Court documents reveal staff considered ways to ‘get academic community to disavow’ influential US author Meta staff discussed deploying a “whisper strategy” to undermine the influential US academic whose work has inspired a global social media crackdown, according to court documents.Employees at the parent group of Facebook and Instagram sought to discredit Jonathan Haidt, the social psychologist and author of The Anxious Generation, a book that helped tip the debate about online safety towards
Court documents reveal staff considered ways to ‘get academic community to disavow’ influential US author
Meta staff discussed deploying a “whisper strategy” to undermine the influential US academic whose work has inspired a global social media crackdown, according to court documents.
Employees at the parent group of Facebook and Instagram sought to discredit Jonathan Haidt, the social psychologist and author of The Anxious Generation, a book that helped tip the debate about online safety towards more stringent measures such as the under-16 ban in Australia.
Soziale Netzwerke sollen bei rechtswidrigen Inhalten stärker in die Pflicht genommen werden, findet die Grünen-Politikerin. Die Verhandlung vor dem Bundesgerichtshof ist hochgradig relevant für die Demokratie.
Soziale Netzwerke sollen bei rechtswidrigen Inhalten stärker in die Pflicht genommen werden, findet die Grünen-Politikerin. Die Verhandlung vor dem Bundesgerichtshof ist hochgradig relevant für die Demokratie.
Aaron Sorkin’s attempt to return to the success of The Social Network is a strangely dated and incomplete look at a world that needs a sharper eyeIn retrospect, David Fincher’s 2010 film The Social Network was a landmark for a quiet, even counterintuitive reason. Before the film was released, some questioned whether Aaron Sorkin, a writer not exactly known for his mastery of, nevermind obsession with, the technical sphere, was the right man to tell the origin story of Facebook. And while Sorkin
Aaron Sorkin’s attempt to return to the success of The Social Network is a strangely dated and incomplete look at a world that needs a sharper eye
In retrospect, David Fincher’s 2010 film The Social Network was a landmark for a quiet, even counterintuitive reason. Before the film was released, some questioned whether Aaron Sorkin, a writer not exactly known for his mastery of, nevermind obsession with, the technical sphere, was the right man to tell the origin story of Facebook. And while Sorkin may well have converted Mark Zuckerberg into terms he could better understand – namely, a motormouthed wiseass who deep down wants to impress a smart, serious-minded girl – he and Fincher also made one of the first internet-centric movies to treat online life as a natural extension of IRL dynamics, rather than the otherworldly tech portal seen in so many 90s internet movies.
Granted, that’s the whole deal with Facebook: its viral spread of social networking, something so simple and addictive that aunts, grandpas and co-workers everywhere could understand it. Yet understanding its simultaneous extension and distortion of the real world wasn’t a given; four years later, for example, 2014’s Men, Women and Children was widely derided for taking an alarmist approach to the internet as a haven for adults seeking an affair, teenagers nursing porn addictions and fame-hungry strivers of all ages. The Social Network, on the other hand, is remarkably nonjudgmental about the basic mechanics of Facebook, rooting its nascent flaws in the human weaknesses that birthed it. In retrospect, the movie only feels outdated to the extent that it underestimates Zuckerberg’s grasping for power and the potential for grim carelessness that his online kingdom was built on.
New regulating preventing minors under 15 from accessing platforms such as Facebook and Instagram will come into force in January subject to a final vote in parliament.
New regulating preventing minors under 15 from accessing platforms such as Facebook and Instagram will come into force in January subject to a final vote in parliament.
Béjar’s daughter was 14 when she told him Instagram was failing to keep her safe. So when he became part of Meta’s ‘wellbeing team’, he knew he had to speak out – and his testimony cost it billionsThe Social Reckoning hits cinemas this Friday, but the real world has already been working on a sequel – or rather, a threequel. Directed by Aaron Sorkin, the movie is a follow-up to The Social Network, detailing the further misadventures of Mark Zuckerberg and his social media empire, and in particula
Béjar’s daughter was 14 when she told him Instagram was failing to keep her safe. So when he became part of Meta’s ‘wellbeing team’, he knew he had to speak out – and his testimony cost it billions
The Social Reckoning hits cinemas this Friday, but the real world has already been working on a sequel – or rather, a threequel. Directed by Aaron Sorkin, the movie is a follow-up to The Social Network, detailing the further misadventures of Mark Zuckerberg and his social media empire, and in particular Frances Haugen, the employee who in 2021 leaked internal documents that appeared to show Facebook was aware of the harms its products had inflicted.
It’s no spoiler to reveal the film climaxes with Haugen’s testimony to the US Senate, on 5 October 2021. That very same day, Arturo Béjar, a consultant on the wellbeing team of Instagram (which is also owned by Facebook), hit send on a long-gestating email to Zuckerberg and other senior Facebook executives on a similar theme. “I wanted to bring to your attention what I believe is a critical gap in how we as a company approach harm, and how the people we serve experience it,” Béjar began, before laying out some shocking statistics from his team’s survey. For example: 24.4% of 13-15-year-olds on Instagram said they had received unwanted advances, and 21.8% said they had been the target of bullying on the platform in the past seven days. Furthermore, 51% of Instagram users said they had had a bad or harmful experience in the past seven days. Only 1% of them reported it, and of those, 2% had the content taken down – so just 0.02%. This was a far greater degree of harm than the company’s existing measurements suggested. Zuckerberg never replied.
Jeremy Strong’s slow-talking Facebook founder turns into a cameo, background to a thriller about a whistleblower that somehow never mentions TrumpHere is a film for all those people who solemnly deplore social media in conversation but haven’t quite got round to deleting their accounts. Sixteen years have gone by since The Social Network, written by Aaron Sorkin and directed by David Fincher; this was the addictive, obsessive-compulsive movie about the birth of Facebook in Harvard’s macho-compet
Jeremy Strong’s slow-talking Facebook founder turns into a cameo, background to a thriller about a whistleblower that somehow never mentions Trump
Here is a film for all those people who solemnly deplore social media in conversation but haven’t quite got round to deleting their accounts. Sixteen years have gone by since The Social Network, written by Aaron Sorkin and directed by David Fincher; this was the addictive, obsessive-compulsive movie about the birth of Facebook in Harvard’s macho-competitive cauldron of student sexism and nerdy self-pity, starring Jesse Eisenberg as the fast-talking, arrogant, not-necessarily-evil genius Mark Zuckerberg. Now Sorkin is back with a sequel of sorts, directing his own script – and now Zuckerberg is basically evil, but also weirdly slow talking, as if all the zinging, smart-alecky Sorkinesque dialogue energy of the first film has been siphoned away in early middle age and dispersed among the insurgents in the new cast.
Sorkin’s jittery, funny, syncopated style is unmistakable, as distinctive in its way as David Mamet, although he has one joke about “spatula” being a Yiddish word that he has borrowed from Philip Roth’s Portnoy’s Complaint. It is the story of how in 2021, Zuckerberg’s Facebook empire was challenged by courageous whistleblower-employee Frances Haugen and Wall Street Journal investigative reporter Jeff Horwitz, who were on a mission to tell the world how Zuckerberg, scared by falling revenue, changed the algorithm so that engagement was supercharged by rage bait and hate speech, malice and envy. Facebook, moreover, didn’t factcheck political ads, thus driving a huge, nationwide surge in extremist groups and teen bullying and becoming a major player in the Capitol riots. (Having said that, this film does not say aloud the word “Trump” and rather cravenly declines to specify Maga activity.)
Exclusive: Social platforms and police are failing women abused online, report finds, with many saying complaints are not taken seriouslyWhen Jane* learned that intimate photos of her had been posted on a website without her consent, she expected the police would help her. Instead, she was warned that researching where her photos had been shared might put her at risk of breaking the law.After she was handed a leaflet on internet safety and told to go to tech companies for help, but to expect lit
Exclusive: Social platforms and police are failing women abused online, report finds, with many saying complaints are not taken seriously
When Jane* learned that intimate photos of her had been posted on a website without her consent, she expected the police would help her. Instead, she was warned that researching where her photos had been shared might put her at risk of breaking the law.
After she was handed a leaflet on internet safety and told to go to tech companies for help, but to expect little from them, the case was closed.
Theatre told that Facebook and Instagram filter out ads mentioning ‘social topics’ such as civil rights or feminismA theatre in Barcelona has been banned from promoting a stage adaptation of Virginia Woolf’s A Room of One’s Own on Instagram and Facebook because the work includes “social topics”.When the newly reopened Teatre Raval, which seats 193 spectators, asked Meta, the parent company of the two social media sites, why its publicity had been blocked, it was told “any mention of civil rights
Theatre told that Facebook and Instagram filter out ads mentioning ‘social topics’ such as civil rights or feminism
A theatre in Barcelona has been banned from promoting a stage adaptation of Virginia Woolf’s A Room of One’s Own on Instagram and Facebook because the work includes “social topics”.
When the newly reopened Teatre Raval, which seats 193 spectators, asked Meta, the parent company of the two social media sites, why its publicity had been blocked, it was told “any mention of civil rights, feminism or social reform [topics that are central to Woolf’s work] are usually classified as ‘social topics’ by our automatic system” and are filtered out.
Action against Ofcom comes as social media companies are being accused of using courts to slow down implementationMeta has launched a fresh legal challenge against Britain’s media regulator in the latest of a slew of actions by social media companies who are accused of using the courts to slow down implementation of the Online Safety Act.Lawyers for the parent company of Facebook served notice during the week in an appeal against placing WhatsApp and Instagram, which are also owned by Meta, in a
Action against Ofcom comes as social media companies are being accused of using courts to slow down implementation
Meta has launched a fresh legal challenge against Britain’s media regulator in the latest of a slew of actions by social media companies who are accused of using the courts to slow down implementation of the Online Safety Act.
Lawyers for the parent company of Facebook served notice during the week in an appeal against placing WhatsApp and Instagram, which are also owned by Meta, in a category that subjects them to additional duties.
Facebook told it was wrong in leaving up AI-generated videos of a Labour councillor and Muslim campaigner, amid calls to curb fakesMeta’s “supreme court” has ordered the tech company to take down deepfake videos of a UK politician and a young Muslim woman from Facebook and do more to tackle AI-generated fake imagery.A fake video showing a Labour party councillor in Scotland making inflammatory comments about refugees should not have been left up by Facebook, the board said. It also ruled that an
Facebook told it was wrong in leaving up AI-generated videos of a Labour councillor and Muslim campaigner, amid calls to curb fakes
Meta’s “supreme court” has ordered the tech company to take down deepfake videos of a UK politician and a young Muslim woman from Facebook and do more to tackle AI-generated fake imagery.
A fake video showing a Labour party councillor in Scotland making inflammatory comments about refugees should not have been left up by Facebook, the board said. It also ruled that an AI-generated video of a Muslim campaign volunteer should have been removed after it falsely depicted her offering health advice while carrying out absurd exercises or eating junk food.
In Oklahoma City bricht ein Mann beim Rasenmähen zusammen, die Feuerwehr rettet ihn. Doch damit sehen die Einsatzkräfte ihre Arbeit keineswegs als getan an.
In Oklahoma City bricht ein Mann beim Rasenmähen zusammen, die Feuerwehr rettet ihn. Doch damit sehen die Einsatzkräfte ihre Arbeit keineswegs als getan an.
Exclusive: Supermarket joins line of firms and sports stars including Bellingham and Haaland to have their image hijacked via adsTesco has alerted City of London police after it became the latest in a string of companies and sports stars, including Barclays bank and Lewis Hamilton, to have its image hijacked in a “scam” by unlicensed casinos advertising via Facebook and Instagram.The supermarket chain is among several household-name businesses to have been targeted in an apparent effort by casin
Exclusive: Supermarket joins line of firms and sports stars including Bellingham and Haaland to have their image hijacked via ads
Tesco has alerted City of London police after it became the latest in a string of companies and sports stars, including Barclays bank and Lewis Hamilton, to have its image hijacked in a “scam” by unlicensed casinos advertising via Facebook and Instagram.
The supermarket chain is among several household-name businesses to have been targeted in an apparent effort by casinos that cannot legally operate in Britain to capitalise on their brand recognition.
Thanks to a little-known feature in Instagram, I try to travel back to 2012 – before everything on the internet was an adFollow our Australia news live blog for latest updatesGet our breaking news email, free app or daily news podcastI have a confession. I love my social media algorithm. It is a perfectly curated window into my insane and inquiring mind. It knows precisely which videos will tickle me and which memes will gently distract me from the slow collapse of humankind.On Tuesday the Austr
I have a confession. I love my social media algorithm. It is a perfectly curated window into my insane and inquiring mind. It knows precisely which videos will tickle me and which memes will gently distract me from the slow collapse of humankind.
On Tuesday the Australian government announced “world-leading” reforms that would force social media platforms to allow users to opt-out of algorithms, dubbed “my feed, my way”. On the same day, I was delighted to be confronted with a video on Instagram of a woman accidentally spilling a bucket of eels on a Chinese train. Dozens of eels slithered among the passengers, who appeared not as surprised as I would have expected.
The CEO is the throughline in a history of billion-dollar blunders that have caused real harm, culminating in last week’s settlementLast week, Meta, the parent company of Instagram and Facebook, agreed to a settlement of up to $18bn after dozens of US states accused it of harming children with addictive products. The settlement’s regulatory implications for social media will affect every user, far beyond teens.But if Meta is truly interested in prioritizing the safety of users, the board should
The CEO is the throughline in a history of billion-dollar blunders that have caused real harm, culminating in last week’s settlement
Last week, Meta, the parent company of Instagram and Facebook, agreed to a settlement of up to $18bn after dozens of US states accused it of harming children with addictive products. The settlement’s regulatory implications for social media will affect every user, far beyond teens.
But if Meta is truly interested in prioritizing the safety of users, the board should request the resignation of Mark Zuckerberg and restructure to put safety above profit.
In einem Stausee in British Columbia stößt ein Bootsfahrer auf eine bislang unentdeckte bewaldete Insel. Kurz darauf ist sie verschwunden und taucht später wieder auf – 32 Kilometer entfernt. Was hat es damit auf sich?
In einem Stausee in British Columbia stößt ein Bootsfahrer auf eine bislang unentdeckte bewaldete Insel. Kurz darauf ist sie verschwunden und taucht später wieder auf – 32 Kilometer entfernt. Was hat es damit auf sich?
New child safety measures are welcome, but the wider risks posed by these platforms remain unaddressed “Hook, hold, harvest and hide” was how Megan O’Neill, a lawyer for the US state of California, characterised Meta’s business model in the trial that ended last week with an $18bn settlement, to be shared between the states and territories that brought the case. It was a clever way to describe the company’s approach to users’ attention and data. But the sharpness of her words was not matched by
New child safety measures are welcome, but the wider risks posed by these platforms remain unaddressed
“Hook, hold, harvest and hide” was how Megan O’Neill, a lawyer for the US state of California, characterised Meta’s business model in the trial that ended last week with an $18bn settlement, to be shared between the states and territories that brought the case. It was a clever way to describe the company’s approach to users’ attention and data. But the sharpness of her words was not matched by the deal. While the strengthening of child safety features is welcome, the tech giant once again batted off efforts to alter its products.
Meta’s decision to settle enabled it to avoid any admission of liability. It put a stop to the awkward questions being asked of witnesses including Adam Mosseri, Instagram’s CEO, and the damaging claims made by whistleblowers such as Arturo Béjar. This former Meta safety engineer told the court that his own daughter had been sent unsolicited photos of male genitals on Instagram.
Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here.
Those who said Meta harms children struck a blow, but the ability of big tech to gouge profits and cause harm is barely diminished. That’s the battle to comeFollow the money. If you want to know how the tech giant Meta really feels about the $18bn it agreed to fork out to end a landmark lawsuit against it – an outcome widely hailed as a victory for campaigners – just look at its share price. It didn’t go down when word came on Wednesday that Meta had settled with the 29 US states that had argued
Those who said Meta harms children struck a blow, but the ability of big tech to gouge profits and cause harm is barely diminished. That’s the battle to come
Follow the money. If you want to know how the tech giant Meta really feels about the $18bn it agreed to fork out to end a landmark lawsuit against it – an outcome widely hailed as a victory for campaigners – just look at its share price. It didn’t go down when word came on Wednesday that Meta had settled with the 29 US states that had argued that the company’s Facebook and Instagram platforms harmed children. On the contrary, Meta stock went up, initially surging by 5%, before levelling out at a gain of just over 1.25%. There could be no clearer proof that the money men reckon Meta dodged a bullet.
To be sure, there was plenty to hearten those who have long believed that social media damages teenagers especially, whether by exposing them to content they shouldn’t see or by sapping their self-esteem, offering them filters that show how much prettier they would look if they had cosmetic surgery or giving them a metric of their popularity – and unpopularity – in the form of a running tally of “likes” and views.
Jonathan Freedland is a Guardian columnist
Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here.
Other governments could seek similar concessions, while separate legal action is pending in places ranging from Kenya to the NetherlandsIn October 2021, Abrham Meareg’s father, a professor of chemistry in Ethiopia’s northern town of Bahir Dar, was shot at close range and died outside his family home. This was in the middle of the country’s civil war.For weeks, Facebook’s algorithm had actively promoted posts calling for the academic to be murdered, according to Meareg and Foxglove, a nonprofit o
Other governments could seek similar concessions, while separate legal action is pending in places ranging from Kenya to the Netherlands
In October 2021, Abrham Meareg’s father, a professor of chemistry in Ethiopia’s northern town of Bahir Dar, was shot at close range and died outside his family home. This was in the middle of the country’s civil war.
For weeks, Facebook’s algorithm had actively promoted posts calling for the academic to be murdered, according to Meareg and Foxglove, a nonprofit organisation supporting Meareg’s lawsuit against the company in Kenya. These posts included photos of his father and his home address.
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