Wallace and Gromit stop-motion models and other beloved creations raise money to train new generations of animators

Wallace’s reaction as the auction got into full swing might have been a trademark “good grief!” – and the enthusiasm of some of the bidding could have caused even the phlegmatic Gromit to show surprise.

Fans of Wallace and Gromit and other beloved creations of Aardman Animations seized the chance to grab souvenirs when more than 200 pieces – including Wallace, Gromit, Shaun the Sheep and Chicken Run puppets from Aardman productions – went under the hammer on Thursday.

Nick Park began modelling the character as a feline, before finding it too difficult and changing him to a dog

The creator of Wallace and Gromit has revealed that the world’s most famous stop-motion animated dog was nearly a cat.

As Aardman Animations marks its 50th anniversary, Nick Park, who joined the studio in 1985, told the BBC he had originally modelled Gromit as a feline companion for Wallace.

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Peter Lord and David Sproxton are the founders of Aardman Animations, which turns 50 this year. The pair began animating as teenagers, selling their first short – starring a superhero called Aardman – to the BBC’s Vision On in 1972. In 1977, they created Morph for the children’s programme Take Hart. The studio’s breakthrough into adult audiences came via Channel 4’s Conversation Pieces series, and its animators, including a young Nick Park, went on to make Wallace & Gromit, whose films have won multiple Academy Awards. Aardman became employee-owned in 2018, with Lord and Sproxton transferring majority ownership to staff to safeguard the company’s independence. They were knighted earlier this year.

These two half-hour classics of stop-motion pack in nods to more earnest cinema but are never distracted from producing pristinely beguiling family entertainment

Nick Park’s stop-motion Wallace and Gromit animations have an amazing ability to deliver an entire action adventure feature film at just 30 minutes complete with romantic subplot and loads of great visual gags thrown in, and A Close Shave (★★★★★) from 1995 is just another example of it. The situation is that Wallace (voiced by Peter Sallis) is working on his latest invention in his cellar, a giant machine, like a bungalow-sized cauldron, that automatically shears sheep and knits the product into lovely woolly jumpers.

While they are waiting for this to become a success, Wallace and Gromit run a window-cleaning business, and it is in this capacity that they meet Wendolene Ramsbottom (voiced by Anne Reid) who owns a wool-selling business oddly unaffected by the wool shortage. Wallace falls for the comely Wendolene and their intensely English and shy romance forms an ironic counterpoint to the fact that Wendolene has been coerced by her sinister dog Preston into being complicit in this hateful canine’s sheep-rustling business – as a result of which a runaway sheep finds its way into Wallace and Gromit’s house.

The first two Wallace and Gromit films see the pair blasting off for the moon in search of cheese, and trying to foil a heist by Feathers McGraw

Each heralded by composer Julian Nott’s wonderful and unmistakable brass-band march theme, the first two of Nick Park’s Wallace and Gromit films are now rereleased in cinemas; they are simply great family entertainment.

A Grand Day Out (★★★★★) from 1989 is a terrifically funny sci-fi adventure which gives us a hilarious teatime shot of inventor Wallace (voiced by Peter Sallis) and his faithful canine companion and helpmeet Gromit sitting placidly side by side in armchairs and in a front parlour that was surely very old-fashioned even in 1989. It was only on watching this again that I realised who they reminded me of: David Hockney’s mum and dad in his famous portrait My Parents.

After ‘bottling everything up for a long time’ the faithful pet, who has remained silent for many years, will spill the beans on the pair’s ‘pet hates and fur-vent passions’

Gromit, the canine star of the Wallace and Gromit animations, is “breaking his silence” and writing a memoir.

After “bottling everything up for a long time”, the moment has come for him to “spill the beans”, according to publisher Ebury.

From Watership Down and Fatal Attraction to Bambi and Python’s Holy Grail, rabbits are an unlikely constant in film – and often with sinister intentions. Here are the 20 best leporine movie moments

The mighty Alan Bleasdale wrote this razor-sharp farce set on New Year’s Eve in Liverpool, where rival Catholic and Protestant militants have accidentally booked the same venue. One of the acts going horribly wrong is Elvis Costello as a stage musician who says: “I’m a bit worried about me rabbit.” With reason, as it turns out.

Children are encouraged to get hands-on as the world’s leading stop-motion studio showcases its work in east London

What would Wallace – everyone’s favourite amateur Yorkshire inventor – look like with a moustache, straw boater and postal worker’s coat? Would a massive set of teeth suit his faithful beagle, Gromit? How about a nose shaped like a banana?

Such questions are answered by an illuminating and sometimes alarming exhibition at east London’s Young V&A that showcases the work of the world’s leading stop-motion outfit, the Bristol-based Aardman studios. Early sketches for Nick Park’s much-loved characters reveal that Wallace was once just a few bristles short of Hitler, while Gromit had fangs and the ability to speak.