The Guardian’s David Levene braved two-headed worms, Pussy Riot protests and a tank of urine to bring you this photographic extravaganza from the celebrated arts festival Continue reading...
The Guardian’s David Levene braved two-headed worms, Pussy Riot protests and a tank of urine to bring you this photographic extravaganza from the celebrated arts festival
As cities emptied on the eve of Russia’s full-scale invasion, artist Zhanna Kadyrova’s defiant concrete sculpture began its odyssey to this year’s festivalOn a perfect spring day in Paris, the deer is first visible in the distance, poised between an avenue of just-budding plane trees in the 7th arrondissement. Its head is raised, its body poised. Seen there among the trees, it really could be a wild animal. In reality, it is a concrete deer, and not even a particularly naturalistic one, since it
As cities emptied on the eve of Russia’s full-scale invasion, artist Zhanna Kadyrova’s defiant concrete sculpture began its odyssey to this year’s festival
On a perfect spring day in Paris, the deer is first visible in the distance, poised between an avenue of just-budding plane trees in the 7th arrondissement. Its head is raised, its body poised. Seen there among the trees, it really could be a wild animal. In reality, it is a concrete deer, and not even a particularly naturalistic one, since it has the distinct look of origami about it. The sculpture is a play of scale and weight, as if feather-light folded paper has been enlarged and transformed into heavy concrete.
The deer is strapped to a flat-bed truck, and it is being driven into the grand modernist headquarters of Unesco, the UN agency that looks after heritage, culture and education. It will stand there for a day in its gardens, with Alexander Calder’s Spirale for company and the Eiffel Tower as a backdrop. It is the last stop on a long overland journey across eastern, central and western Europe before it crosses the Venetian lagoon and docks in Venice for the 2026 art biennale, where, from this month, it will be the most prominent component of Ukraine’s national pavilion.
Mimosas and violets are already out in the south of France, making it the perfect time for a pre-spring road tripAs I take my seat in Galimard’s Studio des Fragrances, in the Provençal town of Grasse, I limber up my nostrils for the task ahead: to create my own scent from the 126 bottles in front of me. Together they represent a world of exotic aromas, from amber and musk to ginger and saffron. But given that I have left the grey British winter behind to come here, I am more interested in captur
Mimosas and violets are already out in the south of France, making it the perfect time for a pre-spring road trip
As I take my seat in Galimard’s Studio des Fragrances, in the Provençal town of Grasse, I limber up my nostrils for the task ahead: to create my own scent from the 126 bottles in front of me. Together they represent a world of exotic aromas, from amber and musk to ginger and saffron. But given that I have left the grey British winter behind to come here, I am more interested in capturing the sunny essence of the Côte d’Azur.
Here in the hills north of Cannes, the colours pop: hillsides are full of bright yellow mimosa flowers, violets are peeping out of flowerbeds and oranges hang heavy on branches over garden walls, even though it’s not yet spring. It is the perfect antidote to the gloom back home, and the chance to bottle these very scents is a joy.