Every one of the Grammy-nominated Floridian’s songs reveal a different side of him. His latest album, Roadrunner, is all languid reggae basslines and come-hither lyricism

From Tampa, Florida
Recommended if you like Kwn, Tyla, Odeal
Up next Performing in Dallas, Texas, 1 November

Destin Conrad has had a busy couple of years: three albums, one Grammy nomination and a string of collaborations with fellow R&B up-and-comers such as Bellah and Nia Smith. Pick any record and you’ll hear a different side of the 26-year-old. His spring 2025 debut Love on Digital pays its dues to the genre that raised him while swerving derivative cliches with small production quirks – a vocal glitch here, a skittering Jersey beat there. Last summer’s Whimsy is a sprawling alt-jazz album that was written in two weeks, inspired by his time in a high-school jazz choir. A year later, Roadrunner arrived as a celebration of his Jamaican roots and queer identity – all languid reggae basslines, gyrating dancehall rhythms, drinks-in-the-air swagger and come-hither lyricism.

Omar and Jamal Ikram, 21-year-old brothers, are making lo-fi glitchy dance-pop with the melodic sensibilities of Bollywood music

From Aldershot, Hampshire
Recommended if you like 2hollis, the Hellp, Jai Paul
Up next New single Wish U out now

You, like me, may be growing tired of the 2020s’ so-called “indie sleaze” revival, which has so far yielded a few good parties and not that much good music. But the music of the Twins – Aldershot-born brothers Omar and Jamal Ikram – is made of sturdier stuff. The 21-year-olds are progenitors of a sound they call “Bollywood electronic” – a strain of loud, lo-fi, ultra-glitchy dance-pop that sounds like 2hollis if his songs were heavy with screwy samples of south Asian pop. Their debut album, last year’s Turmeric, captures the still-potent appeal of Jai Paul’s classic Str8 Outta Mumbai – which fused the lackadaisical sheen of 2010s electronic pop with the shining rhythmic and melodic sensibilities of Bollywood music – and, as is de rigueur for the contemporary era, makes it bolshie and frenetic, taking in the euphoric aggression of early Skrillex and unnerving noise of Aphex Twin.

Turmeric was a minor hit, thanks in part to Fuckersby, a collaboration with on-the-rise British rapper Fakemink, as well as the Twins’ monthly NTS show, also called Turmeric, which turns one this month. (Its combination of classic British pop stars such as Lily Allen, Punjabi artists such as Sukshinder Shinda, and contemporary electronic acts the Hellp and Sophia Stel gives it the feeling of a late-night pirate radio station totally out of time and place.) The duo’s follow-up EP There&Back, released in May, polishes up the Twins’ sound a little, but not that much – if anything, their collaborations with Rada and Varg2TM on There&Back are even louder and wilder than anything on Turmeric. The duo’s future plans aren’t clear, but their mission is: “We don’t want brown kids to feel like they have to fit into anything,” Jamal said in an interview. “People are always gonna try to label what you’re doing, but you don’t have to move like that.” Shaad D’Souza

Sometime Zach Bryan backing vocalist Heaven Schmitt started Grumpy as a solo project. It’s now a six-piece band, blending alt-country with jubilant solidarity

From Brooklyn, US
Recommended if you like Wednesday, This Is Lorelei, Alex G
Up next Unfindable Ring released 23 October

“Found family” is something that queer people talk about a lot: finding your people and sticking with them is necessary in a world that often seems to want you quiet at best and dead at worst. Grumpy began as the solo project of frontman Heaven Schmitt, in between stints collaborating and touring with country-pop star Zach Bryan as a backing vocalist. It’s now a six-piece band with predominantly trans members; some of the group have dated or are dating, and they all work collaboratively on recording, producing, mixing, creating artwork and making music videos.

Nacho Pezzati’s new album Swerved taps into the moody ambience of the UK north-west underground, ratcheting a tangible and thrilling sense of unease

From Barcelona, Spain
Recommend if you like Space Afrika, Shackleton, Purelink
Up next Swerved out now

Swerved, by Barcelona-based producer Nueen (Nacho Pezzati) is a bassy, moody, darkly ambient album that travels through R&B, drill, cloud rap and dub without any obvious changes in its grey-black weather. But this is slowly churning music, on the brink of rot. By the 10th track, Copicat, the unease is tangible; after a slow, agonising ratcheting build of fanbelt hi-hats, the album’s only drop arrives with the weight and power of a cloudburst. It’s thrilling.

Day’s latest album Halo is all high-energy exhaustion, injected with a crushing electroclash chaos that illuminates her insecurities in bright neon

From Los Angeles
Recommended if you like Slayyyter, Charli xcx, Underscores
Up next Halo out now. UK and Ireland tour starts in December

Right now popstar breakthrough and burnout are a hair’s breadth from one another. Enter Tiffany Day, a Wichita-raised artist who first went viral in 2017 when a video of her singing Hallelujah on a school trip blew up online. She spent the subsequent years unsuccessfully chipping away at building on that virality, cycling through acoustic guitar covers and bedroom R&B. Only by channeling her frustrations into this year’s anxiety-ridden sugar rush Halo did Day finally regain her early momentum.

Housesharing brought the south London trio’s sounds – classical vocals, violin, clubby production – together as they bled through the walls, to shapeshifting effect

From South London
Recommended if you like FKA twigs, James K, Anysia Kim
Up next Debut album Underlight out now

There are many ways to deconstruct club music. On Bristol label Illegal Data, releases might take explosive approaches to scary (Ship Sket) and whimsical (Mun Sing) extremes. More recently, the same label finds Stolen Velour, Floco and Aria SL filling the club chest-high with liquid: you hear elements sink, dissolve, or float past serenely on the surface.

For anyone furious about the state of the world, the London band offer a welcome – and unsparing – blast of catharsis

From South London
Recommended if you like Converge, Trap Them, Misery Index
Up next No One Is Coming to Save Us released 25 September, touring the UK from 26 September

Burner are the extreme musicians we need. They’re observing the world around them, they’re furious about what they see and they don’t feel much hope for the future. Much like the rest of us.

There’s nostalgia to the New York/London duo’s lo-fi laptop sound, but their second album pushes them into vivid, weirder new territory

From Hudson valley, New York, and London
Recommended if you like the Books, Leila, Worldpeace DMT
Up next Rumspringa released 29 May

Jonah Paz and Yaelle Avtan recorded their first ever track as Ear on an iPhone in the Bard College library. That song, Nerves, pits their murmuring voices against weightless strings and barely perceptible drums. Just as it seems poised to float away altogether, the track is suddenly overtaken by a blaring bass synth that cleaves the first act’s aching plea into an emotionally fraught, black-lit banger.

The five-piece combine traditional musical styles with mountains of synths and hurried drums – rejecting computerised production in a pointed anti-AI statement

From João Pessoa, Brazil
Recommended if you like Hermeto Pascoal, Mr Bungle, King Crimson
Up next Celestial album released 7 August, touring the UK and Europe from 15 August

Thanks in part to its famed music department at the local Federal University of Paraíba, João Pessoa – the easternmost city in South America – is a hotbed of artists playing different folk styles from all over the continent. Papangu sound like all of them at the same time. The five-piece blend a long list of genres: bossa nova, the circle-dance song ciranda and forró, with its dry-tuned accordion and pulsing rhythm section, plus the more ubiquitous progressive rock and extreme metal. The band’s virtuoso chops and intensity keep their songs from buckling under the weight of those ideas, from the hurried drums to the mountains of synthesisers and pianos.

The earworm wizard blends sample-heavy electronic beats with sugary vocal highs and bassy lows, giving authentic voice to England’s fringes

From London via Brighton
Recommended if you like Jawnino, Fakemink, Jai Paul
Up next Engine Heartbreak EP released 20 May

Not many can say that Björk has played their track while DJing at the Venice Biennale, but, as of last weekend, Rian Brazil is one of them. The Brighton-born producer, also praised by pop star Lola Young, is a master of earworms, which he weaves from the sample-heavy sounds of the UK underground (see his longtime collaborator, Fakemink producer Clearo) and the saccharine highs and bassy lows of his vocals. On first listen, you might mistake the huge range of his melodies for Auto-Tune, but this, impressively, is Brazil’s raw voice, modulated vocally to achieve deeply vulnerable performances that set his sound apart from his rap-focused peers.

With a feral energy and a Liam Gallagher growl, the Dublin band’s beguiling music is a great evolution of a venerable genre

From Dublin
Recommended if you like Lankum, the Mary Wallopers, the Pogues
Up next Debut EP It’s a Hell of an Age out now, playing festivals this summer and touring the UK in autumn

Madra Salach means “dirty dog” in Irish, which feels about right for a group of lads bringing a feral, snarling energy to the country’s latest folk revival. Their sound builds ably on some of the architects of that resurgence – the eerie shruti box droning and carefully layered instrumentation of Lankum, the shimmering wails of Lisa O’Neill. Add a hint of Liam Gallagher to the mix – frontman Paul Banks’s voice has an astonishing force and clarity, and he affects a tempestuous, attack-and-withdraw relationship with the microphone – and you’ve got a very exciting package indeed.

The trio combine sludgy rock, homemade electronics and squawking into a watertight groove that makes light work of their complex musicianship

From Glasgow, Scotland
Recommended if you like Horse Lords, Melt-Banana, abrasive saxophone
Up next Album out now, touring the UK and Ireland from June

Taupe’s lawless mix of “not jazz”, sludgy rock and homemade electronics hits like a shock of cold water to the face. The Glasgow-based trio are a formidable live band: thunderously loud, crushingly tight, quick to surrender all control and trust-fall their way through wild improvisations. Their third album, Waxing | Waning, out now on Prague’s Minority Records, finally captures that power, as well as the band’s oddball humour and free-flowing imagination.

The sibling duo’s follow-up EP spikes their off-kilter pop with new darkness, adding atmospheric balladry to their glorious racket

From South London
Recommended if you like Charli xcx, Confidence Man, Klaxons
Up next UK tour starts 21 April

If this was April 2008, Punchbag, AKA south London siblings Clara and Anders Bach, would be headlining an NME tour alongside Alphabeat and Frankmusik, while the Popjustice forum would have hailed them as the new face of “wonky pop”. The sonic calling cards of that ramshackle iPod-era micro-genre – off-kilter, unvarnished electropop piled high with myriad other genres – were streaked across Punchbag’s debut single Fuck It. A sweaty riot of 90s rave, maximalist bass and Clara’s spit-soaked vocals, it felt tailor-made for soundtracking an awkward snog on Skins. Last May it was joined by three other frantic bangers on the duo’s debut EP, I’m Not Your Punchbag, the highlight of which, You Used to Be So Sexy, sounds like a GarageBand-produced the Veronicas had they grown up in east London as opposed to Brisbane.

Pushing his winsome songwriting into rootsier territory with a little help from co-producer MJ Lenderman, the New Yorker’s debut album is primed to soundtrack your summer

From New York City, New York
Recommended if you like The Clean, This is Lorelei, The Feelies
Up next Debut album Hercules out 10 July

Tracey Nelson’s self-titled 2025 debut EP was one of the year’s best lesser-heard gems: Five tracks of sparkling, winsome indie-rock that recalled classic antipodean jangle bands the Clean, Twerps and Dick Diver. Tracks such as New Years Flowers and Just Shoot Me Now suggested that Austin Noll – the NYC-based singer-songwriter behind the project – was a classicist with a keen sense for bright melodies and self-deprecating one-liners.

Following in the footsteps of Heavenly and Tiger Trap the duo’s high-tempo electroclash-indie-pop deftly explores young womanhood in 2020s London

From London
Recommended if you like Heavenly, CSS, the Teenagers
Up next I Have to Get Hotter out now

The Femcels’ music is euphoric and depressive, sometimes ironic but mostly sincere, often high-tempo, and all delivered with wired, unvarnished vocals. In that sense, it is 80s and 90s twee reincarnate; move past their band’s shitposty name and you’ll find that Rowan Miles and Gabriella Turton have a lot to offer when it comes to exploring the chills and thrills of young womanhood in 2020s London.

This hyped anonymous duo match the oddness of their costumes with shredding metal, microtonal flourishes and Dalek-style vocals

From Saguenay, Quebec
Recommended if you like Holy Fuck, Prescott, King Gizzard and the Lizard Wizard
Up next New LP Angine de Poitrine Volume II released 3 April. Touring the UK in May

In 2023, two young men – their earthly identities a jealously guarded secret – began “a joke that spilled into reality” intended to simulate something like its namesake heart condition. Weary of the solemn aura that attaches to guitar rock, they began playing what their website describes as “mantra-rock dada pythago-cubiste” as Angine de Poitrine. It is a joke delivered with mesmerising finesse.

The enigmatic Bradford producer is moving into eerie new territory informed by folklore and delivered with a tangibly menacing low end

From Bradford, UK
Recommended if you like Adrian Sherwood, Kris Baha, Guerilla Welfare
Up next New EP Don’t Forget the Ritual released on 28 February

Miles J Paralysis maintains a low profile, with just a handful of releases available on Bandcamp and a sparse, faceless Instagram presence. The enigma suits the music he has been making and sharing under the alias since early last year: dark, dubby and complete with obscure vocal samples and titles such as Always Liked Scarecrows and Cursed Moor.

The Londoner defies classification, writing, producing and arranging her unique mix of neo-soul, R&B, indie and grunge – and gathering some big-name backers along the way

From London
Recommend if you like Rochelle Jordan, Ragz Originale, Sailorr
Up next New music due later this year

Natanya tears genres open and rebuilds them in her own image. Her drums swing loose and jazzy over heavy 808s; synths drift dreamily before snapping into gritty guitar riffs. Writing, producing and arranging all her own work, she weaves together neo-soul silk, R&B groove, indie edge, and flashes of grunge, all carried by a buttery falsetto that nods to Aaliyah, Amy Winehouse, Janet Jackson and early Destiny’s Child.

Dressed in Sunday school apparel and singing exclusively in Dutch, this unorthodox five-piece embrace clinical chaos

From Kapelle, Holland
Recommended if you like Black Midi, King Crimson, YHWH Nailgun
Up next New single Maalstroom out now

Tight-fitted in scrimpy Sunday school apparel, Grote Geelstaart – Dutch for great yellowtail fish – make music that’s decidedly less orthodox than appearances suggest. Drums skirmish with frighteningly efficient, jackhammer velocity; synths and guitars buzz and ring like fire alarms; the bass rumbles like a jammed freighter engine. Grote Geelstaart’s clinical chaos goes hand in hand with vocalist/guitarist Luuk Bosma’s primal punk dramaturgy, reminiscent of Nick Cave, James Chance and underrated Dutch punk thespians De Kift. This MO translates wonderfully to Grote Geelstaart’s Zeelandic roots, a place where an intricate network of dykes is built and maintained to keep the unforgiving North Sea at bay: human ingenuity v lawless elements.

Theo Zhykharyev, the Ukrainian wizard working low-profile under this brand since 2017 has pivoted to a new realm which blends ferocious energy with freewheeling fun

From London
Recommend if you like Devo, Home Front, Snõõper
Up next New album Bridge of Sacrifice released 13 March

Theo Zhykharyev is one of those brilliant weirdos capable of turning wild ideas into reality. Since starting Powerplant as a bedroom recording project in 2017, a couple of years after he left Ukraine to study in London, he has released records built around fizzing electro-punk, dungeon synth and treble-heavy hardcore, concocting Dungeons & Dragons-inspired role-playing adventures to accompany some of them, while slinging visually arresting DIY merch through his Arcane Dynamics label. Yet even coming amid an output this freewheeling, his upcoming new record is full of surprises.