring the long-term effects of prejudice and secrecy on a lesbian couple in the 1980s has won the Nero Gold prize.

Claire Lynch was presented with the £30,000 award for her book A Family Matter at a ceremony in London on Wednesday evening.

The previously named Screen Actors Guild (Sag) awards also saw wins for the ensemble casts of Sinners and The Studio, while Harrison Ford took home lifetime achievement

• Actor awards 2026 red carpet – in pictures

Michael B Jordan, Jessie Buckley and the late Catherine O’Hara were among the big winners at this year’s newly titled Actor awards.

Previously known as the Screen Actors Guild awards, the Actors are voted on by a membership of more than 160,000 actors. The name change was to provide “clearer recognition in terms of what the show is about”.

The ITV censors had their work cut out in a protest-filled, relatively edgy ceremony that hosted ultra-expressive performances from Rosalía, Wolf Alice and more

• Brit awards 2026: the full list of winners
• ‘We’re going into a dark place’: Brit awards artists voice alarm over Reform UK’s rise

Styles opened the show with his return single, Aperture, a UK No 1 in release week which is fairly swiftly dropping down the charts, perhaps because it is a real stylistic outlier in pop right now. Euphoric yet faintly distant, it conjures the feeling when you’re on a dancefloor, slightly out of it, and gazing at the human melee around you. And so it proves here, with a performance where Styles is in the moment, jiving with his considerable band and backing singers, and twitching in time with dancers in snail T-shirts and sunglasses – and yet also one level above the moment, not letting himself become too giddy beyond a couple of grins. His vocal lines are reminiscent of that master of airy yet warm observation, Kings of Convenience and Whitest Boy Alive singer Erlend Oye, and I even detected a touch of David Bowie here too: an echo of his tailoring and particular handsomeness as Styles ages, and also the way Bowie would perform, with a thousand-yard stare that also takes in the foreground.

A Manchester move, Shaun Ryder’s bleeped-out anecdote and the odd leftfield flourish added some life to a slick ceremony – yet when it came to the prizes, commercial heavyweights tended to reign

• Brit awards 2026: the full list of winners
• ‘We’re going into a dark place’: Brit awards artists voice alarm over Reform UK’s rise

The Brit awards have perhaps borrowed a trick from the Mercury prize, which last year unexpectedly applied the defibrillator to an event that’s been on the verge of extinction for years by the simple expedient of moving it to Newcastle and packing the audience with music fans rather than music biz grandees. The Brits’ relocation to Manchester had the effect of adding at least a slight edge of chaos to a ceremony that’s become increasingly slick in recent years, largely by dint of involving Shaun Ryder, who almost immediately enlivened proceedings by telling an anecdote about being busted for drug possession during the Brits in the 90s that ITV found it necessary to bleep out in its entirety.

The show itself was too varied to suffer from the blandness that’s cursed Brits past, offering performances ranging from Rosalia’s Björk-assisted opera/gabber hybrid to Alex Warren (“what you get if you order Ed Sheeran on Temu”, as Whitehall put it) performing Ordinary with a smoking-jacket-clad James Blunt on piano, via the unexpected sight of Ghostface Killah dad-dancing with Dua Lipa during a medley helmed by outstanding contribution to music winner Mark Ronson.

The 26-year-old dominates in Manchester, landing the night’s biggest prizes as Rosé, Wolf Alice and Mark Ronson also take top honours

• Brit awards 2026: the full list of winners
• Alexis Petridis: This year’s Brit awards found a flicker of chaos – but the winners were never in doubt
• ‘We’re going into a dark place’: Brit awards artists voice alarm over Reform UK’s rise

Olivia Dean was the big winner at the 2026 Brit awards, taking home awards for artist of the year, pop act, song of the year for her Sam Fender duet Rein Me In, and album of the year for The Art of Loving.

In less than a year, Dean has leaped to the forefront of British pop thanks to The Art of Loving, her second album. With songs that get to the heart of the joys and frustrations of casual modern dating, she is enormously relatable, while her sophisticated and cosmopolitan songcraft, deftly finessing styles such as bossa nova, trip-hop, neo-soul and jazz together, has given her an unusually broad and cross-generational appeal.

As Olivia Dean swept the board, there were eye-catching performances from Sombr, Raye, Rosalía and more, while Jeff Goldblum and Maya Jama lit up the red carpet

After a Grammy and a global breakthrough, the 26-year-old singer could sweep the board at next week’s Brits. Her closest collaborators explain her massive appeal

Saturday’s Brit awards will feature performances from heavy hitters such as Harry Styles and Mark Ronson – but all eyes will be on Olivia Dean, the Londoner who has become one of the UK’s biggest breakouts in years, thanks to her second album The Art of Loving and its mega-smash UK No 1 single Man I Need. Nominated for five awards, this year’s ceremony is likely to serve as a coronation for Dean, who has found international success on a scale that most contemporary British artists struggle to achieve.

The Art of Loving focuses on love in all its permutations, applying meditations on friendship and romance to a light, gauzy blend of bossa nova, throwback R&B and indie-pop. Dean delivers each song with unfussy exuberance – she somehow captures both the otherworldly poise of Diana Ross and the charm of your best friend killing it at karaoke – and has become the voice of a generation whose romantic lives have been complicated by dating apps and other digitally mediated mating rituals.

Event’s first venture outside London aims to recognise geographical diversity of UK’s music talent

Visitors to Manchester this week have been visibly amused to be arriving into Olivia Deansgate station, with many posing for selfies in front of the temporary sign. The tribute to the chart-busting musician is just one indication of how Manchester is embracing the arrival of the Brit awards on Saturday, the event’s first venture outside London in its five-decade history.

Stacey Tang, theBrit awards chair, said the move to the Co-op Live arena was about recognising the geographical diversity of the country’s music talent. “Creativity doesn’t happen in one postcode in the UK … so the idea that the biggest night in music should always be in London, I think, is ageing out,” she said.

The 22-year-old singer is up for two Brit awards thanks to her frank songs about family strife and predatory men. She explains why she’s fighting for her fellow council estate kids

Although she is on course for pop stardom, with two nominations at next week’s Brit awards, 22-year-old Skye Newman lives in a cabin at the bottom of her sister’s garden in London. It’s the backdrop for the music video to her song Hairdresser, which has 7.5m views on YouTube. In the clip, she is made up, her hair in rollers, lounging with a gaggle of friends. Licking her fingertips to roll a joint, she laments a one-sided friendship with another woman: “When I’m needed, know I’ll be there first / You don’t reciprocate and, girl, that hurts.”

It’s typical of Newman’s songcraft: ballad-driven contemporary soul that goes beyond romantic heartbreak to cover all kinds of pain and recrimination.

Singer-songwriters each receive five nominations at British music industry’s flagship awards – where Jarvis Cocker will return 30 years after Michael Jackson incident

Olivia Dean and Lola Young have cemented their breakthroughs to the front rank of British pop by topping the nominations for the 2026 Brit awards.

The singer-songwriters earned five nominations each. Dean is nominated for artist and album of the year, pop act, and has two chances at winning song of the year for Man I Need and Rein Me In, the latter thanks to a guest spot with Sam Fender.