Suzannah Mirghani’s first feature contains a powerful performance by Rabha Mohamed Mahmoud as a village’s elder woman and tackles the long shadow of British imperialism and women’s rights

‘I decide my past,” says a village matriarch in this intriguingly political and poetic drama from Suzannah Mirghani, making her feature debut – and with it becoming the first Sudanese woman to direct a feature. (She was forced to cancel the original shoot in Sudan when war broke out in 2023, moving production to Egypt.) It’s a film with things to say about the long shadow of the British empire, neocolonialism, women’s rights and female genital mutilation. But it mostly says it all without undermining its sense of mystery and shivers of magic realism.

We’re in present day Sudan, where village elder Al-Sit (Rabha Mohamed Mahmoud) is an iron-willed woman not to be messed with. Everyone knows the story of how as a young girl she ran the British out of town; small children in the village gleefully tell the story of how she slaughtered every single last one of them. Can it possibly be true? The trauma of her past is at the centre of the film, and Mahmoud’s witchy performance, fierce and powerful, is utterly compelling.

Kalpana Nepali was seven months pregnant when the flash floods hit last month, while Pooja Pariyal spent three days on a hospital roof waiting to be rescued. Now, they are living precariously in temporary shelters

For three days, Pooja Pariyal waited on the roof of Trishuli hospital with her three-month-old daughter, Ridhika. On the ground below and around the building, most of her town had been destroyed and churned into a sea of mud in the catastrophic flash floods that surged through the Himayalan border region of Nepal and Tibet in August.

“Those three days were living hell for me, with no food, no working toilet and no one to help with the baby,” she says. “I had nothing to clean my baby’s soiled clothes. My milk supply had reduced because I was hungry and this poor little thing would cry her lungs out.