Venice film festival: An architect (Javier Bardem) alienates his book editor wife (Penélope Cruz) when he agrees to build a luxurious bunker for a tech billionaire

Even the formidable pairing of Penélope Cruz and Javier Bardem can’t save this new movie from writer-director Florian Zeller – his first created directly for the screen, and not adapted from his own stage original. It’s shallow and unsatisfying, a drama without the intimate, authentic passion of his previous movies like The Father (2021) or The Son (2022).

Bunker has nothing that interesting or original to say about its metaphorically showcased theme of alienation and inequality; the central relationship is left unexplored in favour of so-so home-invasion suspense styling – although one extended marital-argument scene showed what might have been achieved if their relationship was the film’s point – and the violent finale ending is outrageously glib, silly and unconvincing. An off-camera paramedic or doctor actually has to be heard explaining in a brief sentence afterwards what is supposed to have happened. Very lame.

Danny Boyle’s drama about the acquisition of the Sun and a four-hour Elon Musk documentary will premiere alongside new films from Martin McDonagh and Werner Herzog – but only one female director has a movie in competition

The Venice film festival promises to take a swing at media moguls of the print and digital era this year, with Trainspotting director Danny Boyle’s new film about Rupert Murdoch’s acquisition of the Sun and a new documentary about Elon Musk included in the lineup of the films for the festival’s 83rd edition.

In Boyle’s Ink, which will open the festival on the Lido on 2 September, Australian actor Guy Pearce plays compatriot newspaper tycoon Murdoch, whose purchase of the Sun in 1969 sensationalised the media landscape and transformed public life in Britain. The script is written by Olivier award-winning playwright and screenwriter James Graham (Dear England, Brexit: The Uncivil War).