People hit the streets of west London as Europe’s largest street carnival marks its 60th year, celebrating Caribbean history and culture

J’ouvert marks the start of the Notting Hill carnival in west London, with revellers covered in oil, paint and powder

As a child, being taken to the Caribbean celebration was a drag. But once sound systems arrived in the 1970s, it became an unmissable yearly pilgrimage offering a sense of freedom

My earliest memories of the Notting Hill carnival are of being mildly irritated. In its 1960s infancy, the event was strictly a Caribbean affair, transplanted to Ladbroke Grove as authentically as was practical. Its purpose was as obvious as its origins: giving Caribbean arrivals a chance to celebrate themselves by bringing the vibrancy of the home they left behind to these drab streets for a couple of days.

Vital as this was – and it really was – it didn’t cut much ice with surly 10- or 11-year-olds like me, being dragged around behind parading steelbands. Yes, it was great to see so many Black people out in the open together and your mums and dads laughing and having a good time, but did we need to be here? There was football to be played and bikes to be ridden, yet so many of us were being forced to walk for what seemed like miles following “old people music”.

Wayne Campbell and Wayne Crichlow have been photographing carnival for 15 years, capturing a blur of dancers, style icons and singalongs on the tube home