Jimi Famurewa, restaurant critic and food journalist, travels to Edinburgh, London and Manchester eating at the female-fronted cafes and bistros reviving regional comfort food favourites, passed down through generations. Starting with soda bread and a fry-up cooked by Irish-born owner Claire Hanrahan at her bistro Norah, named after her late grandmother. Onwards to Bara, where Cecily Dalladay and Zoë Heimann are celebrating the Welsh ingredients they grew up with and feed Jimi a hearty Caerphilly cheesesteak. Finally he visits Auntie Lou’s, where Emily Witts recreates her grandmother’s recipe for scones with apricot jam and cheese.

Trotz Verbots versammeln sich am Wochenende einige Tausend Menschen am früheren Wohnort des Youtubers. Die Polizei spricht von einer „aggressiven Grundstimmung“, Gewalt und Festnahmen.

Brandon Relph, who founded first company at 13, joins strategy team in ‘much-needed step’ for the broadcaster

A 26-year-old business prodigy and self-styled gen Z whisperer has been drafted in by the BBC as it battles to reach young audiences increasingly choosing content creators on YouTube and TikTok over traditional broadcasters.

Brandon Relph, who founded his first company aged 13, and has been praised by Apple co-founder Steve Wozniak, has joined the BBC’s strategy team to help counter the existential threat of falling audiences among young people.

Restaurant critic and award-winning author Jimi Famurewa meets broth obsessives in unlikely parts of Britain who fell in with the ancient ramen tradition - and found a hungry audience for their new noodle bowls.

Shouldn’t the health secretary have his hands full with the cyclosporiasis outbreak, measles or rabbit fever? Not when there are crispy salmon cakes to prepare …

The US health secretary Robert F Kennedy Jr has got his work cut out for him. A cyclosporiasis outbreak linked to iceberg lettuce has the entire country playing salad roulette: one bad leaf and you could become very unwell. The condition isn’t normally deadly, but, on Monday, officials in Michigan confirmed the first two fatalities. Meanwhile, it’s the worst year for measles in the US since 1991. A disease that was once eliminated now looks as though it’s back with a vengeance – thanks in part, according to experts, to anti-vaxxers such as Kennedy himself. And this week New York officials are warning about a rare tick-borne illness called rabbit fever (tularemia).

Still, despite having rather a lot on his plate, Kennedy has found the time to front a new cooking show, hosted on YouTube. It’s called The Real Food Show and it’s supposed to help Americans prepare healthy, affordable meals at home. The first episode features the chef and TV personality Andrew Gruel (perfect name) teaching the US to prepare crispy salmon cakes with … salad. Which is certainly a bold way to kick things off.

Judge orders removal of all Wolfoo videos from online platforms after finding ‘prolific’ copyright infringement

The corporate owners of Peppa Pig have won a copyright battle against the copycat animation Wolfoo after a judge ruled the latter had illegally used audio from the famous cartoon pig.

The US-headquartered entertainment company Hasbro, which owns the rights to Peppa Pig, sued SConnect – the Vietnamese makers of Wolfoo – for copyright infringement regarding videos which used short audio clips of Peppa and her family saying words such as “Hooray!”

Former City trader’s weekly Gary’s Economics videos took off during the Covid pandemic

The City trader turned wealth tax campaigner Gary Stevenson has announced he is quitting the YouTube channel that made his name, citing health concerns.

His announcement, in a 48-minute address to camera, came after a mixed reaction to a televised documentary that brought him to a wider audience but drew some scepticism from left-leaning tax experts as well as more rightwing critics.

Streaming pioneer that transformed TV faces slowing growth and battle for viewers’ attention from YouTube

When Netflix offered viewers the chance to binge on an entire season of House of Cards it revolutionised the TV industry and started on a path to becoming the world’s most popular streaming service.

Almost 15 years on, however, the upstart’s strategy of pumping its service with an avalanche of content and an almost-as-rapid penchant for mercilessly cancelling shows has viewers reaching for the remote.

Pre-Covid, the movie landscape was dramatically different: YouTubers weren’t dominating the box office, video game spin-offs rarely made an impact and Winnie-the-Pooh wasn’t yet the star of a slasher movie. Why such a flurry of innovation – and what will be next?

Cinema has always been a medium of research and development. At any given point, the industry is searching for yet another breakthrough that can drive it into the future. Synchronised sound in the 1920s. Technicolor in the 1930s. The invention of the modern blockbuster in the 1970s.

Conversely, the consensus is that, if the 2020s has a defining trend, then it is one of decline. The theatrical experience is under attack from all angles: streaming, YouTube, a once-in-a-century health crisis that shut cinemas down entirely. And yet, if you look closer, this has actually been one of the most innovative decades that cinema has ever seen. Whether down to technology or desperation, the film industry has spent these last few years figuring out new ways to make films that simply could not have existed even at the turn of the decade.

From playing would you rather to ranking snacks, A-listers navigating the promo trail are now forced on a set schedule of silliness

This summer, we’ve been blessed with new movies from the legendary director Steven Spielberg and one of his biggest and most beloved successors, Christopher Nolan. In both cases, the movies have been heavily sold on the directors’ names, and, befitting two of the most famous film-makers to ever do it, Spielberg and Nolan have been making the press rounds. This has meant a wealth of interviews and insights – a bonus feature unfolding alongside the selling of the actual movies that will delight movie nerds the world over.

So at first, when I saw a 60-second video of Christopher Nolan answering a barrage of yes-or-no questions come across my social-media feed, of course I stopped and watched as a famously buttoned-up (if obviously still passionate) film-maker attempted some spontaneity with no danger of follow-up questions (or obligation to follow-up answers). From this, there is admittedly plenty of information to be gleaned: he has no designs on retiring, Tarantino-style. He will not make another superhero movie or a TV show. He’s fine with people watching movies on their phones or laptops. He will neither confirm nor deny that Interstellar is his favorite of his films. He will also neither confirm nor deny that he would like to make a Star Wars movie. (Perhaps the most intriguing, given that you’d rather expect that to be a firm “no”.)

Der börsennotierte Verlag hat lange gut verdient an romantischen Büchern für junge Frauen. Aber jetzt sinken die Umsätze. Wachstum soll auch eine neue Variante Hörbücher bringen.

Die Nutzung sozialer Medien und anderer digitaler Dienste sollte bis zu dieser Altersgrenze nur unter Aufsicht der Eltern oder in einem pädagogischen Kontext erfolgen, heißt es in einem in Brüssel vorgestellten Bericht.

When Mark Lanier and his young client Kaley faced the tech giants in an LA courtroom earlier this year, it seemed a bigger battle than David v Goliath. But they scored a landmark victory, proving that the social media giants had created ‘addiction machines’ that harmed mental health. How did they pull it off?

When Mark Zuckerberg walked into a Los Angeles courtroom on 18 February flanked by an entourage bedecked in Meta Ray-Bans, some people laughed. If this was an attempt at product placement for the company’s newest range of smart glasses, it was jarringly ill-judged: Zuckerberg was about to testify before a jury in a landmark lawsuit that sought to prove that Instagram and YouTube are addictive by design, and he had passed a throng of bereaved parents on his way into the courthouse. But the prosecution team, led by Mark Lanier, were not laughing.

This was a serious trial. For the first time, the most powerful names in social media were being held to account for the inherent design of their platforms, rather than the content hosted on them. They were accused of deliberately and maliciously building products that keep children hooked, with disastrous consequences for the mental wellbeing of young people. It was a landmark case – a big tobacco moment for big tech.

Last week, the prime minister, Keir Starmer, announced a sweeping ban on under-16s that would stop them accessing social media apps including Snapchat, TikTok, YouTube, Instagram, X and Facebook by 2027.

The move has been nicknamed an ‘Australia plus’ ban, after Australia became the first country to introduce a nation-wide ban on children accessing these apps at the end of last year.

But how is it actually going over there? Political correspondent Aletha Adu teamed up with Guardian Australia social media host and reporter Matilda Boseley to find out

Charlotte Ritchie presents a wildly ambitious and unapologetically brainy YouTube documentary that takes in Big Bang soundwaves, singing dolphins and an astonishing amount in between. Don’t miss it for the world

One of the big things to have come out of David Attenborough’s 100th birthday celebrations this year was the scale of ambition he had during his tenure behind camera. It was Attenborough who commissioned Kenneth Clark’s Civilisation and Jacob Bronowski’s The Ascent of Man, two vast documentary series that became defining texts on the history of art and science.

The consensus seemed to be that this sort of thing – huge, cerebral, expensive – would simply not get made today, unless it was dumbed down and cut-price and rebranded as Amanda Holden’s Top 10 Renaissance Willies. So it comes as something of a surprise to learn that the Cosmic Shambles Network’s new documentary series, For the Record: An Incomplete History of Music, takes its title as seriously as it does.

Company says it is taking the matter seriously after Today show host filmed himself walking down a London street with his arm slung around Robinson

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Nine Entertainment executives are meeting to consider the future of Channel Nine’s highest-paid presenter, Karl Stefanovic, after the Today show co-host published and then quickly deleted an interview with UK far-right activist Tommy Robinson.

Stefanovic, who is on leave from Today, filmed himself walking down a London street with his arm slung around Robinson, who has spearheaded recent nationalist demonstrations in the UK.

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Move for greater prominence on social media comes as ministers warn online misinformation risk becoming ‘existential for our democracy’

Plans to hand established broadcasters and media companies greater prominence on digital platforms such as YouTube and TikTok have been unveiled, as ministers warned online misinformation risked becoming “existential for our democracy”.

In proposals that set up a new clash with global tech companies, content from the likes of the BBC, ITV and Channel 4 would have to be awarded more promotion by their algorithms – with special rules considered for times of social unrest or crisis.

TV streamers and family shows set to benefit as brands cease marketing to teenagers on sites such as YouTube

• Analysis: impact of social media ban in UK hinges on how firm it is

Brands are expected to cut more than £1bn of digital advertising spending due to the UK’s ban on social media for under-16s, with streaming services tipped to benefit as advertisers try to reach large audiences of teenagers.

The ban, due to come into force early next year, will leave UK advertisers scrambling to reassess marketing plans as millions of under-16s effectively disappear as a demographic that can be marketed to on platforms including Facebook, Instagram, Snapchat and YouTube.

Liz Kendall also wants Ofcom to report to parliament every year on how effectively social media firms are keeping under-16s off their platforms

Starmer acknowledges some teenagers will get round these restrictons. But that does not make the rules pointless, he says.

Will it mean that no child ever looks at social media again? No.

But look, this might shock you, but it doesn’t shock parents of teenagers; they get around other laws too.

Some technology companies want us to think that social media is unchangeable, part of an almost natural order.

But we have to resist that kind of learned helplessness. We have agency, we can change it, and we will.

Meta, YouTube and Snapchat say ban, which would stop children using their platforms, will drive them to ‘less safe services’

• How will the ban work?

• UK parents: how do you feel about the ban?

Britain’s plans to ban social media for under-16s will push teenagers towards more harmful platforms, the world’s biggest technology companies have said as ministers push to enact the new restrictions by next spring.

Meta, YouTube and Snapchat have all criticised the ban, which was announced by Keir Starmer on Monday and would stop younger teenagers from using their services.