Politicians express joy and pride and thousands of Buckley masks reportedly being printed for St Patrick’s DayOscars 2026 winners: the full listJessie Buckley’s Oscar win has uncorked delight across Ireland and prompted an early start to St Patrick’s Day celebrations.Politicians, artists and commentators expressed joy and pride after waking up on Monday to images of the Kerry actor clutching the statuette for best actress in Los Angeles. Continue reading...
Jessie Buckley’s Oscar win has uncorked delight across Ireland and prompted an early start to St Patrick’s Day celebrations.
Politicians, artists and commentators expressed joy and pride after waking up on Monday to images of the Kerry actor clutching the statuette for best actress in Los Angeles.
Paul Thomas Anderson’s revolutionary epic took home six awards while Sinners scored four including for best actorOscar winners 2026: the full listIn pictures: Jessie Buckley, Michael B Jordan and Jacob Elordi at the afterpartiesPaul Thomas Anderson’s counter-culture caper One Battle After Another has won the Oscars war, taking home six awards after a hotly contested season.The big-budget comedy thriller, inspired by Thomas Pynchon’s Vineland, was named best picture and also won director, support
Paul Thomas Anderson’s counter-culture caper One Battle After Another has won the Oscars war, taking home six awards after a hotly contested season.
The big-budget comedy thriller, inspired by Thomas Pynchon’s Vineland, was named best picture and also won director, supporting actor for Sean Penn, adapted screenplay, editing and the first ever Oscar for casting, a category long petitioned for within the industry.
Buckley, who plays Shakespeare’s wife Agnes in adaptation of Maggie O’Farrell’s novel, was favourite to win after victories in all preceding ceremoniesOscars 2026 winners: the full listJessie Buckley has won the best actress Oscar for Hamnet at the 98th Academy Awards.This is Buckley’s first Oscar win, for which she triumphed over a strong field including Rose Byrne for If I Had Legs I’d Kick You, Kate Hudson for Song Sung Blue and Renate Reinsve for Sentimental Value. With her victory, Buckley
Buckley, who plays Shakespeare’s wife Agnes in adaptation of Maggie O’Farrell’s novel, was favourite to win after victories in all preceding ceremonies
Jessie Buckley has won the best actress Oscar for Hamnet at the 98th Academy Awards.
This is Buckley’s first Oscar win, for which she triumphed over a strong field including Rose Byrne for If I Had Legs I’d Kick You, Kate Hudson for Song Sung Blue and Renate Reinsve for Sentimental Value. With her victory, Buckley becomes the first Irish winner of the best actress Oscar, although previous nominees in the category include Saoirse Ronan (for Brooklyn, Lady Bird and Little Women) and Ruth Negga (for Loving).
Excitement in Killarney will reach fever pitch on Sunday, when the actor is hotly tipped to become the first Irish woman to win best actressIf Jessie Buckley wins the Oscar for best actress on Sunday night, County Kerry will need no further proof of a cherished truism: to be born in this corner of Ireland really is the greatest gift that God can bestow. The award would be for Buckley’s performance in Hamnet, but for Killarney, her home town in the county nicknamed the Kingdom, credit will stretc
Excitement in Killarney will reach fever pitch on Sunday, when the actor is hotly tipped to become the first Irish woman to win best actress
If Jessie Buckley wins the Oscar for best actress on Sunday night, County Kerry will need no further proof of a cherished truism: to be born in this corner of Ireland really is the greatest gift that God can bestow. The award would be for Buckley’s performance in Hamnet, but for Killarney, her home town in the county nicknamed the Kingdom, credit will stretch back to her childhood, when she acted in local plays.
“Hollywood here we come!” proclaimed the newspaper Kerry’s Eye, underlining a sense that Buckley’s path to Hollywood for the 98th Academy Awards has been a collective journey propelled by her talent, determination and roots.
While Academy voters are supposed to keep their picks secret, another batch of anonymous ballots have leaked – giving us some insight on a hard-to-call raceOscars 2026: how to watch, nominations, what to read and predictionsIt took a great deal of blood, sweat and tweets, but in 2016 the Academy finally took notice and started to embrace both diversity and modernity. The #OscarsSoWhite furore over two straight years of all-white nominees (Michael B Jordan’s Creed snub was in my opinion the cruel
While Academy voters are supposed to keep their picks secret, another batch of anonymous ballots have leaked – giving us some insight on a hard-to-call race
It took a great deal of blood, sweat and tweets, but in 2016 the Academy finally took notice and started to embrace both diversity and modernity. The #OscarsSoWhite furore over two straight years of all-white nominees (Michael B Jordan’s Creed snub was in my opinion the cruelest) led to a dramatic shake-up and one that has continued ever since with more women, people of colour and international voters added to what had been an overwhelmingly homogenous base.
It has all led to an Oscars race that is increasingly harder to predict using old-fashioned thinking in ways that have become rather thrilling over time, the idea of an “Oscar movie” now far more slippery. Films such as Parasite, Anora, Moonlight, Anatomy of a Fall, Nomadland, Get Out and The Zone of Interest have now found their way into the major categories in past years, and this year’s crop showcases further progression – from foreign language picks to outsider narratives to pricklier characters than ever before.
After months of red carpets and awards season campaigns, it’s all eyes on Hollywood’s night of nights - the Academy Awards. It looks like it will be a fight between Ryan Coogler’s thriller Sinners and Paul Thomas Anderson’s adaptation One Battle After Another for most of the big prizes, with Jessie Buckley’s performance in Hamnet the clear favourite for best actress. Lucy Hough speaks to the Guardian’s film editor, Catherine Shoard Continue reading...
After months of red carpets and awards season campaigns, it’s all eyes on Hollywood’s night of nights - the Academy Awards. It looks like it will be a fight between Ryan Coogler’s thriller Sinners and Paul Thomas Anderson’s adaptation One Battle After Another for most of the big prizes, with Jessie Buckley’s performance in Hamnet the clear favourite for best actress. Lucy Hough speaks to the Guardian’s film editor, Catherine Shoard
Fury over Timothée Chalamet’s comments about ballet or Jessie Buckley not liking cats has reached a bizarre fever pitch as the industry wills this Sunday to arrive fasterAround day five of debate over what Timothée Chalamet said and/or meant about opera and ballet, it started to feel like maybe the 2025-2026 Oscar season had actually lasted for the past 17 years.Voting for the 98th annual Academy Awards concluded on 5 March, but that didn’t stop the internet from throwing a bunch of attempted bu
Fury over Timothée Chalamet’s comments about ballet or Jessie Buckley not liking cats has reached a bizarre fever pitch as the industry wills this Sunday to arrive faster
Around day five of debate over what Timothée Chalamet said and/or meant about opera and ballet, it started to feel like maybe the 2025-2026 Oscar season had actually lasted for the past 17 years.
Voting for the 98th annual Academy Awards concluded on 5 March, but that didn’t stop the internet from throwing a bunch of attempted buzzer-beaters; an interview where Chalamet casually referred to ballet and opera as potentially endangered (and perhaps not especially relevant) art forms was actually held some weeks ago in a conversation with Matthew McConaughey, a fellow actor. But it was that same vote-closing on Thursday when the clip started to circulate virally online and rebuttals poured in. This was swiftly followed by counter-charges that most likely the majority of people excoriating Chalamet, campaigning for best actor in Marty Supreme, had themselves not been to the ballet or opera especially recently.
Oscar favourite insists she is a ‘lover of cats’ after telling podcast about ultimatum she once gave to now-husbandIf Jessie Buckley fails to win the Oscar for best actress next week it will be a sign that cat lovers have got their claws out.The Irish actor is the runaway favourite for her performance in Hamnet, but in recent days has stumbled into a controversy over a stated antipathy to cats. Continue reading...
Oscar favourite insists she is a ‘lover of cats’ after telling podcast about ultimatum she once gave to now-husband
If Jessie Buckley fails to win the Oscar for best actress next week it will be a sign that cat lovers have got their claws out.
The Irish actor is the runaway favourite for her performance in Hamnet, but in recent days has stumbled into a controversy over a stated antipathy to cats.
By forefronting Jessie Buckley’s Agnes at the expense of her megastar husband, this female-directed feminist fest gives voice to the anguished howls of disenfranchised women everywhereOn paper, it already sounds the most Oscary film ever. A movie about a visionary man whose genius made him one of the greatest figures in literature. William Shakespeare is played by Paul Mescal, an actor who leaves no demographic unravished by his outrageous levels of magnetism. And yet Hamnet is a film that sidel
By forefronting Jessie Buckley’s Agnes at the expense of her megastar husband, this female-directed feminist fest gives voice to the anguished howls of disenfranchised women everywhere
On paper, it already sounds the most Oscary film ever. A movie about a visionary man whose genius made him one of the greatest figures in literature. William Shakespeare is played by Paul Mescal, an actor who leaves no demographic unravished by his outrageous levels of magnetism. And yet Hamnet is a film that sidelines both of these men to supporting roles. The film is about Shakespeare’s wife, Anne Hathaway, long viewed as a dumpy, illiterate woman unworthy of attention – abandoned by Shakespeare in Stratford-upon-Avon when he swanned off to London.
Anne is referred to in Hamnet as Agnes, as she was also known, and played by Jessie Buckley, the Irish actor who could take on the role of a lamp-post and make you feel its pain. We meet Agnes curled asleep in the roots of an ancient tree. She may be illiterate, but she is a gifted herbalist who makes medicines from plants and keeps a falcon. She is her own woman – fierce, intelligent, more than match for the man she calls “the Latin tutor”. Shakespeare’s mother warns him that his bride-to-be is a forest witch.
The actor has a blast as bride to Christian Bale’s lonely creature in Maggie Gyllenhaal’s darkly comic and gleefully bizarre reimagining of the 1935 filmDid you know that “Frankenstein” isn’t the name of the monster, but the mad scientist who created him? The answer is almost certainly yes. But that’s no thanks to the 1935 film The Bride of Frankenstein, which appears to have created this monstrous misconception – because let’s face it, the idea of a middle-aged Swiss scientist getting married i
The actor has a blast as bride to Christian Bale’s lonely creature in Maggie Gyllenhaal’s darkly comic and gleefully bizarre reimagining of the 1935 film
Did you know that “Frankenstein” isn’t the name of the monster, but the mad scientist who created him? The answer is almost certainly yes. But that’s no thanks to the 1935 film The Bride of Frankenstein, which appears to have created this monstrous misconception – because let’s face it, the idea of a middle-aged Swiss scientist getting married isn’t all that shocking. In that sensational Frankenstein sequel with Boris Karloff returning as the monster, Elsa Lanchester was his bride and Mary Shelley, a doubling that may have inspired this new riff on the monster’s other half from writer-director Maggie Gyllenhaal. There’s another barnstorming performance from Jessie Buckley as the sinister spouse, leaving savage bite marks all over the scenery and on her gallant co-star Christian Bale. It’s her name, not the title, that deserves the exclamation mark..
This new monster’s-wife tale is a rackety, violent black comedy with twists of Rocky Horror and extended homages to the top-hat-and-tails sophistication of Mel Brooks’ Young Frankenstein. It’s also a gangster joyride from the roaring 20s and 30s with Mr and Mrs F-M reimagined as a kind of post-death Bonnie and Clyde. It takes as its premise the idea that Mary Shelley is an angry ghost, spewing out into the shadowy netherworld her patrician contempt for the mediocre menfolk that surrounded her in life, and longing for a suitable living woman to insinuate herself back into.
From Marty Supreme to One Battle After Another, this awards run has been populated by a harder-to-love group of spiky charactersBroadly speaking, the best way to get an acting Oscar is to play someone lovable, or someone lovably hateable. Not every acting winner fits that binary, of course, but the history of all four categories is filled with fascinatingly bad behavior (Anthony Hopkins in The Silence of the Lambs, Louise Fletcher in One Flew Over the Cuckoo’s Nest, JK Simmons in Whiplash) as we
From Marty Supreme to One Battle After Another, this awards run has been populated by a harder-to-love group of spiky characters
Broadly speaking, the best way to get an acting Oscar is to play someone lovable, or someone lovably hateable. Not every acting winner fits that binary, of course, but the history of all four categories is filled with fascinatingly bad behavior (Anthony Hopkins in The Silence of the Lambs, Louise Fletcher in One Flew Over the Cuckoo’s Nest, JK Simmons in Whiplash) as well as expressions of sheer delight at the combination of actor and lovable character (Diane Keaton in Annie Hall, Tom Hanks in Forrest Gump, Gwyneth Paltrow in Shakespeare in Love). This year’s crop of acting nominees isn’t exactly short of rooting interests: Michael B Jordan makes his pair of 1930s gangsters charming twice over in Sinners while still distinguishing between their individual nuances, and Benicio del Toro’s even-keeled activist is highly lovable in One Battle After Another. Elsewhere, though, there’s definitely a stronger-than-usual strain of characters who defy the usual standards of easy likability.
The importance of likability in an Oscar campaign is akin to its importance in a political one – though in the case of the Academy awards, performers are campaigning twice, for themselves as actors and, essentially, for their characters as part of the cinematic firmament. That’s why likability is arguably the secret accelerant to the longtime trend of the awards going to actors playing real-life figures. It’s not just about a physical transformation or seamless impersonation, because many of those biographical performance aren’t really that when you put them side by side with the real thing. It’s that extra rooting interest that comes from embodying Freddie Mercury, Winston Churchill, Stephen Hawking, Abraham Lincoln, Judy Garland – people who Academy voters probably already like or admire to some degree, at least in the abstract. Suffering, too, can help create an easier sense of empathy.
The previously named Screen Actors Guild (Sag) awards also saw wins for the ensemble casts of Sinners and The Studio, while Harrison Ford took home lifetime achievementActor awards 2026 red carpet – in picturesMichael B Jordan, Jessie Buckley and the late Catherine O’Hara were among the big winners at this year’s newly titled Actor awards.Previously known as the Screen Actors Guild awards, the Actors are voted on by a membership of more than 160,000 actors. The name change was to provide “cleare
The previously named Screen Actors Guild (Sag) awards also saw wins for the ensemble casts of Sinners and The Studio, while Harrison Ford took home lifetime achievement
Michael B Jordan, Jessie Buckley and the late Catherine O’Hara were among the big winners at this year’s newly titled Actor awards.
Previously known as the Screen Actors Guild awards, the Actors are voted on by a membership of more than 160,000 actors. The name change was to provide “clearer recognition in terms of what the show is about”.
Warwick Davis takes a swipe at Tom Cruise’s height, best actor Robert Aramayo namechecks Ethan Hawke, and Prince William calls the night’s biggest winning film ‘weird’• How the night went down• Peter Bradshaw’s verdict on the Baftas’ winners and losers• News: One Battle After Another defeats Hamnet and Sinners as Robert Aramayo takes best actor• Find the full list of the night’s winners here• The best looks from the red carpet“I absolutely can’t believe it, I can’t believe that I’m looking at pe
Warwick Davis takes a swipe at Tom Cruise’s height, best actor Robert Aramayo namechecks Ethan Hawke, and Prince William calls the night’s biggest winning film ‘weird’
“I absolutely can’t believe it, I can’t believe that I’m looking at people like you, in the same category as you, never mind that I’m stood here. I honestly cannot believe that I have won this award. I really, really cannot. Everyone in this category blows me away.” Robert Aramayo accepting the leading actor award
“Kylie, have you ever had your gums around a giant Jammie Dodger?” Host Alan Cumming distributes snacks to Kylie Jenner
Six wins for US director’s ICE-baiting film of American resistance recognised Anderson’s commitment to complex drama, while best actor win for rising British star was thoroughly deservedNews: One Battle wins six BaftasFull list of winnersThe night as it happenedBest quotes from the 2026 BaftasThe best looks from the red carpetThis turned out to be a very British night for the Baftas, a smidgen more British than usual in fact. It started out with the Hollywood A-listers in the audience being pres
Six wins for US director’s ICE-baiting film of American resistance recognised Anderson’s commitment to complex drama, while best actor win for rising British star was thoroughly deserved
This turned out to be a very British night for the Baftas, a smidgen more British than usual in fact. It started out with the Hollywood A-listers in the audience being presented with hilarious British snacks, of whose existence they had no more idea than they had of life forms on the moons of Saturn. Emma Stone got some Hula Hoops, Timothée Chalamet had a bag of Scampi Fries and Leonardo DiCaprio got his laughing gear around a Hobnob flapjack.
The other intensely British thing was the red-carpet appearance of the Prince and Princess of Wales (the former being Bafta’s president); their presence enforced that other terribly British tradition of everyone, as if in a Mike Leigh film, avoiding the subject. Everyone trying not to talk or think about the elephant in the room or the elephant slumped and stricken in the speeding car on the way home from the police station. Well, at least William never liked him.
Paul Thomas Anderson drama scores six awards, as Jessie Buckley becomes first Irish woman to win leading actress prizeFull list of winnersPeter Bradshaw’s verdictHow the ceremony unfolded – the action as it happenedOne Battle After Another, Paul Thomas Anderson’s counterculture comedy about a washed-up revolutionary trying to protect his daughter from a ruthless military officer, has dominated the Baftas, taking home six awards including best film, best director, best cinematography, best editin
One Battle After Another, Paul Thomas Anderson’s counterculture comedy about a washed-up revolutionary trying to protect his daughter from a ruthless military officer, has dominated the Baftas, taking home six awards including best film, best director, best cinematography, best editing, best supporting actor and best adapted screenplay.
The film, inspired by Thomas Pynchon’s Vineland, was nominated for 14 awards going into Sunday’s ceremony, the most of any contender – including nods for stars Leonardo DiCaprio, Sean Penn, Benicio del Toro, Chase Infiniti and Teyana Taylor.
Every prize as it happens from the ceremony at the Royal Festival Hall in London• How the night went down• Peter Bradshaw’s verdict on the Baftas’ winners and losers• News: One Battle After Another defeats Hamnet and Sinners as Robert Aramayo takes best actor• The best quotes of the night• The best looks from the red carpetAvatar: Fire and Ash – WINNER!
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FrankensteinHow to Train Your DragonThe Lost Bus Continue reading...
Will Paul Thomas Anderson’s ICE age conspiracy thriller sweep the board, or will Sinners and Hamnet share some glory? Our critic places his betsFull list of Bafta 2026 nominationsWill win One Battle After AnotherShould win HamnetShoulda been a contender The Secret Agent Continue reading...
Will Paul Thomas Anderson’s ICE age conspiracy thriller sweep the board, or will Sinners and Hamnet share some glory? Our critic places his bets Full list of Bafta 2026 nominations
Few UK nominations this year as industry tries to balance attracting global attention and celebrating homegrown projectsIt may be billed as Britain’s premier film awards, but when nominations for the Baftas were announced last month, the lack of British representation in the top categories was hard to ignore. Just one British actor, Robert Aramayo, appeared in the leading actor category, while there were no British nominees at all for leading actress (the UK-based Irish actor Jessie Buckley notw
Few UK nominations this year as industry tries to balance attracting global attention and celebrating homegrown projects
It may be billed as Britain’s premier film awards, but when nominations for the Baftas were announced last month, the lack of British representation in the top categories was hard to ignore. Just one British actor, Robert Aramayo, appeared in the leading actor category, while there were no British nominees at all for leading actress (the UK-based Irish actor Jessie Buckley notwithstanding).
Peter Mullan was the only Briton in the supporting actor category, while representation for best supporting actress fared better, with Emily Watson, Carey Mulligan and Wunmi Mosaku nominated.
Counterculture comedy One Battle After Another wins four awards, including best picture, director, screenplay and supporting actor for Sean PennPaul Thomas Anderson’s counterculture comedy One Battle After Another continued its march to Oscars glory at the London Critics’ Circle film awards on Sunday evening, taking four awards, including best picture, director, screenplay and supporting actor for Sean Penn.In his speech to pick up the screenplay award, Anderson said he wanted to share the award
Counterculture comedy One Battle After Another wins four awards, including best picture, director, screenplay and supporting actor for Sean Penn
Paul Thomas Anderson’s counterculture comedy One Battle After Another continued its march to Oscars glory at the London Critics’ Circle film awards on Sunday evening, taking four awards, including best picture, director, screenplay and supporting actor for Sean Penn.
Coogler’s vampire thriller swept the Oscar nominations over Chloé Zhao’s tearjerker and Paul Thomas Anderson’s counterculture thriller. This genre-defying drama about the black experience could now rule awards season• Full list of nominees• Sinners becomes first film in history to earn 16 Oscar nominationsAgree with them or not, these Oscar nominations deliver a pert slap to the accepted assumptions of awards season. The industry had been expecting landslides for classy upmarket fare such as Chl
Agree with them or not, these Oscar nominations deliver a pert slap to the accepted assumptions of awards season. The industry had been expecting landslides for classy upmarket fare such as Chloé Zhao’s Hamnet, Paul Thomas Anderson’s One Battle After Another and Guillermo del Toro’s Frankenstein, and also for Josh Safdie’s delirious comedy Marty Supreme. And that’s what they got.
But perhaps no one expected these titles to get quite as colossal a smackdown as they got from Ryan Coogler’s vampire drama thriller Sinners: a violent, high-energy fantasia about racism, music and the black experience, which has soared ahead with 16 nominations – the most for any film in 97 years of the Academy Awards. Whatever happens on the night itself, Ryan Coogler has made Oscar history.
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