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‘One of the most profound encounters of my life’: could existential therapist Emmy van Deurzen change the way you think?

02. Mai 2026 um 09:00

Her philosophical approach to therapy has become a global phenomenon, and inspired a new book. Could a session with her change Sophie McBain’s life?

The existential therapist Emmy van Deurzen moved to the UK inspired by RD Laing, the Scottish anti-psychiatrist who said insanity is a “perfectly rational adjustment to an insane world”. It was 1977 and Van Deurzen, who is Dutch and had studied philosophy and psychology in France, found work with the Arbours Association in London, a therapeutic community based on Laing’s ideas, in which people in crisis, psychiatrists and therapists lived together as equals. It was a rude awakening.

Arbours aimed to create space for people to “explore their madness”. “Now that was a very interesting idea,” Van Duerzen says, “but in practice it meant that people self-medicated, with alcohol and pot, and it was not a happy situation.” The residents were often very depressed or psychotic, and it was common to be woken up at night because someone was seeing things or had become suicidal. Van Deurzen came to believe that anti-psychiatry had “lost courage”: it had proposed a different way of thinking about madness, but having released people from asylums and taken them off neuroleptic drugs, it was “kind of leaving them to it”. “And this is what I realised wasn’t good enough,” she says. When people are experiencing a mental health crisis, they need help to make sense of what has happened to them, and to find their way to healing. “From that moment on I just knew: nobody’s doing this. I’m going to have to do it myself,” she says.

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© Photograph: Peter Flude/The Guardian

© Photograph: Peter Flude/The Guardian

© Photograph: Peter Flude/The Guardian

  • ✇The Guardian
  • The Beginning Comes After the End by Rebecca Solnit review – a manual for coping with change
    In the midst of violent upheaval, the author and activist reminds us of the power and promise of transformationIn 2004, Rebecca Solnit released Hope in the Dark, a series of extended essays in response to the war in Iraq. She offered a vision of solidarity and tenacity. The book experienced a sharp surge in popularity after the 2016 election of Donald Trump, selling out in short order. Returning to Hope in the Dark 10 years later, I remembered why it was so lauded. It is a slim, steady book full
     

The Beginning Comes After the End by Rebecca Solnit review – a manual for coping with change

09. April 2026 um 09:00

In the midst of violent upheaval, the author and activist reminds us of the power and promise of transformation

In 2004, Rebecca Solnit released Hope in the Dark, a series of extended essays in response to the war in Iraq. She offered a vision of solidarity and tenacity. The book experienced a sharp surge in popularity after the 2016 election of Donald Trump, selling out in short order. Returning to Hope in the Dark 10 years later, I remembered why it was so lauded. It is a slim, steady book full of sensible reminders about the limits of the intellect and the dangers of becoming poisoned by pessimism. “Hope is not a door, but a sense that there might be a door at some point, some way out of the problems of the present moment even before that way is found or followed,” Solnit wrote. Humility requires us to acknowledge that no matter how damningly certain the future may seem, it remains fundamentally unknowable. That’s where hope begins.

Her timely new book picks up this thread: “You do not have to picture the destination to reach it or at least draw closer to it, you just need to choose a direction and keep on walking,” she tells us. Solnit has written more than a dozen books since 2004, but in format, design, and theme, The Beginning Comes After the End feels like the direct successor to Hope in the Dark: a novella-length essay broken into short but wide-ranging chapters that cite history, philosophy and contemporary writing, paying special note to moments of reparation and progress.

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© Photograph: NurPhoto/Getty Images

© Photograph: NurPhoto/Getty Images

© Photograph: NurPhoto/Getty Images

  • ✇The Guardian
  • Alexander Kluge, author and key film-maker in the New German Cinema movement, dies aged 94
    A winner of the Golden Lion at Venice, Kluge was a committed pacifist and one of the last living torchbearers of the Frankfurt school of neo-Marxist cultural criticismAlexander Kluge, a German film-maker and author who elevated cinematic collages into an art form and won the top prize at the Venice film festival in 1968, has died aged 94, his publisher has announced.A former assistant of expressionist master Fritz Lang, Kluge was an accomplished director of intellectually rewarding, if at times
     

Alexander Kluge, author and key film-maker in the New German Cinema movement, dies aged 94

A winner of the Golden Lion at Venice, Kluge was a committed pacifist and one of the last living torchbearers of the Frankfurt school of neo-Marxist cultural criticism

Alexander Kluge, a German film-maker and author who elevated cinematic collages into an art form and won the top prize at the Venice film festival in 1968, has died aged 94, his publisher has announced.

A former assistant of expressionist master Fritz Lang, Kluge was an accomplished director of intellectually rewarding, if at times oblique filmic essays, and an ever-productive writer of short fiction.

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© Photograph: Sueddeutsche Zeitung Photo/Alamy

© Photograph: Sueddeutsche Zeitung Photo/Alamy

© Photograph: Sueddeutsche Zeitung Photo/Alamy

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  • Talk is precious: in the age of communication collapse, Jürgen Habermas’s message remains vital | Eva von Redecker
    The philosopher, who has died aged 96, was often caricatured as a consensus-seeking liberal. But his belief in the need for shared understanding had a radical underpinningDespite its canonical name, the Frankfurt School is not a school. It is, at least according to my former teacher, the critical theorist Rahel Jaeggi, a constellation. For a century, this scholarly constellation has pursued the intellectual endeavour of critique. Critique here is not the “thumbs down” or “blocking” exercised on
     

Talk is precious: in the age of communication collapse, Jürgen Habermas’s message remains vital | Eva von Redecker

17. März 2026 um 15:58

The philosopher, who has died aged 96, was often caricatured as a consensus-seeking liberal. But his belief in the need for shared understanding had a radical underpinning

Despite its canonical name, the Frankfurt School is not a school. It is, at least according to my former teacher, the critical theorist Rahel Jaeggi, a constellation. For a century, this scholarly constellation has pursued the intellectual endeavour of critique. Critique here is not the “thumbs down” or “blocking” exercised on social media. It is the wild aspiration to describe reality in a way that transforms it.

Jürgen Habermas, who died on 14 March 2026 at the age of 96, was a fixed star in this constellation. He set the compass for several generations of mostly German and North American thinkers. Habermas was incredibly prolific, with more than 40 books to his name, and very charismatic. There was an intensity, a concentration to Habermas’s thought and dialogue that his writings convey only poorly. The thundering polemics he brought to public debates also seem a far cry from the consensus-oriented discourse ethics he is known for.

Eva von Redecker is a German philosopher and nonfiction writer

Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here.

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© Photograph: Sueddeutsche Zeitung Photo/Alamy

© Photograph: Sueddeutsche Zeitung Photo/Alamy

© Photograph: Sueddeutsche Zeitung Photo/Alamy

  • ✇The Guardian
  • Solidarity by Rowan Williams review – what does it really mean to stand by someone?
    The former archbishop delves deep into a word that is easy to use on social media, but hard to follow through onYou don’t need to scroll far down a social media feed to find someone expressing “solidarity” for the victims of cruelty or injustice. A show of solidarity feels more emphatic than expressing support or sympathy. As Rowan Williams argues, it can act as “a moral intensifier”, positioning us squarely alongside the victim. It can also be a declaration of innocence, a way of distancing our
     

Solidarity by Rowan Williams review – what does it really mean to stand by someone?

17. März 2026 um 09:00

The former archbishop delves deep into a word that is easy to use on social media, but hard to follow through on

You don’t need to scroll far down a social media feed to find someone expressing “solidarity” for the victims of cruelty or injustice. A show of solidarity feels more emphatic than expressing support or sympathy. As Rowan Williams argues, it can act as “a moral intensifier”, positioning us squarely alongside the victim. It can also be a declaration of innocence, a way of distancing ourselves definitively from the perpetrators and their guilt.

Williams wants to move us beyond this idea of solidarity as unequivocal identification. He has some sharp things to say about “empathy” as a modern solve-all, when it too often serves the needs of “a clamorous self” that “cannot bear the idea of a real stranger”. True solidarity, he argues, is less a virtue to be cultivated than a human condition to be acknowledged. It requires us to accept two stubborn truths: first, that we can never identify completely with someone else, because we are inescapably separate from them in mind and body; and second, that we are innately social beings, linked to each other by invisible threads of obligation and reciprocity.

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© Photograph: WENN Rights Ltd/Alamy Stock Photo/Alamy Live News.

© Photograph: WENN Rights Ltd/Alamy Stock Photo/Alamy Live News.

© Photograph: WENN Rights Ltd/Alamy Stock Photo/Alamy Live News.

  • ✇The Guardian
  • Jürgen Habermas obituary
    Philosopher and social theorist who advocated a new direction for German thought after the horrors of Nazi ruleThe philosopher, social theorist and defender of humane Enlightenment values Jürgen Habermas, who has died aged 96, spent the last months of the second world war helping to protect the Third Reich. He was 15 and a member of the Hitler Youth. Too young to fight and too old to be exempted from war service, he was sent to the western front to man anti-aircraft defences.He later described h
     

Jürgen Habermas obituary

15. März 2026 um 17:13

Philosopher and social theorist who advocated a new direction for German thought after the horrors of Nazi rule

The philosopher, social theorist and defender of humane Enlightenment values Jürgen Habermas, who has died aged 96, spent the last months of the second world war helping to protect the Third Reich. He was 15 and a member of the Hitler Youth. Too young to fight and too old to be exempted from war service, he was sent to the western front to man anti-aircraft defences.

He later described his father, the director of the local seminary, as a “passive sympathiser” with the Nazis and young Habermas shared that mindset. But he was soon shaken out of his and his family’s complacency by the Nuremberg trials and documentaries of Nazi concentration camps. “All at once we saw that we had been living in a politically criminal system,” he later wrote. His horrified reaction to what he called his fellow Germans’ “collectively realised inhumanity” constituted what he described as “that first rupture, which still gapes”.

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© Photograph: Sueddeutsche Zeitung Photo/Alamy

© Photograph: Sueddeutsche Zeitung Photo/Alamy

© Photograph: Sueddeutsche Zeitung Photo/Alamy

  • ✇The Guardian
  • The Guardian view on Adam Smith: he deserves rescuing from the free-market myth | Editorial
    On the 250th anniversary of The Wealth of Nations, the Scottish philospher is still invoked by the right. Yet he worried about inequality, monopoly and the power of wealthThis week 250 years ago, Adam Smith published An Inquiry Into the Nature and Causes of the Wealth of Nations – and invented economics. The anniversary has been marked by opinion columns, new books and academic conferences. How different it was 50 years ago. The 1976 bicentenary produced the definitive scholarly edition and help
     

The Guardian view on Adam Smith: he deserves rescuing from the free-market myth | Editorial

11. März 2026 um 18:29

On the 250th anniversary of The Wealth of Nations, the Scottish philospher is still invoked by the right. Yet he worried about inequality, monopoly and the power of wealth

This week 250 years ago, Adam Smith published An Inquiry Into the Nature and Causes of the Wealth of Nations – and invented economics. The anniversary has been marked by opinion columns, new books and academic conferences. How different it was 50 years ago. The 1976 bicentenary produced the definitive scholarly edition and helped cast Smith as the father of free-market economics. This was an easy sell during the 1970s slow collapse of the postwar economic order. Smith was useful as a symbolic figure for the revival of free-market ideas. Yet the truth is more complicated.

Milton Friedman, a Nobel laureate, recruited Smith as the patron saint of neoliberal economics in his 1980 book and television series Free to Choose – a manifesto that anticipated Reaganism in the US. He reduced Smith to two claims: that a voluntary exchange benefits both parties and that self-interest is led by an “invisible hand” that unintentionally promotes the public interest. In short: greed is good. In fact, Smith used the phrase “invisible hand” only once in The Wealth of Nations, to describe whether merchants invest their capital at home or abroad – and not, as Friedman claimed, as a general theory of markets.

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© Photograph: Lesley Martin/Reuters

© Photograph: Lesley Martin/Reuters

© Photograph: Lesley Martin/Reuters

  • ✇The Guardian
  • Do Not Go Gentle by Kathleen Stock review – the case against euthanasia
    The philosopher offers a measured and reasonable argument against assisted dyingIn this admirably clear and cogent book, the philosopher Kathleen Stock sets out the case against state-sanctioned assisted dying. Her immediate objection is to the end of life bill currently before the House of Lords, but her opposition extends to the principle in general. This is a polemic, but a polite one. Stock says she hopes that by the end of it we will share her objection to the ‘‘institutionalisation of deat
     

Do Not Go Gentle by Kathleen Stock review – the case against euthanasia

11. März 2026 um 09:00

The philosopher offers a measured and reasonable argument against assisted dying

In this admirably clear and cogent book, the philosopher Kathleen Stock sets out the case against state-sanctioned assisted dying. Her immediate objection is to the end of life bill currently before the House of Lords, but her opposition extends to the principle in general. This is a polemic, but a polite one. Stock says she hopes that by the end of it we will share her objection to the ‘‘institutionalisation of death”.

It is not a popular place to start. Polls over the past few years consistently show that around three-quarters of Britons are in favour of assisted dying for terminally ill people. But Stock has never been afraid of swimming upstream. In 2021, she resigned from the University of Sussex following protests by some staff and students over her views, set out in the book Material Girls, that sex is binary and immutable and that this, rather than gender identity, should be the basis of laws to protect women.

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© Photograph: Jooney Woodward

© Photograph: Jooney Woodward

© Photograph: Jooney Woodward

‘I’m the psychedelic confessor’: the man who turned a generation on to hallucinogens returns with a head-spinning book about consciousness

08. Februar 2026 um 09:00

With the Omnivore’s Dilemma and How to Change Your Mind, Michael Pollan transformed our understanding of food and drugs. Can he do the same for our sense of self?

Several years ago, Michael Pollan had a disturbing encounter. The relentlessly curious journalist and author was at a conference on plant behaviour in Vancouver. There, he’d learned that when plants are damaged, they produce an anaesthetising chemical, ethylene. Was this a form of self-soothing, like the release of endorphins after an injury in humans? He asked František Baluška, a cell biologist, if it meant that plants might feel pain. Baluška paused, before answering: “Yes, they should feel pain. If you don’t feel pain, you ignore danger and you don’t survive.”

I imagine that Pollan gulped at that point. I certainly did when I read his account of the meeting in his latest book, A World Appears. Where does it leave our efforts at ethical consumption, if literally everybody hurts – including vegetables?

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© Photograph: Cayce Clifford

© Photograph: Cayce Clifford

© Photograph: Cayce Clifford

  • ✇The Guardian
  • Love Machines by James Muldoon review – inside the uncanny world of AI relationships
    A sociologist talks to the people putting their faith – and their hearts – in the hands of robotsIf much of the discussion of AI risk conjures doomsday scenarios of hyper-intelligent bots brandishing nuclear codes, perhaps we should be thinking closer to home. In his urgent, humane book, sociologist James Muldoon urges us to pay more attention to our deepening emotional entanglements with AI, and how profit-hungry tech companies might exploit them. A research associate at the Oxford Internet Ins
     

Love Machines by James Muldoon review – inside the uncanny world of AI relationships

13. Januar 2026 um 07:00

A sociologist talks to the people putting their faith – and their hearts – in the hands of robots

If much of the discussion of AI risk conjures doomsday scenarios of hyper-intelligent bots brandishing nuclear codes, perhaps we should be thinking closer to home. In his urgent, humane book, sociologist James Muldoon urges us to pay more attention to our deepening emotional entanglements with AI, and how profit-hungry tech companies might exploit them. A research associate at the Oxford Internet Institute who has previously written about the exploited workers whose labour makes AI possible, Muldoon now takes us into the uncanny terrain of human-AI relationships, meeting the people for whom chatbots aren’t merely assistants, but friends, romantic partners, therapists, even avatars of the dead.

To some, the idea of falling in love with an AI chatbot, or confiding your deepest secrets to one, might seem mystifying and more than a little creepy. But Muldoon refuses to belittle those seeking intimacy in “synthetic personas”.

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© Photograph: NurPhoto/Getty Images

© Photograph: NurPhoto/Getty Images

© Photograph: NurPhoto/Getty Images

  • ✇The Guardian
  • The Score by C Thi Nguyen review – a brilliant warning about the gamification of everyday life
    From Duolingo to GDP, how an obsession with keeping score can subtly undermine human flourishingTwo years ago, I started learning Japanese on Duolingo. At first, the daily accrual of vocabulary was fun. Every lesson earned me experience points – a little reward that measured and reinforced my progress.But something odd happened. Over time, my focus shifted. As I climbed the weekly leaderboards, I found myself favouring lessons that offered the most points for the least effort. Things came to a h
     

The Score by C Thi Nguyen review – a brilliant warning about the gamification of everyday life

06. Januar 2026 um 07:00

From Duolingo to GDP, how an obsession with keeping score can subtly undermine human flourishing

Two years ago, I started learning Japanese on Duolingo. At first, the daily accrual of vocabulary was fun. Every lesson earned me experience points – a little reward that measured and reinforced my progress.

But something odd happened. Over time, my focus shifted. As I climbed the weekly leaderboards, I found myself favouring lessons that offered the most points for the least effort. Things came to a head when I passed an entire holiday glued to my phone, repeating the same 30-second Kanji lesson over and over like a pigeon pecking a lever, ignoring my family and learning nothing.

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© Photograph: Nintendo

© Photograph: Nintendo

© Photograph: Nintendo

  • ✇The Guardian
  • Don’t Burn Anyone at the Stake Today by Naomi Alderman review – how to navigate the information crisis
    The author of The Power looks to the past for lessons in surviving an era of seismic technological changeNaomi Alderman argues that one of the most useful things to know is the name of the era you’re living in, and she proposes one for ours: the Information Crisis. In fact, the advent of digital media marks the third information crisis humans have lived through: the first came after the invention of writing; the second followed the printing press.These were periods of great social conflict and u
     

Don’t Burn Anyone at the Stake Today by Naomi Alderman review – how to navigate the information crisis

10. Dezember 2025 um 07:00

The author of The Power looks to the past for lessons in surviving an era of seismic technological change

Naomi Alderman argues that one of the most useful things to know is the name of the era you’re living in, and she proposes one for ours: the Information Crisis. In fact, the advent of digital media marks the third information crisis humans have lived through: the first came after the invention of writing; the second followed the printing press.

These were periods of great social conflict and upheaval, and they profoundly altered our social and political relationships as well as our understanding of the world around us. Writing ushered in the Axial Age, the period between the eighth and third centuries BC, when many of the world’s most influential religious figures and thinkers lived: Laozi, Buddha, Zoroaster, the Abrahamic prophets and the Greek philosophers. Gutenberg’s printing press helped bring about the Reformation. While it is too early to know where the internet era will take us, in her new book, which she describes as a “speculative historical project”, Alderman suggests that those earlier crises offer clues.

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© Photograph: Phil Fisk/The Guardian

© Photograph: Phil Fisk/The Guardian

© Photograph: Phil Fisk/The Guardian

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