Objection after museum removes word ‘Palestine’ from list of countries of ancient Levant and Egypt and from some explanatory panelsThe Palestinian ambassador to the UK has called for Foreign Office intervention after the British Museum removed references to Palestine from its exhibits.The UK recognised the state of Palestine in September 2025, but the same year the museum removed the name “Palestine” from a panel listing the present-day countries encompassed by the ancient Levant, and replaced i
Objection after museum removes word ‘Palestine’ from list of countries of ancient Levant and Egypt and from some explanatory panels
The Palestinian ambassador to the UK has called for Foreign Office intervention after the British Museum removed references to Palestine from its exhibits.
The UK recognised the state of Palestine in September 2025, but the same year the museum removed the name “Palestine” from a panel listing the present-day countries encompassed by the ancient Levant, and replaced it with Gaza and the West Bank.
Public records and private papers reveal compassion and tacit acceptance before ‘moral panic’ took hold in the 1950s and 1960sNorthern Ireland carved a grim reputation for homophobia for over half a century, a record of intolerance and bigotry so baroque it was turned into an opera.In the 1970s, Ian Paisley, the leader of the Democratic Unionist party (DUP) and Free Presbyterian church, led a “save Ulster from sodomy” crusade to resist the decriminalisation of homosexuality. Continue reading...
Public records and private papers reveal compassion and tacit acceptance before ‘moral panic’ took hold in the 1950s and 1960s
Northern Ireland carved a grim reputation for homophobia for over half a century, a record of intolerance and bigotry so baroque it was turned into an opera.
In the 1970s, Ian Paisley, the leader of the Democratic Unionist party (DUP) and Free Presbyterian church, led a “save Ulster from sodomy” crusade to resist the decriminalisation of homosexuality.
Pitcairn Register details lives of ‘extraordinarily resilient’ Tahitian women enslaved during notorious mutinyIt is a book that records the 19th-century descendants of some of the most notorious troublemakers in naval history: the sailors responsible for the mutiny on the Bounty.Now, the Pitcairn Register – a handwritten volume that registered the births, marriages and deaths of the children, grandchildren and great-grandchildren of the mutineers and the Tahitian women they enslaved – is finally
Pitcairn Register details lives of ‘extraordinarily resilient’ Tahitian women enslaved during notorious mutiny
It is a book that records the 19th-century descendants of some of the most notorious troublemakers in naval history: the sailors responsible for the mutiny on the Bounty.
Now, the Pitcairn Register – a handwritten volume that registered the births, marriages and deaths of the children, grandchildren and great-grandchildren of the mutineers and the Tahitian women they enslaved – is finally returning home to the South Pacific.
The horrifying story of the Catholic-run institutions that incarcerated thousands of women and girlsMany readers, and surely most Irish readers, will finish this book in a state of white-knuckled rage, mingled with sorrow and at least a pang of guilt. It is a detailed, thoroughgoing and appalling account of the Magdalene laundries, the most famous, and most infamous, among Ireland’s extended and varied landscape of penal or correctional institutions, which operated for most of the 20th century (
The horrifying story of the Catholic-run institutions that incarcerated thousands of women and girls
Many readers, and surely most Irish readers, will finish this book in a state of white-knuckled rage, mingled with sorrow and at least a pang of guilt. It is a detailed, thoroughgoing and appalling account of the Magdalene laundries, the most famous, and most infamous, among Ireland’s extended and varied landscape of penal or correctional institutions, which operated for most of the 20th century (the last of the laundries was closed in 1996).
As the academic Louise Brangan points out in The Fallen, it is easy to become confused by the number and variety of prisons, mental asylums, orphanages, workhouses and homes for unmarried mothers that proliferated in Ireland between the foundation of the Irish Free State in 1922 and the late 1990s. However, the Magdalene laundries were unique. Dr Brangan writes: “In a regime distinguished by its excessive inhumanity, the Magdalene laundries were its deep end. In 1951, when the laundries were at their height, for every 100,000 males, 27 were in prison … [while] for every 100,000 females, 70 were in a laundry. These were not peripheral: they were Ireland’s main carceral institution.”
Archive is freely available online from 18 April, revealing the lives, occupations and secrets of 2.9m peopleThe first years of independent Ireland tend to be remembered, if at all, as a dreary monochrome of parochialism and conservatism.After the blazing dramas of the 1916 rebellion and the 1919-1921 Anglo-Irish war, the infant state seemed to limp into a grey period of insularity, the dream of freedom giving way to anti-climax and drab conformity. Continue reading...
Archive is freely available online from 18 April, revealing the lives, occupations and secrets of 2.9m people
The first years of independent Ireland tend to be remembered, if at all, as a dreary monochrome of parochialism and conservatism.
After the blazing dramas of the 1916 rebellion and the 1919-1921 Anglo-Irish war, the infant state seemed to limp into a grey period of insularity, the dream of freedom giving way to anti-climax and drab conformity.
The Last Princesses of Punjab opens on Thursday at Kensington PalaceThe extraordinary life of an exiled Punjabi princess, embraced by the British royal court and a goddaughter of Queen Victoria, but who would become a pioneering suffragette and challenge the very authority of the elite social circles in which she moved, is to be told in a new exhibition.Princess Sophia Duleep Singh was the daughter of Duleep Singh, the last Sikh maharajah of the Punjab. As a child he was forced to surrender his
The Last Princesses of Punjab opens on Thursday at Kensington Palace
The extraordinary life of an exiled Punjabi princess, embraced by the British royal court and a goddaughter of Queen Victoria, but who would become a pioneering suffragette and challenge the very authority of the elite social circles in which she moved, is to be told in a new exhibition.
Princess Sophia Duleep Singh was the daughter of Duleep Singh, the last Sikh maharajah of the Punjab. As a child he was forced to surrender his lands to the East India Company in 1849, and sign away the famous Koh-i-noor diamond, now a potent symbol of colonial exploitation and set in the crown of the late Queen Elizabeth the Queen Mother.
Harold may have sailed, not marched, in 1066, reshaping explanations for his defeat in England’s historic battleIt is a story that has been taught to generations of British schoolchildren about one of the most famous and pivotal events in the country’s history.In September 1066, as a Norman duke called William prepared to sail from France to claim the English throne, King Harold of England discovered the Viking leader Harald Hardrada had landed in Yorkshire with an army of his own. Continue read
Harold may have sailed, not marched, in 1066, reshaping explanations for his defeat in England’s historic battle
It is a story that has been taught to generations of British schoolchildren about one of the most famous and pivotal events in the country’s history.
In September 1066, as a Norman duke called William prepared to sail from France to claim the English throne, King Harold of England discovered the Viking leader Harald Hardrada had landed in Yorkshire with an army of his own.
Far from being a metaphor for racial tension, chess reveals world where people could engage as equalsOn the chessboard, black and white pieces are lined up against each other for an unrelenting battle.But in the middle ages, the game was not a metaphor for racial tension – but often a vehicle for equality and mutual respect, research has found. Continue reading...
The visionary photographer captured the ugliness of racism in America, as well as the strength and dignity of those who opposed it – from cleaners in the corridors of power to Martin Luther King Jr proclaiming his dreamIn the summer of 1956, the American news magazine Life dispatched its first Black staff photographer, Gordon Parks, to Alabama, with a brief to document racial segregation in the wake of the Montgomery bus boycott. The trip was a perilous one, but Parks, then in his early 40s, was
The visionary photographer captured the ugliness of racism in America, as well as the strength and dignity of those who opposed it – from cleaners in the corridors of power to Martin Luther King Jr proclaiming his dream
In the summer of 1956, the American news magazine Lifedispatched its first Black staff photographer, Gordon Parks, to Alabama, with a brief to document racial segregation in the wake of the Montgomery bus boycott. The trip was a perilous one, but Parks, then in his early 40s, was already on a career trajectory that would mark him out as one of the most consequential artists of his generation. The images he returned with were remarkable: intimate and vivid depictions of the daily disgrace of the Jim Crow south. They still feel prescient today.
The photographs form the backbone of a new survey of Parks’ work, opening this week at the Alison Jacques gallery in London and curated by Bryan Stevenson, the famed civil rights attorney. Stevenson is based in Montgomery where he founded a museum and memorial to commemorate Black victims of lynchings and where some of Parks’ work hangs on permanent display. He selected images taken between 1942 and 1967, the artist’s most active time as a photographer and an acute period of unrest in the American experiment.
The question of who owns and authorizes the month holds particular relevance amid attacks on Black history in the USThere is a myth that persists about Black History Month that can be heard in the common gripe: “They gave us the shortest month of the year” (they, the unnamed powers that be). Jarvis Givens, the author of I’ll Make Me a World: The 100-Year Journey of Black History Month, hates it. “Every time I hear that backhanded comment it doesn’t seem right,” said Givens, an associate professo
The question of who owns and authorizes the month holds particular relevance amid attacks on Black history in the US
There is a myth that persists about Black History Month that can be heard in the common gripe: “They gave us the shortest month of the year” (they, the unnamed powers that be). Jarvis Givens, the author of I’ll Make Me a World: The 100-Year Journey of Black History Month, hates it. “Every time I hear that backhanded comment it doesn’t seem right,” said Givens, an associate professor at the Harvard Graduate School of Education. “If you know anything about the basic origins of Black History Month then you know that we weren’t ‘given’ anything.”
The question of who owns and authorizes Black History Month holds particular relevance now, in its centennial year, and at a time when efforts to celebrate, preserve, and acknowledge Black people’s past in this country are under attack. Official recognition of Black American resistance to centuries of racial injustice is being challenged by local, state, and national efforts to restrict, ban and possibly criminalize such information in public schools, universities and other institutions. So the sentiment that Black history can be quite literally given or taken away by state officials is valid.
Saida Grundy is an associate professor of sociology and African American studies at Boston University, and the author of Respectable: Politics and Paradox in Making the Morehouse Man
The dress joined an exhibit of gowns belonging to first ladies stretching back to Helen Taft in 1909, and Mrs. Trump spoke about how high fashion reflected humanity.
The dress joined an exhibit of gowns belonging to first ladies stretching back to Helen Taft in 1909, and Mrs. Trump spoke about how high fashion reflected humanity.
Museum revises labelling on maps and panels, saying term used inaccurately and no longer historically neutralThe British Museum has removed the word “Palestine” from some of its displays, saying the term was used inaccurately and is no longer historically neutral.Maps and information panels in the museum’s ancient Middle East galleries had referred to the eastern Mediterranean coast as Palestine, with some people described as being “of Palestinian descent”. Continue reading...
Museum revises labelling on maps and panels, saying term used inaccurately and no longer historically neutral
The British Museum has removed the word “Palestine” from some of its displays, saying the term was used inaccurately and is no longer historically neutral.
Maps and information panels in the museum’s ancient Middle East galleries had referred to the eastern Mediterranean coast as Palestine, with some people described as being “of Palestinian descent”.
Small opening cut into floor at Merchant’s House Museum indicates site was probably used as ‘safe house’, experts sayA landmark house in Manhattan preserved as a museum to New York’s 19th-century history has revealed an even more intriguing secret: its previously unknown status as a refuge for people who escaped slavery before and during the civil war.The Merchant’s House Museum’s link to the Underground Railroad, a network of abolitionists who secured the safe passage of enslaved people to free
Small opening cut into floor at Merchant’s House Museum indicates site was probably used as ‘safe house’, experts say
A landmark house in Manhattan preserved as a museum to New York’s 19th-century history has revealed an even more intriguing secret: its previously unknown status as a refuge for people who escaped slavery before and during the civil war.
The Merchant’s House Museum’s link to the Underground Railroad, a network of abolitionists who secured the safe passage of enslaved people to freedom, was discovered when archaeologists looked beneath the drawers of a built-in dresser in the wall of a hallway leading to bedrooms on the building’s second floor.
From Pennsylvania to Montana, the White House’s war on ‘woke’ has targeted US monuments that address topics like racism and Indigenous historyBlank spaces now exist where a series of panels about enslavement once appeared on the walls of the President’s House in Philadelphia, Pennsylvania. The site, which honors the home of George Washington and John Adams, is a major landmark that bore artwork and informational signs for more than a decade. But on 22 January, National Park Service (NPS) workers
From Pennsylvania to Montana, the White House’s war on ‘woke’ has targeted US monuments that address topics like racism and Indigenous history
Blank spaces now exist where a series of panels about enslavement once appeared on the walls of the President’s House in Philadelphia, Pennsylvania. The site, which honors the home of George Washington and John Adams, is a major landmark that bore artwork and informational signs for more than a decade. But on 22 January, National Park Service (NPS) workers used hand tools to pry off 34 panels to comply with a presidential executive order designed to reframe the national narrative. The panels that highlighted the lives of people enslaved by George Washington when Philadelphia was the US capital in the 1790s are now in storage.
The removal is one of several across the nation, as NPS staff aim to conform with Donald Trump’s executive order “Restoring Truth and Sanity to American History” issued on 27 March 2025. Public markers, monuments and statues that the Trump administration considers disparaging to past or current Americans have been flagged at more than a dozen parks. Two exhibits at Montana’s Little Bighorn battlefield national monument that discuss Indigenous history and the Battle of the Little Bighorn have been targeted and deemed noncompliant. Additionally, signage about climate change at Muir Woods national monument in California and visitor brochures at Medgar and Myrlie Evers home national monument in Mississippi that referred to Medgar Evers’s killer as racist were also removed.
As far back as 1867, White House officials have viewed Greenland, and Iceland, as having immense strategic valueShortly before the United States descended into civil war and senior administration officials made a forceful case to purchase Greenland for its natural resources, an American ship appeared in Nuuk’s harbour. Its arrival at Greenland’s largest outpost was newsworthy enough to merit a large picture in the local newspaper.The clipping, published in 1861, comes from the pages of the Atuag
As far back as 1867, White House officials have viewed Greenland, and Iceland, as having immense strategic value
Shortly before the United States descended into civil war and senior administration officials made a forceful case to purchase Greenland for its natural resources, an American ship appeared in Nuuk’s harbour. Its arrival at Greenland’s largest outpost was newsworthy enough to merit a large picture in the local newspaper.
The clipping, published in 1861, comes from the pages of the Atuagagdliutt, a Kalaallisut-language weekly that was the first in the world to use colour illustrations.
The Smithsonian said all of its museums, research centers and the National Zoo would be closed on Sunday and Monday. Most Broadway shows were still expected to make their curtains.
The Smithsonian said all of its museums, research centers and the National Zoo would be closed on Sunday and Monday. Most Broadway shows were still expected to make their curtains.
Whether it’s the financial crash, the climate emergency or the breakdown of the international order, historian Adam Tooze has become the go-to guide to the radical new world we’ve enteredIn late January 2025, 10 days after Donald Trump was sworn in for a second time as president of the United States, an economic conference in Brussels brought together several officials from the recently deposed Biden administration for a discussion about the global economy. In Washington, Trump and his wrecking
Whether it’s the financial crash, the climate emergency or the breakdown of the international order, historian Adam Tooze has become the go-to guide to the radical new world we’ve entered
In late January 2025, 10 days after Donald Trump was sworn in for a second time as president of the United States, an economic conference in Brussels brought together several officials from the recently deposed Biden administration for a discussion about the global economy. In Washington, Trump and his wrecking crew were already busy razing every last brick of Joe Biden’s legacy, but in Brussels, the Democratic exiles put on a brave face. They summoned the comforting ghosts of white papers past, intoning old spells like “worker-centered trade policy” and “middle-out bottom-up economics”. They touted their late-term achievements. They even quoted poetry: “We did not go gently into that good night,” Katherine Tai, who served as Biden’s US trade representative, said from the stage. Tai proudly told the audience that before leaving office she and her team had worked hard to complete “a set of supply-chain-resiliency papers, a set of model negotiating texts, and a shipbuilding investigation”.
It was not until 70 minutes into the conversation that a discordant note was sounded, when Adam Tooze joined the panel remotely. Born in London, raised in West Germany, and living now in New York, where he teaches at Columbia, Tooze was for many years a successful but largely unknown academic. A decade ago he was recognised, when he was recognised at all, as an economic historian of Europe. Since 2018, however, when he published Crashed, his “contemporary history” of the 2008 financial crisis and its aftermath, Tooze has become, in the words of Jonathan Derbyshire, his editor at the Financial Times, “a sort of platonic ideal of the universal intellectual”.
The journalist Paulo Antonio Paranaguá uses images from the turbulent continent to weave a history of the region, covering colonisation, slavery and dictatorshipIts tumultuous past, marked by massacres, slavery, violent domination, coups d’état, revolutions and uprisings, often overshadows another narrative of Latin America: that of a vibrant, culturally rich region where art, creativity and solidarity hold a central place in society.Throughout its post-Columbian history – the period after Chris
The journalist Paulo Antonio Paranaguá uses images from the turbulent continent to weave a history of the region, covering colonisation, slavery and dictatorship
Its tumultuous past, marked by massacres, slavery, violent domination, coups d’état, revolutions and uprisings, often overshadows another narrative of Latin America: that of a vibrant, culturally rich region where art, creativity and solidarity hold a central place in society.
Throughout its post-Columbian history – the period after Christopher Columbus’s arrival in the Americas in 1492 – Latin America has grappled with the tension between subjugation to colonial and imperial powers, resistance and the pursuit of independence.
Wealth of datasets compiled as private passions are now a goldmine for those hunting for their ancestorsThe autumn sunlight is filtering through quietly falling leaves as Louise Cocker stands in front of the gravestone of James Henry Payne and takes a quick photograph. Payne died at the age of 73 in October 1917 and was buried in the Norfolk town of North Walsham, along with his wife Eleanor and son James Edward, who was killed in the Battle of Vimy Ridge in April 1917. “Not lost”, reads the sim
Wealth of datasets compiled as private passions are now a goldmine for those hunting for their ancestors
The autumn sunlight is filtering through quietly falling leaves as Louise Cocker stands in front of the gravestone of James Henry Payne and takes a quick photograph. Payne died at the age of 73 in October 1917 and was buried in the Norfolk town of North Walsham, along with his wife Eleanor and son James Edward, who was killed in the Battle of Vimy Ridge in April 1917. “Not lost”, reads the simple slab, “but gone before”.
This is far from the first Norfolk gravestone Cocker, 53, has photographed – in fact, over 24 years, she has captured almost half a million of them, driving around the county on her weekends and days off from her job in the local Lidl supermarket. As a result, she has produced a remarkable dataset of 615,000 names – many graves contain more than one person – which experts consider one of the most comprehensive photographic records of gravestones and memorials in England.
From postcards to 3D models of nativity scenes, Ken Bonham has spent decades crafting the vast collection of dioramas that fill his home in BirminghamA miniature world can be found hidden inside a one-bedroom flat in Birmingham. For decades, Ken Bonham, a retired teacher, has made memory boxes of places he has visited with his dressmaker wife of 54 years, Maggie, each made up of items they have collected on their travels or Bonham has made.Models of barns, castles and churches are also crammed i
From postcards to 3D models of nativity scenes, Ken Bonham has spent decades crafting the vast collection of dioramas that fill his home in Birmingham
A miniature world can be found hidden inside a one-bedroom flat in Birmingham. For decades, Ken Bonham, a retired teacher, has made memory boxes of places he has visited with his dressmaker wife of 54 years, Maggie, each made up of items they have collected on their travels or Bonham has made.
Models of barns, castles and churches are also crammed into the property – made from cork, balsa wood, styrofoam – or 3D card elevations from Bonham’s photos. Each Christmas, Bonham delights his neighbours by crafting nativity scenes from items he has collected and crafted.