From Oprah Winfrey to Dua Lipa, there is no shortage of celebrity literary champions. But the former US leader is in a class of his own

At the Labour party conference Andy Burnham revealed that Hamlet, Joseph Conrad’s Heart of Darkness and Tony Harrison’s poem V are his favourite works of literature. The UK’s first prime minister with an English literature degree was not the only political figure sharing his book choices last week. Barack Obama, the US’s most literary president since Abraham Lincoln, launched a new podcast in which he discusses six books that shaped him with writer friends.

First up was the actor – and recently turned short story writer – Tom Hanks on Marilynne Robinson’s Gilead, a meditation on faith, fatherhood and forgiveness in the form of a letter written by a 76-year-old pastor to his son. It was an unabashedly highbrow start. With the exception of John le Carré’s cold war classic Tinker Tailor Soldier Spy, Mr Obama’s selections are American: Toni Morrison’s Song of Solomon, Cormac McCarthy’s All the Pretty Horses, James Baldwin’s essays The Fire Next Time and Robert Penn Warren’s All the King’s Men. Questions of democracy, race, power and violence are all here.

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Larkin, Harrison and Shakespeare shaped Labour’s leader. Now comes the harder task: turning language into lasting change

Andy Burnham is finally Labour leader. After trying – and failing – twice to be elected by party members, he took the top job on Friday without a contest. Sir Keir Starmer remains prime minister until Monday, when he will tender his resignation to King Charles, who will invite Mr Burnham to form a government. Then the future that Mr Burnham has long imagined will cease to be a promise and become a test.

Much will be written about the man. But why does Mr Burnham believe what he believes? One clue lies in the Guardian’s letters page in 1991. Fresh from graduating in English at Cambridge, the 21-year-old Mr Burnham defended an “uncouth and uncultured” Philip Larkin from critics who dismissed him as “too parochial”. Larkin – a bigoted curmudgeon – is difficult to admire, but his poems are not.

The putative PM-to-be explained how one of Tony Harrison’s poems gave him a new outlook – one that the country is sorely in need of

Two weeks before Josh Simons stood down as the Makerfield MP for his benefit, Andy Burnham was at Salts Mill in Shipley celebrating the life and work of the poet Tony Harrison. It was a small gathering, with actors, directors, writers and family members paying homage. Burnham wasn’t the only politician to speak; Richard Burgon, MP for Leeds East, is another fan (in 2020 he put down an early day motion in parliament that recognised how Harrison had “always written, and spoken, for the people”). But Burnham’s was the most incisive illustration of how literature in general and poetry in particular can change lives.

Burnham was introduced to Harrison’s poetry as a sixth-former. An English teacher at his school put him on to V, Harrison’s long poem, set in a Leeds graveyard, which became infamous after Richard Eyre dramatised it for Channel 4. The Conservative MP Gerald Howarth attempted to get the broadcast (and broadside) banned for its use of four-letter words, which the Daily Mail described as a “torrent of filth”. V recounts the poet’s confrontation with a skinhead who has sprayed graffiti on headstones, a young man with whom he turns out to have quite a lot in common.

Blake Morrison is emeritus professor at Goldsmiths, University of London and the author of the poetry collection Afterburn