For Halloween, Guardian writers have picked the most efficiently terrifying films outside of the horror genre from How to Have Sex to The Hunchback of Notre Dame

Minor spoilers ahead

Hiding in plain sight throughout Lee Chang-dong’s deliciously enigmatic Burning, in which a spirited young woman (Jeon Jong-seo) disappears, and a wealthy playboy (Steven Yeun) gives serial killer vibes, is a disaffected male rage. That’s perhaps the most commonplace horror of our times, whether on the internet or politics, and you feel the tremors of it steadily breaking the surface in Yoo Ah-in’s performance. He plays Jong-su, an aspiring writer, quietly frustrated with his lot in life. Jong-su works odd jobs and tends to his incarcerated father’s dilapidated farm, growing more desperate to grasp some sense of control over the world around him, which is where the scary part comes in. Lee is the master dramatist who with Burning tilts violently into thriller territory, navigating elements from Taxi Driver, The Vanishing and Michael Haneke’s Caché, using the language of horror movies to conjure up a creeping anxiety and dread that erupts into pure existential fear. Radheyan Simonpillai

Danish shaggy-dog story about a man with a dissociative disorder has a fun premise but wastes it on lots of goofy, humourless violence

Anders Thomas Jensen is an Oscar-winning screenwriter, director and veteran of the Dogme 95 years at Denmark’s Zentropa Studios. He now brings us this slapstick-violent black comedy and shaggy dog story of gruesome silliness. It is well acted but relentlessly and bizarrely unfunny. So unfunny as to be almost funny, but not really, in that the unfunniness approaches the condition of being itself a joke, though without really arriving. It could be that the spectre of Zentropa’s dark master of the prank, Lars von Trier, is hovering somewhere in the corner of the frame.

Mads Mikkelsen is cast against type as nerdy loser Manfred, an abuse survivor with learning disabilities whose tough-guy brother Anker (Nikolaj Lie Kaas) robs a bank. Before being arrested, Anker gives poor twitchy Manfred the key to the railway station locker where he has stashed the loot, and tells him to get the cash once the cops have gone and bury it in the woodland behind their old family home where their dad used to brutalise them.