The bleak Arthur Miller-written 1961 American pastoral is rereleased to mark the 100th anniversary of the birth of Monroe, who plays a naive divorcee who meets three new suitors in her most serious and poignant role

The 100th anniversary of Marilyn Monroe’s birth, and a two-month retrospective at BFI Southbank, is the occasion for the rerelease of her most serious and poignant film, John Huston’s western drama and American pastoral from 1961. The film’s end of an era desolation feels more sombre than ever; the last film for both Clark Gable and Monroe and a melancholy late role for Montgomery Clift.

The Misfits was written for the screen by Monroe’s then husband, Arthur Miller, adapted from his own short story from a few years before. Miller’s opaque motivations are a subtext running under this movie; with a strangely uxorious dedication or vengefulness, Miller conceived the whole thing for Marilyn. It is the story of a passionate, vulnerable, childlike free spirit who finds a complex kind of excitement and freedom – flavoured with disillusion – with a real man after divorcing an emotionally blank city dweller. (Monroe and Miller divorced immediately after production.) The key irony of the title is that of course no one on screen is a misfit: they fit in all too well with the stark landscape and each other in their loneliness, their discontent and their yearning for something else or something more to live for.

He stood down as boss of the NT – and threw himself into kayaking, writing and DIY. The veteran director talks about his new start aged 60, mourning his mother – and directing Death of a Salesman in Turkish

There were several big endings for Rufus Norris in 2025, all crammed into the same few seismic months. Firstly, the close of his tenure as director of the National Theatre after a decade at the helm. That planned ending collided with the loss of his mother, who died three weeks before he left the NT. On top of that, a significant birthday concluding his 50s.

So what did Norris do after turning 60, on the other side of the Big Job, alongside the grief of losing a parent? DIY, plenty of kayaking and a house move, it turns out: “It felt important to have a complete break,” he says. “I’m a bit of a workaholic, but I’m also a bird of simple brain so I can as easily lose myself in how to build a shed or do up a place.”