The American novelist and screenwriter’s memoir covers sex work, Virginia Woolf and Hollywood success

As an eight-year-old in comfortable, solid, suburban California, Michael Cunningham felt compelled to make art before he quite understood what it was, or could do: a painting of souls ascending to heaven, for example, in which paradise resembled the Griffith Park Observatory and the dead were all depicted in profile because their creator felt unequal to the challenge of full faces. There was also a cigar box covered in gold-sprayed macaroni and a clay representation of the animals on Noah’s Ark – anything, in fact, that would challenge the painting of a placid white chicken that hung in a gilt frame on his parents’ wall.

If Cunningham moved on fairly rapidly from the visual arts, either sparing or denying us the fruits of a more fully formed talent, it wasn’t because the impulse to create had withered. Rather, it was that the experience of making material art had functioned as a temporary outlet, being less painful, less embarrassing – both emotions he ascribes to his young, sensitive self – than attempting to capture the world in words.

From 20th-century classics to little-known treasures, queer authors share their favorite books about LGBTQ+ life

• ‘Sheer outrageousness’: writers on their favourite LGBTQ+ movie characters

You could debate what the best American LGBTQ+ book is until the cows come home, but experts at least tend to agree on the first one: 1870’s catchily titled Joseph and His Friend: A Story of Pennsylvania by Bayard Taylor. Compared with the well-worn classics of the British LGBTQ+ literary canon – from Oscar Wilde to Jeanette Winterson and beyond – its US counterpart feels invitingly hazy: greener and ever-evolving to reflect the spectrum of queer American life.

To celebrate pride month and the upcoming 250th anniversary of America, the Guardian asked nearly two dozen leading queer writers for their favorite LGBTQ+ book from the country they call home. Read on for their choices.