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Normale Ansicht

  • ✇The Guardian
  • Axe used by Jack Nicholson in The Shining for sale as part of Stanley Kubrick auction
    Exclusive: Weapon is one of hundreds of items to be sold as part of the influential late director’s personal archiveA special effects axe wielded by Jack Nicholson as he delivered his chillingly manic line “Here’s Johnny!” in the 1980 horror movie The Shining is to go on sale.Nicholson’s character, Jack Torrance, uses an axe to hack out an opening in a locked door protecting his terrified wife Wendy, played by Shelley Duvall. It is also the murder weapon in the killing of Scatman Crothers’ chara
     

Axe used by Jack Nicholson in The Shining for sale as part of Stanley Kubrick auction

06. Oktober 2026 um 10:00

Exclusive: Weapon is one of hundreds of items to be sold as part of the influential late director’s personal archive

A special effects axe wielded by Jack Nicholson as he delivered his chillingly manic line “Here’s Johnny!” in the 1980 horror movie The Shining is to go on sale.

Nicholson’s character, Jack Torrance, uses an axe to hack out an opening in a locked door protecting his terrified wife Wendy, played by Shelley Duvall. It is also the murder weapon in the killing of Scatman Crothers’ character, Dick Hallorann. One of cinema’s most famous axes could be yours for a list price of between £30,000 and £50,000.

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© Photograph: BFA/Alamy

© Photograph: BFA/Alamy

© Photograph: BFA/Alamy

  • ✇The Guardian
  • Guillermo del Toro’s ‘jazz hands’ at Oscar lunch a recreation of Shining photo, director says
    The picture, taken with Paul Thomas Anderson at this year’s Oscar nominee lunch, recalls the eerie image that closes Kubrick’s 1980 horror classicFrankenstein director Guillermo del Toro’s “jazz hands” pose in the Oscar nominee luncheon photo was part of his and fellow director Paul Thomas Anderson’s attempt to recreate the celebrated group shot, featuring Jack Nicholson, that appears at the ending of The Shining.Del Toro responded to a post – in which he and Anderson had been inserted into the
     

Guillermo del Toro’s ‘jazz hands’ at Oscar lunch a recreation of Shining photo, director says

13. Februar 2026 um 13:42

The picture, taken with Paul Thomas Anderson at this year’s Oscar nominee lunch, recalls the eerie image that closes Kubrick’s 1980 horror classic

Frankenstein director Guillermo del Toro’s “jazz hands” pose in the Oscar nominee luncheon photo was part of his and fellow director Paul Thomas Anderson’s attempt to recreate the celebrated group shot, featuring Jack Nicholson, that appears at the ending of The Shining.

Del Toro responded to a post – in which he and Anderson had been inserted into the image from the 1980 horror film directed by Stanley Kubrick – by saying: “[Y]ou got it! PTA and I said: Let’s do the Shining pose and we tried.”

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© Photograph: Richard Harbaugh/The Academy

© Photograph: Richard Harbaugh/The Academy

© Photograph: Richard Harbaugh/The Academy

  • ✇The Guardian
  • Staying in with the old: the best films to watch on New Year’s Eve
    For those not going out to celebrate, you can still party with Harry and Sally, play cards with Jack Lemmon and make merry hell at the Overlook HotelAt the end of any especially troublesome year it’s always good to revisit The Apartment, Billy Wilder’s brilliantly bleak comedy of office politics and festive bad cheer. It memorably ends on the stroke of midnight as heartsick Fran Kubelik (Shirley MacLaine) abandons a drunken new year’s party to be with hapless, jobless CC Baxter (Jack Lemmon) ins
     

Staying in with the old: the best films to watch on New Year’s Eve

For those not going out to celebrate, you can still party with Harry and Sally, play cards with Jack Lemmon and make merry hell at the Overlook Hotel

At the end of any especially troublesome year it’s always good to revisit The Apartment, Billy Wilder’s brilliantly bleak comedy of office politics and festive bad cheer. It memorably ends on the stroke of midnight as heartsick Fran Kubelik (Shirley MacLaine) abandons a drunken new year’s party to be with hapless, jobless CC Baxter (Jack Lemmon) instead. Is The Apartment suggesting that Kubelik and Baxter then live happily ever after? Probably not, because I’ve never been convinced that these two lovers are going to stay the course. They’re too mismatched and desperate; their wounds are still too fresh. What the ending gives us is the next best thing: a sudden sense of hope and freedom, with everything packed in boxes except for a bottle, two glasses and a deck of cards. Nothing to lose and nowhere to go. “Shut up and deal.” A clean break, a fresh start. Xan Brooks

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© Photograph: RONALD GRANT

© Photograph: RONALD GRANT

© Photograph: RONALD GRANT

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