Christopher Nolan’s star-studded take on Homer’s Odyssey has received rave reviews from critics and is one of the most hotly anticipated films of the year. The three-hour Imax blockbuster has an estimated budget of $250m and a star-studded cast including Matt Damon, Zendaya and Tom Holland. But will it live up to expectations? Annie Kelly speaks to film editor Catherine Shoard

Christopher Nolan’s epic adaptation has been met with almost universal acclaim – from mostly male film critics. Might women find the journey less comfortable?

Long ago, almost as long ago as Homer composed The Odyssey, I was a film critic on the Sunday Telegraph. People sometimes ask me how sexist the scene was then, back in the bronze age mid-noughties, when male critics outnumbered female by about eight to one. Well, there wasn’t any sexism. It was actually totally fine and everyone was really nice.

They were nice in Soho, anyway. Farther afield, less so. Particularly certain readers, when it came to certain films, made by certain directors. Quentin Tarantino, obviously. Ken Loach, weirdly. And Christopher Nolan. Question their genius and prepare for epic correction by a legion of self-appointed bouncers.

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‘I’m in that moment of sheer terror,” says Christopher Nolan, sitting in a suite at the Corinthia hotel in London, in a slightly rumpled suit, next to a pot of tea. Outside, crowds jostle, hoping to catch a glimpse of one of the stars within – Matt Damon, Tom Holland, Lupita Nyong’o. It is the day before the world premiere of Nolan’s latest film, an adaptation of Homer’s epic poem the Odyssey, and the last day of waiting before audiences decide whether the biggest gamble of Nolan’s career has paid off. The film, which reportedly cost $250m (£185m), doesn’t just need an audience to show up. It needs the entire moviegoing world to do so.

“It never gets any easier, because I make films for audiences and the audience tells me what it likes,” he says. “They finish the film. I don’t have anything to hide behind. I can’t just be like: ‘Oh, people don’t get it.’ Those aren’t the films I make. What does the audience make of it? Do they turn up? Do they like it if they do turn up?

Christopher Nolan’s epic was given five stars by the Guardian, Independent and Telegraph, while the New York Times called it a ‘monumental adaptation’

Christopher Nolan’s $250m Imax blockbuster version of Homer’s epic poem the Odyssey looks set to be among the director’s best-received of his career, and could be a frontrunner for next year’s best picture Oscar.

The Guardian’s Peter Bradshaw was among the vast majority of critics who awarded it five stars, calling it a film “with thrilling ambition, boldness, seriousness, generosity and flair. There are some broad-brush moments in the dialogue, yes, but even these are applied with a muscular flourish.”