Michael Winterbottom’s freewheeling 2002 film about Tony Wilson, champion of post-punk bands, couldn’t have starred anyone but Steve Coogan

Michael Winterbottom’s intriguing, daring, freewheeling movie is being rereleased on its almost-quarter-century anniversary. It is about Manchester legend, Factory Records impresario, club owner and Granada TV journalist Tony Wilson, played by Steve Coogan, who was a driving entrepreneurial force behind the city’s music scene and guide to bands such as Joy Division, New Order and Happy Mondays.

Looking back to my original review I see that I was in some ways unconvinced, perhaps by the almost flippant, throwaway tone that is somehow evenly established from first to last, with Coogan’s Partridgean lead performance – very good though it undoubtedly is – delivering all the lines as if doing a wry piece to camera. He was arguably the only possible casting for a minor TV personality who was also a major player in the real world beyond the camera, a postmodern combination that Wilson, a sophisticated and intelligent man, himself surely savoured. Winterbottom’s A Cock and Bull Story, adapted from Laurence Sterne, is sometimes described as his postmodern work, although this film, with its fourth-wall breaking, real-world cameos and docu-realist sense of itself, is probably even more metatextual.

Comedian pulled from stage in Birmingham about 45 minutes into performance and audience told to leave

A live show by comedian Peter Kay in Birmingham has been stopped after a “potential suspicious bag” was found around the venue.

The Utilita Arena Birmingham was evacuated and a 19-year-old man was taken into custody, West Midlands police said on Friday evening.

Dern will play Miami Herald reporter Julie K Brown in first scripted take on the Epstein story, based on Brown’s book

Laura Dern is taking on the Jeffrey Epstein investigation, in a new limited series executive produced by Adam McKay based on journalist Julie K Brown’s work busting open the story.

Dern will play Brown, the Miami Herald investigative reporter on the late, disgraced financier’s tail when no one else was, for the first scripted take on the Epstein case. The screenplay will be based on Brown’s 2021 book Perversion of Justice: The Jeffrey Epstein Story. Sharon Hoffman, a writer on the 2020 limited series Mrs America, will write the project and serve as co-showrunner with Eileen Myers (The Night Agent, Masters of Sex). McKay, the writer-director of Don’t Look Up and executive producer on the HBO juggernaut Succession, among other credits, will serve as executive producer alongside Dern and Brown.

The eccentric, sharp-eyed sitcom was so loved that it was once the fastest-selling DVD ever. A quarter of a century on from its Channel 4 debut, why has it fallen so far off the radar?

There are few British comedy shows that were as popular, yet now completely extinct, as Phoenix Nights. The sitcom – which ran for just two series between 2001-2002 – is set in a fictional working men’s club in Bolton, and was a huge hit of the physical media era. Its second series was once the fastest ever selling UK TV show on DVD, shifting 160,000 copies in its first week of release. However, it is now 25 years since it was first broadcast on Channel 4, and it does not feature, nor has it ever, on any streaming service. Instead, it’s confined to dodgy fan uploads on YouTube and the secondhand DVD market. It is also almost entirely absent from all of the major publications’ best TV of the 21st century listicles.

Nevertheless, it remains a programme like few others. Distinctly northern and working class, it crucially uses neither as the butt of its jokes. In the same way that The Royle Family turned the everyday routine of watching TV, bickering, having a brew and asking each other what they had for tea into a relatably funny yet poignant shared living-room experience, Phoenix Nights invites people through its sparkling tinsel curtains into the familiar yet fading glory of clubland.