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Normale Ansicht

  • ✇The Guardian
  • The woman with the mattress: the radical, rage-fuelled history of anti-rape art
    A performance piece from 2014 has gone viral in response to an allegation of rape at Cornell University. But with such defiant pieces stretching back hundreds of years, will things ever change?In September 2014, Emma Sulkowicz began to carry a blue mattress weighing 23kg around her university campus. The mattress was similar to the ones New York’s Columbia University used in its dorm rooms, where Sulkowicz said she had been raped by a fellow student two years earlier. Her performance/endurance a
     

The woman with the mattress: the radical, rage-fuelled history of anti-rape art

08. Oktober 2026 um 15:19

A performance piece from 2014 has gone viral in response to an allegation of rape at Cornell University. But with such defiant pieces stretching back hundreds of years, will things ever change?

In September 2014, Emma Sulkowicz began to carry a blue mattress weighing 23kg around her university campus. The mattress was similar to the ones New York’s Columbia University used in its dorm rooms, where Sulkowicz said she had been raped by a fellow student two years earlier. Her performance/endurance artwork constituted her visual art senior thesis, drawing attention to the lack of criminal charges brought against her alleged attacker and his continued presence at the university. As she hauled it across campus, others could choose to assist her with her burden. Many did. She recorded responses to the piece in a diary.

“I could have taken my pillow,” she told the writer Jessica Valenti at the time. “But I want people to see how it weighs down a person to be ignored by the school administration and harassed by police.” Sulkowicz would carry the mattress, she said, for as long as her alleged attacker remained at Columbia. And so she ended up carrying it all the way to graduation where, helped by other women, she took it on stage. The university president refused to shake her hand, turning away from her instead.

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© Photograph: Andrew Burton/Getty Images

© Photograph: Andrew Burton/Getty Images

© Photograph: Andrew Burton/Getty Images

Here’s what connects the Cornell alleged rape case to those before: accused men not being held to serious account | Emma Brockes

08. Oktober 2026 um 08:00

There was progress after #MeToo, but not enough. Certainly not enough to shift the assumptions that still protect men and denigrate victims

If the past is another country, and there is nothing so poignant as the innocence of recent history, then there is a third category of engagement with the era directly preceding our own, encapsulated by the line “that didn’t age well”.

I found myself thinking about this in relation to news of the seven male students accused of gang-raping a 20-year-old woman two years ago in their fraternity house at Cornell University, and now facing a civil suit brought by their alleged victim. Apparent failures by Cornell and the local district attorney to act appropriately at the time have triggered another round of commentary about the “death of #MeToo”, not least with the looming anniversary on 15 October, the date in 2017 when the hashtag first went viral. But the period I find myself thinking about predates even that, when it seemed as if these questions of consent had been largely resolved.

Emma Brockes is a Guardian columnist

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© Photograph: Olga Fedorova/EPA

© Photograph: Olga Fedorova/EPA

© Photograph: Olga Fedorova/EPA

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