The US rapper, removed from Ed Sheeran’s US stadium tour after voicing support of Palestine, has convened a charity show that will visit Dublin, Paris and London, with a North American run to be announced

Macklemore has announced a “Free Palestine” tour, a series of live shows that will feature the US rapper performing alongside musicians and friends to raise funds for humanitarian causes in Palestine.

The news comes after Macklemore (AKA Benjamin Haggerty) was removed from Ed Sheeran’s US stadium tour after he called for a “free Palestine” onstage and said he wanted the people of Gaza and “the occupied West Bank” to know “we have not forgotten about them”.

There are obvious reasons why the UK flops and flops again, but that isn’t the point. This annual debacle is now part of our national identity

Given that Britain’s politics are quite a sizeable reason that we do so badly in Eurovision: here’s something that will definitely, absolutely, categorically help us do better in the competition … interference from MPs.

Digital, culture, media and sport committee chair Caroline Dinenage has announced that MPs will scrutinise the UK’s reliable failure in the competition to see where we’re going wrong, with a hearing to be held over the coming months. The answers surely don’t take that long to work out.

Omar and Jamal Ikram, 21-year-old brothers, are making lo-fi glitchy dance-pop with the melodic sensibilities of Bollywood music

From Aldershot, Hampshire
Recommended if you like 2hollis, the Hellp, Jai Paul
Up next New single Wish U out now

You, like me, may be growing tired of the 2020s’ so-called “indie sleaze” revival, which has so far yielded a few good parties and not that much good music. But the music of the Twins – Aldershot-born brothers Omar and Jamal Ikram – is made of sturdier stuff. The 21-year-olds are progenitors of a sound they call “Bollywood electronic” – a strain of loud, lo-fi, ultra-glitchy dance-pop that sounds like 2hollis if his songs were heavy with screwy samples of south Asian pop. Their debut album, last year’s Turmeric, captures the still-potent appeal of Jai Paul’s classic Str8 Outta Mumbai – which fused the lackadaisical sheen of 2010s electronic pop with the shining rhythmic and melodic sensibilities of Bollywood music – and, as is de rigueur for the contemporary era, makes it bolshie and frenetic, taking in the euphoric aggression of early Skrillex and unnerving noise of Aphex Twin.

Turmeric was a minor hit, thanks in part to Fuckersby, a collaboration with on-the-rise British rapper Fakemink, as well as the Twins’ monthly NTS show, also called Turmeric, which turns one this month. (Its combination of classic British pop stars such as Lily Allen, Punjabi artists such as Sukshinder Shinda, and contemporary electronic acts the Hellp and Sophia Stel gives it the feeling of a late-night pirate radio station totally out of time and place.) The duo’s follow-up EP There&Back, released in May, polishes up the Twins’ sound a little, but not that much – if anything, their collaborations with Rada and Varg2TM on There&Back are even louder and wilder than anything on Turmeric. The duo’s future plans aren’t clear, but their mission is: “We don’t want brown kids to feel like they have to fit into anything,” Jamal said in an interview. “People are always gonna try to label what you’re doing, but you don’t have to move like that.” Shaad D’Souza

By standing behind support act Macklemore, who was removed from the tour for his vocal support of Palestine, these artists are demonstrating the self-sacrifice necessary to stand against those crushing free speech

In a statement about Macklemore being dropped from his US stadium tour for making pro-Palestinian comments, Ed Sheeran defended his own publicly apolitical stance: “If we only ever focus on shouting the loudest, nothing will ever change. There are different approaches to being an advocate for change.”

Every other musician involved with the tour – support acts Finneas (Billie Eilish’s brother), Danish band Lukas Graham and Irish songwriter Aaron Rowe, plus Sheeran’s Irish backing band, Beoga – has made their approach to advocating for change clear, pulling out of the remaining dates to protest against the censorship of Macklemore and to express support for the Palestinian people.

After 2025’s wildly lucrative reunion, the Gallagher brothers will tour the UK, Ireland and US, and revisit the Hertfordshire site of their greatest live triumph

• From the archive: How did the Guardian cover Oasis at Knebworth 1996? Well … we didn’t

Oasis have finally confirmed new tour dates for 2027, including their long-rumoured return to Knebworth for a run of shows 30 years after they played a historic two nights at the Hertfordshire venue in 1996.

“Start the celebrations!”, the band said in a statement. “After a period of reflection, The Most Damaging Pop Cultural Force in Recent British History” – a quote from a Guardian opinion piece about the band – “has declared itself fit for purpose and will once again return to lift the spirits of the people. Come witness the fitness. It shall be a sight to behold.”

Sometime Zach Bryan backing vocalist Heaven Schmitt started Grumpy as a solo project. It’s now a six-piece band, blending alt-country with jubilant solidarity

From Brooklyn, US
Recommended if you like Wednesday, This Is Lorelei, Alex G
Up next Unfindable Ring released 23 October

“Found family” is something that queer people talk about a lot: finding your people and sticking with them is necessary in a world that often seems to want you quiet at best and dead at worst. Grumpy began as the solo project of frontman Heaven Schmitt, in between stints collaborating and touring with country-pop star Zach Bryan as a backing vocalist. It’s now a six-piece band with predominantly trans members; some of the group have dated or are dating, and they all work collaboratively on recording, producing, mixing, creating artwork and making music videos.

Nacho Pezzati’s new album Swerved taps into the moody ambience of the UK north-west underground, ratcheting a tangible and thrilling sense of unease

From Barcelona, Spain
Recommend if you like Space Afrika, Shackleton, Purelink
Up next Swerved out now

Swerved, by Barcelona-based producer Nueen (Nacho Pezzati) is a bassy, moody, darkly ambient album that travels through R&B, drill, cloud rap and dub without any obvious changes in its grey-black weather. But this is slowly churning music, on the brink of rot. By the 10th track, Copicat, the unease is tangible; after a slow, agonising ratcheting build of fanbelt hi-hats, the album’s only drop arrives with the weight and power of a cloudburst. It’s thrilling.

Like Johnny Depp and Chris Brown before him, Homme has got past his chequered history to retain an adoring fanbase. Almost a decade post-#MeToo, audiences no longer seem to care

As part of the promo for Queens of the Stone Age’s new album Perfecth, the band has set up a novelty complaints hotline for fans to call. “No bitching too big, no whiny too tiny,” it promises. I’ll bite: how about the fact that frontman Josh Homme’s ex-wife Brody Dalle testified in court that he head-butted her so hard that she “saw stars” and said he had fantasised about killing her? Or that he kicked a female photographer in the face? It’s certainly not what anyone’s talking about as part of Homme’s friendly neighbourhood rock star image rehabilitation: duetting on Shania Twain’s new album, taking the couch on Celebrity Gogglebox, teatime BBC 6 Music interviews.

Homme and Dalle clearly had a complicated relationship: he allegedly tried to throw her boyfriend off a balcony; he claims that she was violent towards him; both have taken out restraining orders against one another; Homme has full custody of their kids after Dalle’s boyfriend was found to have forged her signature on an application for a restraining order. Homme has recently talked about coming through a dark period, including successful treatment for cancer, and getting a handle on his vices. Nevertheless, there is clear footage of him brutally kicking the camera of photographer Chelsea Lauren back into her face, which he acknowledged in an apology video, and court testimony from Dalle alleging that a drunk Homme told her “I want to fucking strangle you right now” on one occasion, and head-butted her on another.

Rich harmonies mix with synth, harp and aquatic grace on the intriguing first single from the New York songwriter’s debut album

From New York, USA
Recommended if you like Jessica Pratt, Minnie Riperton, Cocteau Twins
Up next Debut LP Follow the Light released via Jagjaguwar on 16 October

In Robert Silverberg’s 1973 sci-fi anthology New Dimensions 3, there’s a story by author Terry Carr called They Live on Levels. The simplest outline of this tale is that thanks to a technological breakthrough, humans are able to exist and communicate through different planes of existence. Through musical styles and generational layers, the spectral folk of New York-based songwriter June McDoom expresses this very notion in stunning fashion.

Insecure Men singer has now been dropped by his record label and had tour dates cancelled after two women shared allegations about his behaviour

Saul Adamczewski of Insecure Men and formerly of Fat White Family has been dropped by his record label and had tour dates cancelled after two women shared allegations of physical and emotional abuse against the musician.

One woman said that the pair had a short relationship that resulted in a pregnancy, after which, she alleged, Adamczewski “made it his duty to make me suffer. He has been violent, pushed me, thrown glass bottles at me, showered me with beer […] insulted me, taken my passport from me, stolen my money and more, all while I had our baby.”

The controversial rapper now known as Ye was due to play two huge shows at St Petersburg’s Gazprom Arena, which now states it cannot host performances for contractual reasons

The St Petersburg stadium that was set to host two concerts by Ye – making the rapper formerly known as Kanye West the biggest western act to play in Russia since start of the Ukraine war – has now said that the concerts will not take place at the venue, although the promoter has stressed that they have not been cancelled.

Gazprom Arena had previously posted on social media saying that “the most influential musical artist of our time” would perform there on 10 and 11 October. “This is no joke!” the post stated. The event sold out immediately, including tickets priced at £1390 ($1896).

The LA-based powerpop project’s triumphant debut is a celebration of low-stakes creativity in the slacker-skater tradition

From Los Angeles
Recommended if you like the Lemonheads, Sugar, the Muffs
Up next Secret to Spare released 18 September

Maybe it’s to do with getting older, maybe it’s to do with the broad-spectrum grimness of it all, but the thrill of low-stakes creativity, of making something for the joy of making it rather than in the hope of making it, feels particularly vital at the moment. And, if the sun-bleached cool of Jawdropped’s music is anything to go by, starting a powerpop project in your 30s will light up this pleasure centre like a dive bar pinball machine.

Following in the footsteps of Michael and Janet Jackson, and Kylie and Dannii Minogue, the Hobert siblings have simultaneously struck pop gold – with no rivalry

The history of rival sibling pop solo acts is a limited but potent one. Most famous, of course, are Michael and Janet Jackson. Kylie and Dannii Minogue, Billie Eilish and Finneas, Beyoncé and Solange, Natasha and Daniel Bedingfield, Neneh and Eagle-Eye Cherry, Jessica and Ashlee Simpson, and Brandy and Ray J all share the intimate and rare understanding of what it was like to share Lego sets and chart space.

That strange dynamic recently gained a new pairing. The US artists Audrey Hobert, 27, and her younger brother, who performs as Malcolm Todd, 22, have both scored global hits synonymous with the sound of summer 2026.

The South African singer has been a memorable guest artist, but the unhurried, emotional tracks on new album Some Strings Attached show she’s ready for the spotlight

From Cape Town, South Africa
Recommended if you like Summer Walker, SZA, Shekhinah
Up next Some Strings Attached out now

Rowlene Bosman learned to sing in a Cape Town school choir, and the discipline never left her: she is a precision vocalist in a scene that rewards volume. Most South Africans first heard her in 2018, delivering the hook on Nasty C’s SMA – she was the first signing to his Tall Racks label – and the featured artist circuit kept her busy for years. But while South African pop stampeded towards amapiano, Rowlene held her ground as a balladeer, writing slow, confessional R&B in which heartbreak is examined instead of danced away. Her 2020 debut album 11:11, a set of aching, close-quarters soul songs, brought a South African music award nomination for best pop album, and three of her originals – Cupid, Stay and the Nasty C collaboration I Need You – landed on the soundtrack of Netflix’s SA teen crime drama Blood & Water, carrying her voice far beyond home.

The singer said that he was ‘already feeling better’ but forthcoming dates on his mammoth farwell tour will not now go ahead

Rod Stewart has cancelled all coming dates on his farewell tour after undergoing a routine heart procedure.

On 9 August, Stewart, 81, pulled a performance in Ohio at the last minute. After the successful insertion of a coronary stent, he announced that all dates would be cancelled.

Day’s latest album Halo is all high-energy exhaustion, injected with a crushing electroclash chaos that illuminates her insecurities in bright neon

From Los Angeles
Recommended if you like Slayyyter, Charli xcx, Underscores
Up next Halo out now. UK and Ireland tour starts in December

Right now popstar breakthrough and burnout are a hair’s breadth from one another. Enter Tiffany Day, a Wichita-raised artist who first went viral in 2017 when a video of her singing Hallelujah on a school trip blew up online. She spent the subsequent years unsuccessfully chipping away at building on that virality, cycling through acoustic guitar covers and bedroom R&B. Only by channeling her frustrations into this year’s anxiety-ridden sugar rush Halo did Day finally regain her early momentum.

Singer and actor, whose world tour ends next month, told audience in Chicago that she had been quietly planning the move for a long time

Ariana Grande has expanded upon her recent decision to take “a step back from visibility” when her tour ends next month, as a result of what a spokesperson called “endless, ongoing public scrutiny”.

On Monday night during the first show of a three-night run in Chicago, the 33-year-old musician and actor read from notes as she told fans: “The announcement that was made yesterday was not a reactive or impulsive thing. It is something that I had decided to plan quietly, a long time ago.”

After a decade in the pop fringes, Charli xcx’s 2024 album Brat propelled her to global stardom: an acid-green ‘Brat summer’, a Glastonbury headline slot and brat as Collins’ word of the year.

But how do you follow up the album that made you a star?

Charli’s latest album Music, Fashion, Film has now been released – and as Guardian deputy music editor Laura Snapes tells Lucy Hough: it’s a pivot to guitar and a “meta masterpiece about the instability of identity.”

(Atlantic)
How do you follow up the album that made you a star – and a caricature? In classic Charli style: with a pivot to guitar and a meta masterpiece about the instability of identity

After a decade spent trailblazing a unique kind of pop freedom from the genre’s fringes, A-list success seemed like the thing that might finally trap Charli xcx. Her 2024 club-rat opus Brat spawned memes, embarrassing political bandwagoning, Collins’ word of the year and possibly terminal damage to the bra industry. Its ludicrous cultural impact looked set to pickle her as a caricature of a Parliament-toting bad girl; the question of whether “Brat summer” could last – whether Charli could sustain the interest – was so rife she turned it into a mockumentary, The Moment. It made success look miserable: your creation turned cringe by execs wanting to milk their prize cow dry of every last acid-green drop.

Even for a pop star renowned for reinvention, it put a higher price on her next move. Pivot and risk losing new fans and looking wilfully contrarian. When Charli released the sub-two-minute single Rock Music, many heard it as a middle finger. “I think the dancefloor is dead,” she drawls over guitars that buzzed like speakers weathering interference from a Nokia 5110, “so now we’re making rock music.” There were boring thinkpieces about the dancefloor being very much alive, actually (as if Charli had ever ridden culture for clout then binned it off), and about whether she was trying to eject fair-weather new fans. But the key to this cheeky song is surprisingly earnest: “Jump off the stage / I hope they catch you today / But if they don’t it’s OK,” she sings naively, an affirmation to take creative leaps, and to come with Charli – or not, as you like – as she takes this one.

​With her roots stretching from the Catholic church to riot grrrl, the US singer-songwriter explains how sobriety and self-analysis powered her classic new Waxahatchee-produced album

The songwriting on Brennan Wedl’s new album is so ironclad that I kept checking the credits to see if any of its songs were actually covers of peak Lucinda Williams tracks that I’d somehow missed. Nope: all originals by a 29-year-old songwriter whose radiant, hooky, tough Americana puts her toe-to-toe with genre godheads such as Williams circa Car Wheels on a Gravel Road, or Sheryl Crow had she grown up playing church basement punk shows; also, a vision of Courtney Love in cowboy boots.

“I love Lucinda’s very earnest way of looking at daily life, and I hoped to achieve that on this record,” says Wedl, calling from her Nashville home, surrounded by vintage magazines and tchotchkes. Wedl is warm and dudely; she answers almost every question with an exuberant “toootally!”. She cites her favourite of her new songs, the absurdly immediate Just Another Daddy Who Did Me Wrong, a bittersweet number that questions her self-destructive appeal. “It’s a very harsh look at reality, but also about how our minds can create so much fantasy around reality. I’m working on not projecting too much on reality these days.”