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Lese-Ansicht

Ref, I barely brushed him! The artist who’s painted all of Roy Keane’s red cards

Before he was an irascible TV pundit, the Irish midfielder was equally feared on the pitch. Irish painter Seánie Harte has documented all the times Keane was sent off playing for Manchester United. ‘It’s a bit of fun,’ he says

Across his career in the 1990s and early 2000s, Roy Keane, the Ireland and Manchester United footballer, was a widely decorated midfielder with a relentless will to win. He also had his share of controversies, which included being famously sent off on several occasions.

These have now been documented in Irish painter Seánie Harte’s Red Card series, which marks the 11 times Keane received his marching orders while playing for Manchester United.

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© Photograph: Seánie Harte

© Photograph: Seánie Harte

© Photograph: Seánie Harte

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Why is Silicon Valley suddenly obsessed with being tasteful?

Whether it’s Palantir selling a $239 chore coat, Anthropic taking over a coffee shop or executives walking the red carpet at the Met Gala, tech’s biggest players are pivoting to fashion to sell their brands – and attempt to appear cooler in the process

Last week, the US spy tech and data firm Palantir launched its latest “merch drop”, including a denim chore coat. “Rugged utility, enduring style” reads the website’s description of the $239 (£175) jacket, which is branded with the company’s logo on the chest pocket and comes in blue or black.

Eliano Younes, the head of strategic engagement at Palantir, told the New York Times that it was part of the company’s commitment to “re-industrializing America” – the jacket is made in Montana and recalls workwear of a previous era. “It’s not political,” he added. “It’s about people who love Palantir and are aligned with our mission.”

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© Photograph: Palantir

© Photograph: Palantir

© Photograph: Palantir

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The hill I will die on: Heavy, awkward and incredibly expensive – we don’t need hardback books | Larry Ryan

It’s an annoying choice: either lug around a heavy tome or try to remember when the paperback version is coming out

Recently, readers have been all a-flutter over the publication of Patrick Radden Keefe’s richly reported new book, London Falling. Reviews of the celebrated writer’s exploration of the death of an English teenager embroiled in the murky worlds of crime and the ultra-rich have been rapturous. The podcast interviews are plentiful and images of the fresh hardback copy are popping up all over my Instagram. And about all of this I think: “Looks great, but I’ll wait for the paperback.”

I’m a fairly typical reader and get through a decent number of books every year. I mainly read fiction and try to keep up with what’s going on in contemporary literature. But time and money aren’t plentiful; I’m a slow reader and a freelance journalist.

Larry Ryan is a freelance writer and editor

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© Composite: Guardian Design/Getty Images

© Composite: Guardian Design/Getty Images

© Composite: Guardian Design/Getty Images

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These CEOs want a starring role in our lives – and there’s not much we can do about it | Larry Ryan

Do we really need a McDonald’s CEO fronting ads or a Gianni Infantino Panini sticker? No. But in the age of Trump, the boss class feels emboldened

A few weeks ago, the CEO of McDonald’s appeared in a video sampling the chain’s new “Big Arch burger”. In the clip, Chris Kempczinski, or “Chris K” as he casually calls himself, labelled it a “product”, matching the sterile tone of the review – all harsh lighting, corporate office backdrop and an awkward man talking and eating while wearing a shirt fitting uneasily under a light wool V-neck.

Why would McDonald’s, with its huge marketing budget and commercial success, choose to platform this guy? His stilted efforts were mocked and memed, with executives at Burger King and Wendy’s posting their own versions – what fun. Inevitably some market watchers claimed it drove engagement and sales. But to me, it seems to be just the latest flagrant example of CEOism: when CEOs/founders/heads of organisations centre themselves in the action – just because they can.

Larry Ryan is a freelance writer and editor

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© Photograph: Jean-Marc Giboux/AP

© Photograph: Jean-Marc Giboux/AP

© Photograph: Jean-Marc Giboux/AP

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‘The way the world is, something daft is appealing’ – why everything from pizzas to podcasts has a cartoon character on it

So-called rubber hose style is putting a smile on everyday products, even as some designers plead that it’s time to ‘stop putting arms and legs on everything’. What’s behind the ubiquity of this wholesome branding?

A bagel embodied as a human, with unexpected little arms and a sweet face. A sandwich giving the peace sign. A leather jacket-wearing fish brandishing a spatula. A chess board on the march. A rugby ball making a dash for it. A smiling pizza, tongue dangling, clambering from a box.

Perhaps you have seen such a character. Chiefly in the branding – and merch – of an independent pizza place or sandwich shop, in a natural wine bar or brew pub. Though its loose limbs now stretch far and wide; to podcasts, internet talk shows and even global fashion labels.

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© Composite: Guardian Design/Batch1/Yard Sale

© Composite: Guardian Design/Batch1/Yard Sale

© Composite: Guardian Design/Batch1/Yard Sale

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My weirdest Christmas: on Boxing Day I vomited in the sink – and began to suspect I had a mysterious condition

At first I thought my spinning head and nausea were symptoms of a hangover. But could they be connected to a documentary I had made on Havana syndrome?

Waking foggy-headed and with the room spinning on 26 December is surely not an uncommon condition. Who among us hasn’t felt the effects of overindulgence on Christmas Day?

These were my immediate thoughts when I rose in such a state in my parents’ house in Dublin two years ago. An hour later, the room continued its relentless swirl, nausea was building and it was becoming hard to stand. So far, so Christmas hangover. I remained in bed and waited for things to blow over. They didn’t. Gradually, family members stuck their heads into my childhood bedroom and wondered if everything was OK. I could only say that I felt quite strange.

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© Composite: Guardian Design; handout

© Composite: Guardian Design; handout

© Composite: Guardian Design; handout

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