Lese-Ansicht
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Blockades, checkpoints and court action: fending off Brazil’s biofuel giants in the Amazon
After decades of violent displacement and land theft, the country’s quilombola communities are fighting back
For most of his 39 years, Josias Dias dos Santos, known as Jota, has endured degrading cycles of displacement as a quilombola, a descendant of Black people once enslaved on Brazil’s sugar cane and coffee plantations. He says his and other quilombola families subsisting in the rainforests in Pará, northern Brazil, were first forced out of their settlements by violent loggers, then by ranchers and miners.
Yet, they say the worst came with the arrival of the palm oil industry in what is now the country’s most deforested state. Palm oil companies producing biofuels and supplying global customers, subsidised by the federal government, have laid claim to ever larger tracts of traditional quilombola territory over the past two decades.
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© Photograph: Courtesy of The Palm Oil War

© Photograph: Courtesy of The Palm Oil War

© Photograph: Courtesy of The Palm Oil War
Nasdaq 100 Drops 3% as Risk-Off Dominates With Oil Prices Rising
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Popcorn with your Puccini: can opera on screen ever work?
Composers have harnessed TV and cinema since Menotti’s Amahl and the Night Visitors pulled in five million viewers 75 years ago but for my money Kombat Opera’s satire showed us how to do it best
It’s not even Halloween, but here’s an operatic Christmas story for you. This is the 75th anniversary of the first opera made for television: Gian Carlo Menotti’s Amahl and the Night Visitors, broadcast at Yuletide in 1951 and watched by five million people across the US in a production sponsored by Hallmark. You can watch the original broadcast on YouTube: it was introduced with wit, self-deprecation and early 50s elegance by Menotti himself (vastly less charmingly, the role of King Balthazar was played by a singer in blackface). Chet Allen’s performance as the boy, Amahl, is staggering, and even more moving is Rosemary Kuhlmann’s Mother, especially in her aria, All That gold!.
Amahl is “an opera for children because it tries to recapture my own childhood”, Menotti said. It was played on US TV every Christmastime throughout the 50s, and was recorded and remade in new productions the next decade, while the BBC picked it up in 1953, and there was even an Australian TV version. Less than an hour long, Menotti’s festive fable works because of the intimacy of its story, and its refusal to patronise its intended audience.
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© Photograph: Dima Gavrysh/AP

© Photograph: Dima Gavrysh/AP

© Photograph: Dima Gavrysh/AP
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Hurricane Trudy menaces Mexico’s Pacific coast and Greece hit by deadly floods
Trudy weakens to tropical storm after warnings of strong winds and heavy rain, while one person killed in Greece
In contrast to the quiet Atlantic hurricane season, there has been ongoing activity in the Pacific, with Trudy being the 22nd and latest named system. The category 2 hurricane remained roughly 100 miles (160km) south-west of the coast of Mexico, meaning the worst of the conditions stayed offshore. However, the US National Hurricane Center put coastal parts of the states of Jalisco, Michoacán and Colima under hurricane warnings, with sustained winds of up to 60-90mph forecast on Sunday.
Rainfall totals of 100-150mm were likely for these areas, prompting warnings of flooding and landslides. Warnings also covered the risk of a dangerous storm surge accompanied by damaging waves in areas of onshore winds across the coast of south-western Mexico. By Monday morning, Trudy had weakened and been downgraded to a tropical storm, with coastal warnings being lifted.
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© Photograph: Javier Verdin/Reuters

© Photograph: Javier Verdin/Reuters

© Photograph: Javier Verdin/Reuters