From people marrying digital companions to CEOs excited about how people whose jobs are replaced can ‘adapt’, this is terrifying watching. But Perry is the perfect host

There is a fun game you can play while watching Grayson Perry Has Seen the Future, the three-part documentary presented by the artist on the subject of artificial intelligence, its uses and its possible ramifications. Gather a group of friends, press play, and see which of you loses your mind first.

Will it be during the opening interview with Andrea, who recently married Edward, the AI companion she created to be “the man of my dreams”. She – or her idealised online avatar – wore “a beautiful matt satin gown” and he gave a speech about their “unconventional but strong” love. Will it be during the discussion of how you have intimate relations with a disembodied entity (“self-love is important … he’s very encouraging”)? Or will it be when she reveals that the joy she has found with Edward “has poured back” into the relationship she has been in for seven years with (human) Jason? “We’re happier than we’ve ever been.” Jason, perhaps wisely, does not offer himself for interview.

With a sharp eye and saturated colours, Parr’s photographs revealed the world in all its eccentric glory. Here, his friends, peers and collaborators pay tribute to a master

Grayson Perry, artist
I’ve never really been a fanboy, but the first time I saw Martin Parr I ran up and drunkenly hugged him. I said: “I love you Martin Parr!” I couldn’t help it. He was a hero of mine. And over the years he became my best artist friend.