Critics mock it as raunchy trash – but this enchanting genre is much older, and wilder, than you might imagine

There’s a popular genre, filled with beautiful, human-sized fairies having sex with humans (often quite violent sex, but the people reading it seem to enjoy it). Word is that it’s badly written and unashamedly escapist – all golden, glittering palaces, wild adventure and, of course, gorgeous fairies. It’s certainly popular – plenty of the stories have been translated into numerous languages, spreading across continents. Serious commentators are sure it spells bad news: at best, it’s just a load of trash; at worst, it’s actively leading people astray. Most damningly of all, women produce and consume it. Welcome to the 12th century, where fairy romance is all the rage. Sound familiar?

The romantasy that fills our shelves and bestseller lists – from Sarah J Maas’s A Court of Thorns and Roses to Callie Hart’s Quicksilver – is not a new genre, but part of a centuries-old heritage. You only need to look at the medieval predecessors of the modern romantasy novel to understand why it’s enjoyed by millions and why, even after hundreds of years, fairy romance has such power over us – and why there are still those who want to diminish and dismiss it.

The writer of cult hit If Women Rose Rooted is on a mission to bring folklore to modern readers. She talks about confronting her fears, communing with nature – and the power that comes with age

Like many of the wise women in her books, Sharon Blackie lives miles from anyone. Hers is the only house on the road winding through a valley deep in the Yorkshire Dales. The River Eden runs along the bottom of her garden, which overlooks the ruins of a castle built, as legend has it, by King Arthur’s father. The writer shares this romantic idyll with three border collies, six sheep, nine hens and her husband, David Knowles, a former RAF Tornado pilot.

It seems an appropriate setting for an author who is on a mission to bring fairytales to modern readers. Blackie runs spiritual retreats and workshops at the nearby Broughton Sanctuary and publishes a popular Substack called The Art of Enchantment. Her books, including word-of-mouth hits such as If Women Rose Rooted and Hagitude, are a beguiling mix of memoir, mythology and eco-feminism – manifestos for a better way of living.