As streamers poach viral creators to appeal to children, digital whack-a-mole has become a new kind of family challenge

Exasperated dad Simon Hooper shakes his fist at the camera in a viral video. “We managed to get rid of YouTube in our household six months ago and the kids are finally OK with it,” he says – but Netflix is “now commissioning YouTubers to make their brain rot and putting it back in front of my kids’ faces”.

The precise “brain rot” he’s referring to is the arrival of a polarising show that’s lighting up parent chats around the globe. And while Salish and Jordan Matter might be new to Netflix Kids users, the father-daughter content creators are familiar to anyone who’s spent any time on the internet.

His videos of cats, loopy contraptions and theme park rides round the heavens (and his back garden) have notched up a billion views. We meet Chris Burton in the suburban home where it all happens

Chris Burton is getting ready to redecorate his house. The first reason for this is quite sad. His beloved cat Bella died recently, aged 17, and the indignities of old age mean a new carpet is in order. The other reason is that Burton, AKA Half-Asleep Chris, is turning his dining room into a re-creation of London’s Rainforest Cafe (also RIP – it closed in 2023). There will be temple walls and a talking tree, a fish tank and fronds. Thunderstorms every 20 minutes.

He’s doing most of the work himself, he explains, as we edge past an 8ft fibreglass tapir in the hall. But he’ll need an electrician to rig the starry ceiling and a plumber to check the waterfall for leaks. I sneak a feel of the tapir: firm yet squishy, foam and five layers of silicone over a steel frame. Most people will only see rather than touch it, yet it has exactly the same amount of give as – I imagine – the real deal. This lack of half-measures is very Half-Asleep Chris.

Returning with his first-ever adult novel, the bestselling author reflects on fame, YouTube and his brother’s AI controversy

By his mid-30s, John Green had done pretty well for himself. His debut novel, Looking for Alaska, had won a prestigious award for young adult literature. He and his brother, Hank, had launched a popular YouTube channel, where they regularly posted videos about their lives. With their combined incomes, Green and his wife were able to cobble together a living, buying a house and starting a family in Indianapolis.

And then, in 2012, he published The Fault in Our Stars.

John Green is probably as famous as an author can get. His 2012 young adult novel The Fault In Our Stars sold more than 20m copies, got adapted into a Hollywood hit film, and catapulted to a level of success that he’d always longed for. And yet, all that left him feeling empty. Now, after nearly a decade away from fiction, Green is back with his first novel for adults, Hollywood, Ending. In a very meta conversation with Carter Sherman, Green explains how interviews can be maddening, explores his own insecurities around fame, and argues that social media has trained all of us to sell our private lives as products. Carter and John also talk about his success as a pioneering YouTube creator alongside his brother Hank Green and Hank's recent dustup over his use of AI.

Her catchy videos have racked up billions of views, but Rachel Accurso’s statements on everything from Gaza to LGBTQ rights have caused a stir. She talks about screen time, song fatigue and speculation she might enter politics

The YouTube star Ms Rachel, toddler whisperer extraordinaire, spots me before I clock her, and even from a distance and without her trademark pink T-shirt and denim dungarees, she is instantly recognisable by her wave, which is accompanied by an enthusiastic bounce. I half expect her to say, “Hi, friends”, as she does at the start of many of her videos. Instead she bounds over, wearing a classic off-duty mum uniform – Sesame Street sweatshirt, grey leggings, baseball cap that reads “Mama” – and removes her oversized sunglasses. She’s very sorry, she says, rubbing her eyes, that she is so tired – but her manner remains unfailingly, characteristically peppy.

It is only seven years since Rachel Accurso, who used to be a preschool music teacher, uploaded her first video to YouTube, a counting song for preschoolers called Bubble, Bubble Pop!. She and her husband, Aron Accurso, who worked as a music director on Broadway, made the video because their one-year-old son had a speech delay and there seemed to be a dearth of quality videos online that could help toddlers learn to speak.

Mr Beast, der erfolgreichste Youtuber der Welt, hat einen Roman geschrieben – aber der Verkauf läuft mäßig. An der wirren Handlung liegt das vermutlich nur am Rande.

From a cappy-cafe owner in Japan to an escaped capybara in the UK, this homespun film takes the temperature of an international obsession

One of Midlands-based film-maker Sharon Walia’s previous works was The Keepers of the Pigs, proudly described on her production company’s website as “the first ever documentary about guinea pigs”. So it makes zoological sense that her latest film takes on capybaras, guinea pigs’ ridiculously cute semi-aquatic cousins that are indigenous to Latin America, and relatively recently became ubiquitous on social media in memes and short films alike. As glimpsed here, there was even a capybara in the recent Academy Award-winning animated feature Flow, some pro-cappy boosterism that captured the creatures’ chill vibe and snuffly sweetness.

Walia’s celebration of the species stays on script, rejoicing in the animals’ natural geniality, friendliness to other species in their natural habitat, and their compelling, remunerative charm that seems to have bolstered the fortunes of several animal attractions around the world.

Podcast is now on YouTube site of Mike Graham, fired from TalkTV after racist post appeared on his Facebook page

• UK politics live – latest updates

When Liz Truss launched her podcast last year, she declared it would bring a “counter-revolution” to take on the “deep state”, which, she said, “tried to destroy” her.

The revolution, however, has not yet arrived. Truss, whose stint as UK prime minister abruptly ended after her disastrous mini-budget crashed the economy, has so far failed to find a wide audience in her media career.

US embassy says Downing Street’s plan to give BBC, ITV and other established media more online visibility carries risk of ‘censorship’

The Trump administration has raised “serious concerns” over Downing Street’s plan to force YouTube and other digital platforms to hand more prominence to established broadcasters, warning the move risks “facilitating censorship”.

In a pointed intervention, the US government said the proposals to boost traditional media outlets in social media algorithms could “establish a template that authoritarian regimes could invoke to justify more control over online content”.

A new breed of adventurer is chasing internet fame by targeting uncontacted peoples. Critics say they are risking the wellbeing of these remote communities – and their own lives

He set out from the beach around midnight, packing his camera, a coconut and a can of Diet Coke. Mykhailo Polyakov – then 24 and a native of Scottsdale, Arizona – pointed his inflatable dinghy out towards the open water, keeping his speed slow in the hope of avoiding detection.

After hours of motoring across the Bay of Bengal, his destination came into view: a low-lying island, narrowly separating sea and sky. With the sun now high above him, Polyakov cut the engine and set his GoPro to record. “So, the goal,” he said, squinting towards the blinding-white beach. “Introduce this Palaeolithic tribe to modernity … Let’s land on this bitch.”

Amelia Dimoldenberg says publicists ignored her interview show for years but she can now be picky over A-list guests

Just a decade ago, Amelia Dimoldenberg found it impossible to drum up any mainstream celebrities to come on her mock date YouTube show, in which she chats awkwardly with guests over chicken and chips.

Even persuading a local actor connected with her London youth club to come on took years of prodding. Managers of A-listers with movies or albums to push instead battled to claim a spot on the hallowed cushions of the primetime TV chatshow sofa.

From cover design to shelf placement and influencer partnerships … how publishers will persuade you to buy their books this autumn

Think about the last book you bought. How did you choose it? Was it from a recommendation, a review, a TikTok video? Did the cover grab you, were you swayed by the quotes on the front, or did you just happen to spot it on an appealing table as you walked into the shop? Did you think about all the nudges that led you to that decision – by the publisher, the bookseller or that person you follow on Insta?

The reality is that our reading choices are directed and massaged at every turn. “It’s all about the art of persuasion,” says Philip Gwyn Jones, who was a publisher for more than 30 years and is now a literary agent. And who are the persuaders? They’re the booksellers, the supermarket stock buyers, the publishing houses and their ranks of marketers and publicists. And, more recently, persuasion often comes from BookTokers and online influencers, social media videos, podcasts and Instagram posts. How is all this changing publishing?

Social media trend feeds on footage shot from cars racing down busy roads, with potentially lethal consequences

The hashtags tell the story of the potentially lethal social media subculture where young men film themselves hurtling at illegal speeds down busy roads: #speedhunters, #needforspeed, #racing.

The fast-driving internet trend on TikTok, Instagram and YouTube is fed by footage shot from a driver’s perspective of cars going “#fullsend” – the jargon for roaring down dual carriageways – and “#gapping” or “#swimming”, as in weaving dangerously through packed traffic. The posts attract thousands, sometimes millions of views and have been described by Andy Burnham on Monday as “truly reprehensible”.

Content creators are fighting proposal to boost traditional broadcasters in video platforms’ all-powerful algorithms

The millions who subscribe to the content creator Simon Squibb’s social media channels are usually delivered tips and hacks on how to turn their dream business idea into reality. But they were recently presented with something completely different.

In an Instagram post entitled “the government wants to control YOU”, Squibb issued an urgent call to arms. He asked his followers to fight against a proposal that he said could force content from the BBC and other traditional broadcasters into their social media feeds and recommendations whether they liked it or not.

Jimi Famurewa, restaurant critic and food journalist, travels to Edinburgh, London and Manchester eating at the female-fronted cafes and bistros reviving regional comfort food favourites, passed down through generations. Starting with soda bread and a fry-up cooked by Irish-born owner Claire Hanrahan at her bistro Norah, named after her late grandmother. Onwards to Bara, where Cecily Dalladay and Zoë Heimann are celebrating the Welsh ingredients they grew up with and feed Jimi a hearty Caerphilly cheesesteak. Finally he visits Auntie Lou’s, where Emily Witts recreates her grandmother’s recipe for scones with apricot jam and cheese.

Trotz Verbots versammeln sich am Wochenende einige Tausend Menschen am früheren Wohnort des Youtubers. Die Polizei spricht von einer „aggressiven Grundstimmung“, Gewalt und Festnahmen.

Brandon Relph, who founded first company at 13, joins strategy team in ‘much-needed step’ for the broadcaster

A 26-year-old business prodigy and self-styled gen Z whisperer has been drafted in by the BBC as it battles to reach young audiences increasingly choosing content creators on YouTube and TikTok over traditional broadcasters.

Brandon Relph, who founded his first company aged 13, and has been praised by Apple co-founder Steve Wozniak, has joined the BBC’s strategy team to help counter the existential threat of falling audiences among young people.

Restaurant critic and award-winning author Jimi Famurewa meets broth obsessives in unlikely parts of Britain who fell in with the ancient ramen tradition - and found a hungry audience for their new noodle bowls.