Specialists in choreographing sex scenes have come under fire from the likes of Gwyneth Paltrow and Mikey Madison – is there any weight to their complaints?

When intimacy coordinator Adelaide Waldrop gets asked about her job at parties, she contemplates lying. “I’ve considered saying I’m an accountant,” she says. When she reveals the truth, the response is almost always seedy. There are questions about erections, merkins, and inappropriate celebrities. “Or it’s a lot of, ‘Oh we could use one of you at home with me and the missus’, and questions about my sex life,” Waldrop adds. “We’re a hot button topic.”

Lately, the heat has been on high. To some, intimacy coordinators are an auspicious part of a post-#MeToo industry, one that protects cast and crew while providing crucial creative input – Michelle Williams, Alexander Skarsgård, and Emma Stone are among those to have gushed about their experiences. To others, they’re the sex police, impeding artistry for the sake of avoiding an HR headache. Mikey Madison didn’t want an intimacy coordinator for her Oscar-winning sex worker film Anora. Gwyneth Paltrow asked hers to “step back a little bit” while making Marty Supreme. Jennifer Lawrence couldn’t even remember if she had one while filming Die My Love (she did), but said it wouldn’t have been necessary because her co-star, Robert Pattinson, “is not pervy”.