Vegan leathers are complicated by questions of commercial viability and sustainability. How do they compare to traditional leather?

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In sustainable fashion, breathless promises about vegan leather have arrived thick and fast for over a decade. Innovations promise mushroom and cactus alternatives that look and feel like real leather – minus the negative associations with methane, deforestation, chemical pollution and animal welfare.

While these next-gen materials have absorbed billions of dollars in capital under an environmental banner, experts are concerned they remain a shiny distraction while the fashion industry’s emissions and reliance on fossil fuel-derived materials grows.

Women aren’t being burnt at the stake any more, but there is still risk and violence implicit in the label ‘witch’

When Katherine Harrison’s husband passed away, she became the wealthiest woman in Wethersfield, Connecticut. Rather than wallow in her new status as a young widow she decided to run the farm she’d inherited on her own. She took up ranching and a slew of other hobbies including brewing ale, spinning yarn and beekeeping. She traded honey and beeswax for candles. She was by all accounts, headstrong, outspoken and clever.

In many corners of the internet, Harrison’s interests are having a moment. Craft brewers have been spruiking classic ales for years, urban beekeeping is surging in popularity, and people are looking to textile-based crafts as ways to practise mindfulness.

While the reach from costuming a superstar can be ‘astronomical’, the designers who have done so say material rewards can be harder to predict

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A bikini made from tangled strands of diamantes drapes down the torso of Colombian superstar Shakira. She is singing from a floating pink bubble in the sky. It is the opening frame of the film clip for her 2024 single Puntería, which has amassed more than 78m views on YouTube.

Given the renown of the queen of Latin music, the scene’s Australian links are not immediately apparent. But the ornate bodysuit was a custom design by University of Technology Sydney graduate Caroline Reznik and handmade in her inner Sydney studio.

A costume designed by Caroline Reznik for Doja Cat’s music video for Streets