One man’s irresponsible drilling causes a global crisis in Iñárritu’s exasperatingly laborious, self-congratulatory film

A new movie from the Oscar-winning Mexican director Alejandro González Iñárritu is always an event. So it’s disconcerting to discover that the event in question is the most disappointing film of the year: an exasperatingly shallow, laborious, self-congratulatory satire with a trick up its sleeve, featuring very good actors giving not very good performances. There are moments to enjoy in Tom Cruise’s boisterous leading turn, yes, but the film’s value resides chiefly in some dreamlike and disturbing images, distorted and bulging from the screen, conjured by cinematographer Emmanuel Lubezki and production designer Dennis Gassner.

An ageing, paunchy Texan oil tycoon called “Digger” Rockwell is seen fretfully getting up in the morning, cooing over his horrible old incontinent cat, taking urgent messages from underlings about a certain situation developing in his drilling station in the frozen Arctic. He is played by Tom Cruise with a wispy baldingness and various other prostheses, together with a good-ol’-boy twang and a Stetson borrowed from Slim Pickens’s bomb-riding army major in Kubrick’s Dr Strangelove. His prized possession is the battered old shovel his granddaddy used a century before, digging for black gold as a penniless young man in the lone star state. Digger likes to brandish this to make a point.

Der Bürgerkrieg in der Region Tigray kostete Hunderttausende Menschenleben, ehe er 2022 beendet werden konnte. Nun droht eine Neuauflage, die sogar noch verheerender ausfallen könnte.

The Adolescence actor and the psychologist Orly Klein asked fathers to write to their sons. The results – from famous dads to the wisdom of strangers – were moving and motivating. Here’s a selection

What can I say? From the moment you and your sister were born my heart has been full of a love I never thought was humanly possible. As a baby you were filled with wonder and so much energy. You had a beautiful, mischievous and inquisitive nature, which has always made me smile. You were climbing, running and jumping everywhere. You’d walk into a room wearing shoes that were four times, five times, 10 times too big for you … Sometimes they were ye mother’s.

The new Alejandro González Iñárritu film sees Cruise playing an eccentric oil baron on a mission to save the world

The first full length trailer for Alejandro González Iñárritu’s hotly anticipated comedy-drama Digger has been released, and with it audiences’ first look at Tom Cruise’s least recognisable role since he donned a fatsuit and prosthetics for 2008’s Tropic Thunder.

The film will be released worldwide in early October and stars Cruise as Digger Rockwell, “the most powerful man in the world” on a mission to save the world from an ecological disaster.

Actor recounts three alleged approaches by intelligence services, including through senior BBC executive

Riz Ahmed, the Oscar-winning actor, has claimed that Britain’s intelligence services tried three times to recruit him, including one occasion involving a senior BBC executive.

Ahmed, 43, said: “Well, it’s happened three different times and they’re all slightly ridiculous, and this is what I mean by it, it’s just like inherently comedic.

Sexy dad swap, the anti-ageing cream so good everyone will think your husband should be in prison, and the long con to make King Charles look good … you can’t say Saturday Night Live UK hasn’t gone there! Here are the best skits

Saturday Night Live UK’s maiden voyage is almost complete: this Saturday, Doctor Who star Ncuti Gatwa will host the series one finale of the much-discussed spin-off of the American sketch institution. But it’s not goodbye – we already know the cast are returning in autumn for a bumper 12-week run, proof that Sky are pleased with how their pricey punt has turned out. As well they should be: predictions that SNL UK would be a national embarrassment have been categorically rubbished.

It hasn’t all worked. The opening monologues, in which celebrity guest hosts veer between gushing praise for the show and an eye-watering celebration of their own CVs, remain irredeemably American. And while the team have valiantly attempted to parody our current prime minister, mining comedic gold from Keir Starmer does seem to be an impossible task.

Part autobiography, part industry satire, this hilarious show boasts dazzling dialogue and ace cameos. But surely Ahmed has better things to do than play James Bond?

If I were Riz Ahmed, I would be very up myself too. In the two decades since his screen career began, the actor has won Oscars and Baftas; been cast in a Star Wars film and a Charli xcx video; inspired a metric for Muslim on-screen representation (the Riz Test) and crafted a body of work comprising performances which are both individually excellent and collectively meaningful.

He has done so by combining talent with an unusual willingness to engage with the wider context of what it means to be a brown British person on 21st-century planet Earth. I imagine a certain amount of ego is also necessary to power the whole enterprise. And if so, what of it?

Ahmed superbly tackles race and identity in his hilarious new show Bait, proving the British-Asian actor truly is the best of this country. I’m happy for him, I swear!

Conflicted feelings for me this week, watching Bait, the new comedy created by Riz Ahmed. I started a career in acting shortly after Ahmed, you see. For a decade, I lost every good job going to him. What made it worse was watching all of those projects and realising exactly how good he was. Anyway, I’m going to try to write the rest of this while suppressing Salieri levels of malcontent. Wish me luck.

Bait is the story of an Asian actor, Shah Latif, who finds himself lined up to be the next James Bond. The series covers the internet’s toxic response to the rumours, using it to dive deep into a conversation about racial palatability, Britishness, ambition and authenticity. It’s funny, surreal, provocative and boasts an incredible array of hot young British-Asian actors. Which reminds me, I must rewatch Sliding Doors.

His multi-hyphenate career has made him one of Britain’s most versatile recognisable stars – but hasn’t stopped him facing some seriously awkward moments…

Riz Ahmed was multitasking. It was February in London, and the actor was doing an interview with a men’s magazine en route to collect his kid from school. So far, so starry. “Here’s the reality,” says Ahmed today, palms slamming down hard on the table. “I’m late for the school run. I’m stuck in traffic. I’m meant to be at my laptop, but I’m having to do it on my phone, in my car. I’m double parked on a double yellow line, doing the interview, looking over my shoulder. The traffic warden’s coming, it’s rush hour. He tries to move me along. I try to get out of there while I’m talking on the phone to this guy.”

Distracted, Ahmed hit another car. The driver jumped out of his vehicle, incensed. “He’s like, ‘What the fuck are you doing?!’” says Ahmed, who had been attempting to continue the interview. “I’m now going off video, like, ‘Oh, my signal’s a bit bad!’ while going on and off mute negotiating car insurance details. On the phone, I’m going, ‘Absolutely, it was just such an honour getting to tell my story with these amazing collaborators,’” he says, his voice lowering an octave and turning smooth.

Timothy Spall and Art Malik co-star in Aneil Karia’s intelligent and stark retelling of Shakespeare’s tragedy, set in the world of shady family business

Screenwriter Michael Lesslie and director Aneil Karia have devised a stark and severe new interpretation of Shakespeare’s Hamlet; there are transpositions and cuts, some light modernisations, and the text is stripped down a good deal. It’s an austerely challenging reading and incidentally, right about now, nothing could be further from the richly empathetic and redemptive approach of Chloé Zhao’s Hamnet, about the play’s imagined origins.

The setting is modern London’s world of shady family business and family dysfunction, wedding parties, blandly scheming associates and SUVs speeding through the night-time streets. Hamlet looks here like no one as much as Kendall Roy from TV’s Succession. Riz Ahmed plays the prince, horrified by a ghostly vision of his dead father (Avijit Dutt) who, in a chilling scene, summons him to a bleak urban rooftop to announce he was murdered by his brother Claudius (Art Malik). Claudius now is a hard-faced property speculator who has evicted a tented community of people led by Fortinbras from some prime real estate, and who now intends to marry Hamlet’s mother, Gertrude (Sheeba Chaddha).

The return of hit bonkbuster Rivals, the horny hockey show taking the world by storm, Richard Gadd’s follow-up to Baby Reindeer … and Buffy is back! Here’s your complete guide to 2026’s unmissable television

As the writer of conspiracy thriller Utopia and Covid-era relationship drama Together, Dennis Kelly has form for creating darkly perceptive TV drama. This excellent series stars Josh Finan (whose performance in The Responder earned him a Bafta nomination) as Dan, a philosophy teacher with a troubled family past, working in a prison. As he explores issues around freedom, luck and destiny with the inmates, he starts to wonder if he actually belongs behind bars like his abusive father. Soon, his anxieties threaten to become a self-fulfilling prophecy.
• BBC One, 3 January