Experts helped guide weather scenes in Pressure – a film depicting dramatic buildup to 1944’s D-day landings

Dressed in a Royal Air Force uniform and sporting a trim moustache, Andrew Scott looks slightly queasy – as well he might. Behind him is a huge map of the Channel, and in front of him is Brendan Fraser, looming with a request: “I need a forecast,” he says.

Starring in the film Pressure, based on a true story, Scott plays the meteorologist Gp Capt James Stagg – the man who must tell Gen Eisenhower – played by Fraser – whether conditions will be suitable for the D-day landings scheduled to take place on 5 June 1944. But a large storm is approaching the Normandy coast.

Judy Bain, 81, spent most of her life unaware she was a direct descendant of the daring pilot Arthur Whitten Brown

In the spring of 1944, Elsie Barber, a member of the Women’s Auxiliary Air Force, had a fling with a Royal Air Force pilot named Arthur Brown, known as Buster. The liaison at the RAF base near High Ercall in Shropshire was clandestine. She was 24 and single, he was a recently married 21-year-old.

Buster died months later, on D-day, when his Mosquito fighter plane crashed in the Netherlands, leaving Elsie with a lonely dilemma. She was pregnant, and after giving birth to a daughter, made the decision to give her up for adoption.

US defence secretary cancelled appearance at D-day event in Langrune-sur-Mer after protest by residents

When news came that the US defence secretary, Pete Hegseth, would be travelling to Normandy to mark D-day, some in the seaside village of Langrune-sur-Mer – where the afternoon ceremony was slated to be held – felt they had to speak up.

“We found it unbelievable that they could send someone who held views and values contrary to democracy, human rights, peace and Europe,” said resident Chantal Richard. To her, the incongruence felt deeply personal. “We grew up going to D-day ceremonies, some of us had grandparents or parents whose lives were affected by this war.”

Historians and campaigners accuse US defence secretary of desecrating memory of soldiers who fell in Normandy

The US defence secretary, Pete Hegseth, has been accused by historians and rights campaigners of “grotesque stupidity” and desecrating the memory of the soldiers who stormed the beaches of Normandy after he sought to link immigration to the D-day anniversary, saying Europe was facing a different “invasion” of its shores.

Speaking in north-west France on Saturday to mark the 82nd anniversary of the D-day landings, Hegseth seized on the moment marking the wartime liberation of Europe to reiterate the US administration’s longstanding attack on European immigration policies.

A behind-the-scenes second world war drama focused on the importance of weather is too stodgy and repetitive to work as anything but a so-so TV movie

In a world of increasingly segmented audiences, the new movie Pressure cleverly brings together two adjacent demographics: weather dads and history dads. Those designations are honorifics, not gender-essentialist; spiritually dad-curious people of all ages (but, let’s be real: mostly over 50) may be interested in a behind-the-scenes story set in the last few days leading up to the allied invasion of Normandy in June 1944. Because this is the largest-scale seaborne invasion ever mounted, weather is a major factor, and the movie follows military higher-ups as they work around the clock trying to figure out whether a possible incoming storm will create unfavorable or impossible conditions.

To put it in contemporary terms, this is essentially a movie about Dwight Eisenhower (Brendan Fraser) nervously refreshing his weather app to see if he needs to change his upcoming plans. The weather app is played by Andrew Scott. Scott’s actual character is James Stagg, a somewhat brusque and chilly Scotsman brought in to the D-day planning as the operation’s chief meteorological officer. Stagg quickly clashes with the American Irving Krick (Chris Messina), who knows that D-day is crucial and time is of the essence – and is therefore bullish about (selectively) using past data to “predict” that the storms will quickly pass. Stagg’s analysis is far less optimistic. Anyone who has held tickets to a forecast-dependent outdoor concert will relate.